Netflix And Chill: Me Time (2022)

A slick comedy star vehicle from John Hamburg, the director of Along Came Polly, I Love You, Man, Why Him?, and a few other projects (in film and TV), you will probably already know whether or not you want to watch Me Time when you see that it stars Mark Wahlberg and Kevin Hart. I wasn't exactly rushing to see it, but I am glad I did. It's silly, it's predictable, it allows Wahlberg and Hart to feel characters that are very much within the normal range of their performances, but it's also a decent bit of fun.

Hart plays Sonny Fisher, a loving and happy husband who loves organising everything for his kids (Dashiell, played by Che Tafari, and Ava, played by Amentii Sledge) while his successful wife (Maya, played by Regina Hall) keeps developing her career. It's time for Sonny to have some "me time" though, something his wife encourages when he is asked by his old friend, Huck (Wahlberg), to join him for a massive birthday celebration trip. I am sure you can pretty much write the rest of this. Sonny joins Huck, things get messy, and there are also some attempts by Huck and Sonny to recapture glorious moments from their youth.

I'm not sure if writer-director Hamburg actually put any thought into this, or whether he instead just fed some details into a program that auto-generates modern mainstream comedies. It feels like the latter, with the amusing set-pieces, the occasional gross (but very tame) moment, and a finale that feels rushed and unearned, but maybe that makes me an even bigger sucker for laughing as often as I did. I didn't laugh all the way through it, and I often rolled my eyes at the same time as I laughed, but the film basically worked on me in the way it was intended to.

Hart does what he usually does. He gets stressed out by things and rages ineffectively against them. Wahlberg is the one able to push him into action, and he does that by playing the standard Wahlberg character, one lacking any self-awareness or worries about the possibility of anything going wrong. Tafari and Sledge are both very good in their smaller roles, and I always like to see Hall onscreen, even if she's relegated to really just being "the wife" for this film. Andrew Santino is a lot of fun, playing another family man who goes from zero to one hundred as soon as he decides to join in with the partying, and Ilia Isorelýs Paulino steals a couple of scenes as a driver who ends up involved in a very fun set-piece about halfway through the movie. Jimmy O. Yang and Shira Gross are also fairly amusing, and there's a fun celebrity cameo to enjoy, as well as very small roles for John Amos, Anna Maria Horsford, Diane Delano, and one or two others.

Although advertised as a film about someone finally getting to have some fun again, with the risks that can entail (depending on what the fun involves), it's actually your standard tale of someone misunderstanding a situation so badly that it jeopardises their relationship with loved ones, which leads to a bad situation that needs fully remedied before the end credits roll. While the stars are just lazily repeating themselves, there's still fun to be had with their interplay, the supporting cast, and the strangely comforting factor of it all being so obviously designed to "preach to the choir". I doubt I'll ever rewatch it, but I wasn't in pain while it was on (and at 101-minutes, it also gets a bonus point for not feeling unnecessarily bloated).

6/10

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Little Fockers (2010)

The third, and final (and I assume it is going to stay that way), instalment in what we can now refer to as the Fockers trilogy, Little Fockers is a perfect example of something perfectly competent, yet also perfectly in line with the law of diminishing returns.

All of the main cast members return. Greg Focker (Ben Stiller) and Pam (Teri Polo), his wife, now have some children of their own, and father/grandfather Jack Byrnes (Robert De Niro) visits to discuss the potential of making Greg the next family patriarch. This comes about after Jack has had a "mild" heart attack, the timing is as bad as it can be, making things more stressful for Greg as he tries to juggle a number of different responsibilities.

Paul Weitz takes over the directing duties, a talented director in the field of comedy who I wish would recapture the touch he had when dealing with 3/4 of his first four movies, and he seems to be happy enough to go through the motions set out by the script, written by a returning John Hamburg, and Larry Stuckey (who was an associate producer on the previous instalment). That wouldn't be so bad if the script had any life to it, but it's almost as if everyone knows they used up all of the gags in the first two movies. All that is required is to get everyone into place, to set up a couple of comic misunderstandings, and to let the actors all do their thing. And that's what happens. It's not funny. It's not entertaining. It's just dull. Really dull. It's even worse when it sets up obvious strands that don't play out to anywhere near their full comic potential (such as potential chemistry between the lead and a character played by Jessica Alba).

What saves it from being completely unwatchable is the cast. Although the leads look like they could sleepwalk through the whole film, and some might say they do, there's still some fun to be had from just watching De Niro and Stiller play off one another. Polo and Danner are sidelined even more here than they were in the previous films, Hoffman and Streisand are also underused, and the same can be said for a returning Owen Wilson, as well as newcomer Alba. The second instalment in the series added more characters in the mix, but at least it had things for them to do. This one just hopes that having enough names in the cast list will distract from the . . . redundancy of it all.

Everybody knows how easily pleased I am, it's clear from most of my reviews, as well as the fact that I repeat that statement often enough, and I know that I enjoyed both Meet The Parents and Meet The Fockers more than most people. So you should probably bear that in mind when deciding whether or not to give your time to this, a relatively innocuous mainstream comedy that somehow made me determined not to seem too generous with my rating of it. It's the epitome of Hollywood laziness from start to finish.

3/10

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Meet The Fockers (2004)

Having taken the lead characters on a full journey in the first movie, what would be the best way to craft another tale around Greg Focker (Ben Stiller) and his humourless new father-in-law (Robert De Niro)? Well, it's time to meet the other parents. Greg's parents, both of whom are about as far removed from his in-laws as it is possible to be. Of course.

That's the whole plot right there, basically. Greg and Pam (Teri Polo) travel with Jack (De Niro) and Dina (Blythe Danner) to meet Greg's parents. Bernie Focker (Dustin Hoffman) is a very open and caring male, and Rozalin Focker (Barbara Streisand) is a lively and sensuous woman who is used to batting embarrassment aside as she helps people in her role as a sex therapist. When these two worlds collide, hilarity is set to ensue.

Following an established formula for any successful sequel (take what people enjoyed the first time around, then try to add some more of it), Meet The Fockers is a lot of fun for anyone who is a fan of most of the cast members. And how can you not be a fan of most of the cast members? Stiller and De Niro work as well opposite one another as they did in the first movie, while both Hoffman and Streisand have an absolute blast with their effervescent characters. You also get some time for Owen Wilson, albeit little more than a cameo role this time around, Alanna Ubach as a housemaid who may or may not have given birth to a Focker child, and a running strand about the way Jack is trying to look after his grandson (who is also along for the journey, because it was necessary to add more disagreements and gags).

As well as those returning in front of the cameras, everyone also returns to their main roles behind the cameras. Director Jay Roach stays well within his comfort zone, working well enough with the script by Jim Herzfeld and John Hamburg to create more laughs and add a new, but familiar, set of obstacles on the path to enduring happiness. While there's not as much subterfuge this time around, people are still trying to hide their true natures, with the Fockers being begged by their son just to rein things in slightly as their newest family members become accustomed to them.

If you liked the first film then you're probably going to like this. It's not setting out to push any boundaries or reinvent comedy. It's just trying to entertain viewers, and it succeeds in that regard. While that may be more down to the exuberance of the cast than the actual script, the end result is the same. You even get a similar end credit sequence, showing Jack reviewing some of his "secret" camera footage.

Successful enough to lead to a third instalment a few years further down the line, Meet The Fockers is easygoing mainstream entertainment. If that's not your thing, you can easily ignore it forever. But those who don't mind it, and I include myself there, will find this a suitable viewing choice when looking for some simplistic fun.

7/10

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Prime Time: Along Came Polly (2004)

In the rather small list of actresses who have more than once played characters evaluated by someone nerdy enough to use statistics and/or a list of good and bad qualities, Jennifer Aniston ends up at the very top. After being put through that particular humiliation once in Friends, she is here made to go through an all too similar experience here. All because she ends up dating someone who goes through life trying to minimise risk.

Ben Stiller is Reuben Feffer, a man who lives his life in much the same way he does his job, by analyzing risks. This leads to him being blindsided while his new wife (Debra Messing) cheats on him during their honeymoon. Heartbroken and out of sorts, he then meets up with Polly (Aniston), and the two soon attempt a few dates, none of which are as safe as Reuben would like them to be.

It's worth bearing in mind that Along Came Polly is about as safe a rom-com for everyone involved as it is possible to get. One or two seconds of bawdiness aside, it plays out exactly how you think it will, and every cast member is allowed to stay well within their comfort zone. Aniston is a beautiful woman who isn't always as organised and sensible about things as she could be (ring any bells?), Stiller is a fairly repressed man who starts to enjoy the process of loosening up slightly (yep, he's done that before), and Alec Baldwin is onscreen just long enough to remind you why a small role for Alec Baldwin is almost always a good thing. Even Philip Seymour Hoffman is very much at ease, having a lot of fun in one of his all-too-rare comedic turns (standard comedy, there are a lot of wonderful performances from Hoffman that use him well in darkly comedic ways).

Written and directed by John Hamburg, who had previously worked on the scripts for both Meet The Parents and Zoolander for Stiller (and would also work on the sequels to those movies), there's nothing here that shows any attempt to even push against the rom-com boundary lines. The infrequent moments of toilet humour and slapstick have been done better in other movies, the leads don't have any decent chemistry together (as much as I like him, Stiller is a difficult male lead for females to create chemistry with), and none of the set-pieces are that funny. It's also hard to care about the characters, nothing is really earned and it's just a case of waiting for the dominoes to knock each other over on the way to the ending.

It's passable entertainment if you don't mind Stiller and Aniston in the main roles, but the most pleasure comes from those providing support, be it a slick-as-ever Baldwin turn, a wonderfully selfish Hoffman, a daredevil tycoon played by Bryan Brown, and even a scuba-diving lothario played by Hank Azaria. Never one that will top any lists of firm favourites, Along Came Polly is the kind of film you end up watching in the afternoon while staying in bed during a sick day. Hardly a glowing recommendation, I know, but different movies can fulfil different needs when the time is right.

5/10

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Meet The Parents (2000)

Before he became just as easy to dislike as many of his peers, and I am not entirely sure when that happened (I'm still a fan anyway), Ben Stiller scored a big hit with this enjoyable comedy of errors that harvested comedy gold from the fertile territory of that most potentially nerve-wracking of experiences, the meeting of people you want to be your future in-laws.

Stiller is Greg Focker, a nurse planning to propose to his partner, Pam Byrnes (Teri Polo). His plans have to change when Pam tells him that her sister has just agreed to get married, which then leads to the pair heading to Pam's home for the big family event. Pam's mother, Dina (played by Blythe Danner) is lovely enough, but her father, Jack (Robert De Niro), has a past that makes it impossible for him to trust those he doesn't know. And all he knows about Greg is that the man has designs on his daughter.

Based on a little-known 1992 comedy with the same premise, and title, Meet The Parents is a fantastic combination of a great cast working with an excellent script, helmed by an experienced comedy director who knows exactly how to make the most of every moment, be it big or small. Jay Roach is the person in the big chair, coming off the great success of the first two Austin Powers movies (and he'd also made Mystery, Alaska just before this, but I haven't seen that one yet), and he has enough experience to let things build progressively towards a finale that throws the characters into a perfect thunderstorm.

Jim Herzfeld and John Hamburg wrote the script, taking the main premise and ensuring that everything is more finely-tuned to make the most of the central cast, especially any moments featuring De Niro.

Stiller is perfect in the central role, focusing on being an unfortunate guy trying to do his best, with less of the angry outbursts that is such a firm part of his schtick in many other roles. Polo works well alongside him, with the two having enough natural rapport to make it believable enough that they might be able to maintain a serious relationship. Although not the focus of many scenes, Danner does well, but it's De Niro who gets most of the best moments, either on his own or directly opposite Stiller. His no-nonsense demeanour and lack of humour makes the comedic beats even funnier. You also get supporting turns from the likes of Jon Abrahams (a younger brother who causes trouble for our hero by hiding his weed in an unfortunate place), James Rebhorn, and Owen Wilson, great value as an ex-boyfriend who had nothing more than a very sexual and physical connection with Pam, as opposed to the stronger bond that she shares with Greg.

You also have a cat trained to use the toilet, a spycam or two dotted around to catch out liars, and a running joke about Greg not wanting to do a job more respectable than "just" being a nurse. It's all very safe and predictable, but that doesn't make it any less entertaining and funny.

8/10

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