Showing posts with label alyssa milano. Show all posts
Showing posts with label alyssa milano. Show all posts

Wednesday, 9 June 2021

Prime Time: Double Dragon (1994)

In the many conversations that I've had over the years about videogames that have been adapted into movies, Double Dragon seems to get the least attention. There's probably a good reason for that. Namely, it's not a very good adaptation of the videogame. It's certainly not a terrible movie though, not if you're after some family-friendly martial arts antics with some fun baddies.

Robert Patrick plays white-haired Koga Shuko, a crime lord desperately seeking a magic medallion that goes by the name of the Double Dragon. The medallion gives the wearer power over body and soul, and Shuko has one half already. He can place himself inside the body of anyone else in his vicinity. But if he also gained the other half, which bestows super-strength, then he would be unstoppable. That part of the medallion ends up in the care of brothers Billy Lee (Scott Wolf) and Jimmy Lee (Mark Dacascos), which means Shuko will do anything to capture the brothers.

Written by Michael Davis and Peter Gould, who would both go on to comparatively better projects in the 2000s, Double Dragon is in line with other films and shows that decide to tame numerous elements of the source material to appeal to a family audience. I remember Double Dragon on my Spectrum 48K and being blown away by the fact that one of the enemy types you fight were whip-wielding women (represented here by a woman named Linda Lash, played by Kristina Wagner, although she's depicted in a way that only hints at the videogame character). There were also weapons you could pick up and use, another element largely discarded here.

Director James Yukich has a long list of directorial credits, but this is the first of only two fictional features that he helmed (unless I have missed a title while perusing his extensive filmography). The rest of his work is largely made up of music videos and comedy specials. Thankfully, he doesn't do himself a disservice here. Double Dragon has energy and a slightly whacky sensibility, which is much better than it being over-edited to oblivion and couched in a combination of misguided stylistic choices.

Wolf and Dacascos are decent enough leads, with the latter bringing his impressive fighting skills to the film. Patrick is a fun villain, helped by the look given to him for the film, including the wide-shouldered suits worn throughout. Alyssa Milano is Marian Delario, a rebel fighter working against the system (the world of the film is a weirdly vague dystopian society) and a less passive supporting female character than you might expect. Milano is suitably appealing and resolved to help enact change in the world around her. Wager is underused, sadly, but okay, and Nils Allen Stewart and Henry Kingi play a large thug named Bo Abobo, with Kingi playing him in his mutated form.

I understand why this isn't exactly celebrated, or even remembered often. The fighting isn't impactful, the plotting is silly, the dialogue between the characters has lines to make you cringe, and there's no real brand recognition for the target demographic. But, and it's a big but, taken for what it does onscreen, as muddled and silly as it is, it's not a bad way to spend just over an hour and a half. Especially if you have kids, I'd say aged about 8-12, who may enjoy the action and effects.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Saturday, 12 May 2012

Speed Zone (1989)

AKA Cannonball Run III. Or not.

Originally devised as a third Cannonball Run movie, Speed Zone has to settle for being a very poor distant relative to the first two movies. Thankfully, it has a role for the very likeable John Candy and that saves it from being completely unwatchable. That's not to say that, for some reason, those involved don't keep trying to make as many bad choices as possible.

The plot is as slim as it was in the previous Cannonball Run movies (that this isn't actually a sequel to but we all know that it is, really). A race across the USA allows drivers to drive various cars at illegally high speeds and everyone involved really wants to win. End of central premise. Of course, people have different motivating factors and skillsets. Matt Frewer, for example, plays a man who keeps trying to win by using his wiles as well as his driving skills. John Candy is just a nice, steady guy who reflects that in his driving style, with the lovely Donna Dixon overacting badly as his passenger. Eugene Levy may not actually drive in the race but his double-decker hairdo deserves at least some kind of consolation prize.

Directed by Jim Drake, and written by Michael Short, there just isn't enough of anything here to please fans of, well, anything. The cast includes those already mentioned plus Peter Boyle, The Smothers Brothers (two men I took an immediate dislike to, I'm afraid), Melody Anderson, Shari Belafonte, Tim Matheson, Art Hindle, Brian George, Joe Flaherty and then cameo roles for Jamie Farr, Brooke Shields, Michael Spinks, Alyssa Milano, Carl Lewis, Lee Van Cleef and some others. The automobile action isn't all that exciting, although one or two stunts do stand out as high points. Then we have the comedy content, which isn't all that great in terms of quantity and quality.

I suppose the biggest failing with Speed Zone in comparison to the Cannonball Run movies is summed up thus: The first two movies featured stars of yesteryear having a lot of fun together with one or two new faces joining in with the fun. This movie features a number of relatively "new" faces having fun with one or two stars of yesteryear joining in. That shouldn't be enough to make this such a bad movie but it is. It highlights just how much great chemistry, charisma and goodwill was thrown onscreen during the first two movies.

If you're an obsessive completist then you'll still want to get a hold of this but I don't recommend it (and I'm the guy who bought Jaws: The Revenge on DVD because I had the preceding three movies).

4/10

http://www.amazon.co.uk/Cannonball-Candy-Brooke-Shields-Region/dp/B003JNTCP4/ref=sr_1_1?s=dvd&ie=UTF8&qid=1336394781&sr=1-1


Saturday, 28 January 2012

Poison Ivy II: Lily (1996)

I knew that I was risking seeing something awful by watching the sequels to Poison Ivy but I didn't think that the dip in quality would be so quick and so steep. I should have known, after my experience with the other films in the Wild Things series, but I remain ever the optimist.

Things were looking bad from the very beginning. The movie starts off with a bit of raunchiness. Now I like to see a bit of raunchiness and I'm all for plenty of nudity in the right context but when a movie opens with such shenanigans then it either goes one of two ways. A) You can have a movie chock full of sex and nudity and fun or B) You can have a movie that has very little going for it and puts a sex scene right at the start of the film to capture unwary, casual viewers. This movie definitely went with option B.

Alyssa Milano stars as Lily Leonetti, a reserved young girl who has arrived at a California college to study art. Her teacher (played by Xander Berkeley) takes quite a shine to her. Art is created, passions rise and Lily transforms herself, helped by a box that she finds containing the diary of a girl called Ivy. Other people are involved, there is some nudity here and there and everything is just so crushingly dull that I can barely stay awake to write the end of this review.

It's a horrible, inept movie that replaces the psychological tricks and dramas of the first film with poor character changes and a cast of folk that audiences will struggle to sympathise with. Sara Gilbert was the focus in the first movie, even as she was (and also BECAUSE she was) being overshadowed by Drew Barrymore. In this sequel, we just have Alyssa Milano acting quite foolishly, Xander Berkeley being pretty unpleasant and Johnathon Schaech being moody.

The script by Chloe King is dire, more in line with her work on "The Red Shoe Diaries" than the preceding movie, and the direction by Anne Goursaud shows the same attitude and approach to the material. An awful soundtrack is the cherry on top.

Undemanding viewers may enjoy watching this for the fleeting moments in which Alyssa Milano get partially nude but everyone else would do best to just avoid it altogether.

3/10.

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews