I can't, in all honesty, say that Boogeyman 2 is a GREAT horror movie. But I can easily say that it's quite a step up from the first movie. In fact, apart from one main connection, you could happily avoid the painful experience of watching the first film and just skip straight to this one.
Danielle Savre plays Laura Porter, a young woman who decides to check into the mental health facility that seemed to do so much good for her brother (Henry, played by Matt Cohen). Laura and Henry were scarred many years ago by a traumatic night that led to the loss of their parents. As Matt heads off to start rebuilding his adult life, Laura puts herself in the hands of Dr. Jessica Ryan (Renee O'Connor) and Dr. Mitchell Allen (Tobin Bell). Unfortunately, it's not long until a number of her fellow patients start dying, and in ways that seem tied to their deepest fears. Is the boogeyman real, or have one of the doctors decided to try more radical methods of treatment?
While the script by Brian Sieve is simply competent, and the direction by Jeff Betancourt is perfectly fine, Boogeyman 2 actually manages to impress with one or two moments of real nastiness. The dressing may be standard, sanitised stuff, but the death scenes here are sometimes wince-inducingly painful, which is all the more surprising considering the blandness of some other aspects of the film. The supporting characters are a mixed bad, and it's hard to care for most of them, the facility always feels like a horror movie set as opposed to a real building (like, for example, those many horror movie hospitals that never have more than one or two staff working in them at night), and the final act revelations will neither surprise nor impress full-time horror fans.
Savre is fine in the lead role, I guess, but it's the supporting cast that provides more fun for movie fans. The appearance of Bell, of course, immediately makes him a prime suspect (due to his prominent role in the Saw franchise), but O'Connor also plays up to the fact that her character could be good or evil, simply because all of the adults disbelieving younger characters with legitimate fears can be viewed as potential baddies in a movie series that has shown how far things can be affected by the fear of fear itself. Then we have Mae Whitman and Johnny Simmons as two patients, the former unable to stop her habit of cutting herself and the latter suffering from OCD relating to hygiene. They both stand out, making the film much more enjoyable than it otherwise would have been. The same, sadly, can't be said for Christine Griffith, Michael Graziadei, Lesli Margherita, or any of the others that I may have already forgotten. Cohen does okay, but he's not onscreen long enough to make much of an impression either way.
If, like me, you never thought of checking out the sequels to the awful Boogeyman then it may be worth reconsidering your stance. You're not missing out on too much if you never watch this movie, but it's an easygoing bit of entertainment if you have 90 minutes to fill and you're in the mood for something undemanding and gory.
5/10
http://www.amazon.com/Triple-Feature-Boogeyman-Barry-Watson/dp/B003UN0752/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1411851034&sr=1-1&keywords=boogeyman
Showing posts with label johnny simmons. Show all posts
Showing posts with label johnny simmons. Show all posts
Friday, 10 October 2014
Boogeyman 2 (2007)
Labels:
boogeyman 2,
brian sieve,
christine griffith,
danielle savre,
david gallagher,
horror,
jeff betancourt,
johnny simmons,
lesli margherita,
mae whitman,
matt cohen,
michael graziadei,
renee o'connor,
tobin bell
Sunday, 23 February 2014
The Perks Of Being A Wallflower (2012)
Written and directed by Stephen Chbosky, adapting his own novel, The Perks Of Being A Wallflower is a good film with moments of greatness, helped enormously by a winning central performance from Logan Lerman as the main character. The fact that it ends up not as good as it could be stems from some tired cliches of quirkiness being trotted out, and also from one or two complete mis-steps (like having the cool kids who love cool music not be able to recognise the song "Heroes" by David Bowie - watch the film and you'll probably have the same expression of puzzlement and disdain that I had during that moment).
Lerman plays Charlie, a sensitive young man who doesn't really fit in with those around him at school. He enjoys reading and writing, and quickly finds out that he'll at least really enjoy listening to his new English teacher (Paul Rudd). He's also had some mental health problems, but whatever caused them is obviously going to be held back for viewers to discover as the movie builds to its finale. Anyway, Charlie starts to enjoy life a LOT more when he befriends Patrick (Ezra Miller) and Sam (Emma Watson). That also leads to him becoming friends with a few of their friends, and it soon gets easier for Charlie to keep the good days outnumbering the bad days. But the situation probably can't stay so stable, especially when Charlie has such strong feelings for Sam.
Chbosky does fine with the structuring and feel of the movie. There are details teased out as things build up to the climax, and there's fine line between the comedy and the dark tension always running underneath it. He's helped by a good cast, but few of the supporting actors are as good as Lerman. Watson tries hard, and I suppose does a pretty good job, but I just can't accept her as the sexy, cool, free spirit that she's portraying here because, well, I've never found her sexy or cool. She may be both of those things, and I know that she's certainly the former to some people, but she doesn't ever seem that way to me, therefore her character is bearable but unconvincing. Miller does a lot better, but his character is another cliche, alongside Watson's quirky object of desire. Miller is the exuberant gay male, spreading around enough love for everyone while hiding a lot of his personal pain deep inside. Mae Whitman is great for almost every moment that she's onscreen, Johnny Simmons adds another good turn to his CV, and Dylan McDermott and Kate Walsh play Charlie's parents, the two may not have much screentime but still do well with what they're given. And horror fans will be delighted by the small role that Tom Savini has in the movie.
There's nothing new here, and that may be the biggest problem that The Perks Of Being A Wallflower has, but a lot of what IS here is done well, and I can't praise that central turn from Lerman enough. But, honestly, the other big problem is . . . . . . . . . what kind of cool kids don't recognise a great David Bowie song when they hear one?
7/10
http://www.amazon.co.uk/The-Perks-Being-Wallflower-Blu-ray/dp/B008OQ037W/ref=sr_1_4?ie=UTF8&qid=1391897925&sr=8-4&keywords=the+perks+of+being+a+wallflower
Lerman plays Charlie, a sensitive young man who doesn't really fit in with those around him at school. He enjoys reading and writing, and quickly finds out that he'll at least really enjoy listening to his new English teacher (Paul Rudd). He's also had some mental health problems, but whatever caused them is obviously going to be held back for viewers to discover as the movie builds to its finale. Anyway, Charlie starts to enjoy life a LOT more when he befriends Patrick (Ezra Miller) and Sam (Emma Watson). That also leads to him becoming friends with a few of their friends, and it soon gets easier for Charlie to keep the good days outnumbering the bad days. But the situation probably can't stay so stable, especially when Charlie has such strong feelings for Sam.
Chbosky does fine with the structuring and feel of the movie. There are details teased out as things build up to the climax, and there's fine line between the comedy and the dark tension always running underneath it. He's helped by a good cast, but few of the supporting actors are as good as Lerman. Watson tries hard, and I suppose does a pretty good job, but I just can't accept her as the sexy, cool, free spirit that she's portraying here because, well, I've never found her sexy or cool. She may be both of those things, and I know that she's certainly the former to some people, but she doesn't ever seem that way to me, therefore her character is bearable but unconvincing. Miller does a lot better, but his character is another cliche, alongside Watson's quirky object of desire. Miller is the exuberant gay male, spreading around enough love for everyone while hiding a lot of his personal pain deep inside. Mae Whitman is great for almost every moment that she's onscreen, Johnny Simmons adds another good turn to his CV, and Dylan McDermott and Kate Walsh play Charlie's parents, the two may not have much screentime but still do well with what they're given. And horror fans will be delighted by the small role that Tom Savini has in the movie.
There's nothing new here, and that may be the biggest problem that The Perks Of Being A Wallflower has, but a lot of what IS here is done well, and I can't praise that central turn from Lerman enough. But, honestly, the other big problem is . . . . . . . . . what kind of cool kids don't recognise a great David Bowie song when they hear one?
7/10
http://www.amazon.co.uk/The-Perks-Being-Wallflower-Blu-ray/dp/B008OQ037W/ref=sr_1_4?ie=UTF8&qid=1391897925&sr=8-4&keywords=the+perks+of+being+a+wallflower
Sunday, 5 January 2014
Jennifer's Body (2009)
Megan Fox and Amanda Seyfried star in this hip comedy horror directed
by Karyn Kusama from a script by Diablo "writer of Juno" Cody. I think
every review of this movie has to mention the fact that Diablo "writer
of Juno" Cody was the writer of Juno. This fact may help people decide
whether they are going to like or dislike Jennifer's Body because it
certainly contains a lot of the highly stylised teenspeak that Diablo
peppered throughout her most famous script (to date, anyway).
The plot sees Jennifer (Fox) and her unlikely, and slightly geeky, best friend Needy (Seyfried) attending a rock gig featuring a band with a lead singer (Adam Brody) that Jennifer would like to get to know a lot better. But when a fire burns down the venue things go speedily downhill and Needy simply looks on as Jennifer is taken away in the rock group's van to who knows where. The next day it seems that all is well, weirdly so, but something is different about Jennifer - she's now possessed and likes to terrorise and eat her fellow schoolmates. This causes some understandable friction between the two pals, and as the rift widens it's Needy who starts to uncover the truth behind the recent spate of deaths in town.
A lot of people have had the knives out already due to the lead role being played here by Megan Fox, an attractive girl most associated with the large battling robots of the Transformers movies. But it's with performances like this one and her turn in How To Lose Friends And Alienate People that she proves she's more than just a pretty face. Seyfried is a great asset as the best friend who has to face some difficult decisions and none of the other young actors let themselves down in any way. There really aren't too many older stars given much time but J.K. Simmons stands out in his small, fun role.
Stylistically, the movie reminded me very much of Heathers and also Mean Girls in its skewing of high school hierarchy and the twisting of the stereotypical teen roles. As mentioned before, those who do not like the kind of teenspeak used in Juno, etc. may find the whole thing a bit jarring to the ears but the blend of scares, tension and smart one-liners (my personal favourite being a great "Rocky Horror" gag) should please those who dig the movie's overall vibe.
7/10
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The plot sees Jennifer (Fox) and her unlikely, and slightly geeky, best friend Needy (Seyfried) attending a rock gig featuring a band with a lead singer (Adam Brody) that Jennifer would like to get to know a lot better. But when a fire burns down the venue things go speedily downhill and Needy simply looks on as Jennifer is taken away in the rock group's van to who knows where. The next day it seems that all is well, weirdly so, but something is different about Jennifer - she's now possessed and likes to terrorise and eat her fellow schoolmates. This causes some understandable friction between the two pals, and as the rift widens it's Needy who starts to uncover the truth behind the recent spate of deaths in town.
A lot of people have had the knives out already due to the lead role being played here by Megan Fox, an attractive girl most associated with the large battling robots of the Transformers movies. But it's with performances like this one and her turn in How To Lose Friends And Alienate People that she proves she's more than just a pretty face. Seyfried is a great asset as the best friend who has to face some difficult decisions and none of the other young actors let themselves down in any way. There really aren't too many older stars given much time but J.K. Simmons stands out in his small, fun role.
Stylistically, the movie reminded me very much of Heathers and also Mean Girls in its skewing of high school hierarchy and the twisting of the stereotypical teen roles. As mentioned before, those who do not like the kind of teenspeak used in Juno, etc. may find the whole thing a bit jarring to the ears but the blend of scares, tension and smart one-liners (my personal favourite being a great "Rocky Horror" gag) should please those who dig the movie's overall vibe.
7/10
If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share
Labels:
adam brody,
amanda seyfried,
comedy,
diablo cody,
horror,
j. k. simmons,
jennifer's body,
johnny simmons,
karyn kusama,
kyle gallner,
megan fox
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