Showing posts with label kristoffer borgli. Show all posts
Showing posts with label kristoffer borgli. Show all posts

Thursday, 14 May 2026

The Drama (2026)

While there were moments in The Drama that I enjoyed, I am sad to say that it mainly left me cold. Not only that, I didn't think either Zendaya or Robert Pattinson were on top form. 

Written and directed by Kristoffer Borgli, who gave us the wonderful Dream Scenario, this is a film about a few different things. Emma (Zendaya) and Charlie (Pattinson) are due to get married. Things are seriously derailed, however, when they're encouraged by Rachel (Alana Haim) and Mike (Mamoudou Athie) to confess the worst thing that they've ever done. Everyone has made mistakes in their past, but it seems as if some mistakes are easier to forgive than others. Something is revealed that changes everyone present, and it may even lead to the whole wedding being called off.

There's something here that could have worked well, especially when looking at how people can react when learning something new about a loved one, but it's all overshadowed by the fact that the main revelation feels like something Borgli used purely because of the shock value. The best moments in the film juxtapose imagination with the reality of wedding preparation, and there are some laughs created by the editing and dialogue, but there could, and probably should, have been much more done with such weighty subject matter. Or maybe things should have revolved around something else entirely.

Pattinson is occasionally amusing when looking so dazed for most of the runtime, so at least he gets to benefit from the material in that way, but he doesn't feel believable in so many other ways. Zendaya never really feels believable at all, especially when you consider just how literally anyone would accept the challenge of "tell the worst thing you ever did" without considering the consequences. Haim gets the best moments, but her performance is undermined by her character trying to maintain the moral high ground after confessing her own awfulness (which I understand, that's one of the points being made, but it still doesn't help her), and Athie is good, but a bit underused. Hailey Gates makes a strong impression in her small role, Sydney Lemmon does well portraying a potential wedding DJ, Jeremy Levick is very funny as another potential wedding DJ, and Zoë Winters provides perhaps the best moments in the whole film as a wedding photographer trying to work with two people who are far from enthusiastically smiling subjects.

I really wanted to like this, considering how much I have enjoyed the leads in other features, and how much I liked the previous film from Borgli, but it just couldn't find the right path through some tricky terrain. Again, as I have said about one or two other movies in recent years, nothing is off limits when it comes to good and thought-provoking art, but you need to shoulder some extra responsibility when it comes to certain topics, whether you're trying to be serious or mine some very dark comedy from things.

Everything is decidedly okay, superficially anyway, but this needed to be much better than okay. Fans of confrontational work always deserve much better than okay.

5/10

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Thursday, 25 January 2024

Dream Scenario (2023)

Nicolas Cage plays Paul Matthews, a fairly bland and passive professor who hasn’t ever pushed himself out of his comfort zone. His career path seems steady, his home life likewise, if a bit tired, and he tends to see others making progress while he stays in the same spot. This all changes when he starts to appear in the dreams of other people. He doesn’t do anything in these dreams, not initially anyway, but he becomes a presence in the nocturnal slumberland of many people, giving him a strange kind of celebrity. That is all well and good while the dreams are pleasant enough, but it’s not so good when things turn darker. 

Although it makes great use of dream logic and enjoyably cinematic vignettes, Dream Scenario is a very clever way of exploring the modern problem of “going viral”. If everyone views you in a certain context then they start to think they know you, and anything changing their perception of you, real or imagined, can lead to a real backlash. Keep being successful and many people will want to watch you fail. Make one mistake and many people will rush to judgement, a whole tide of opinion turning against you quicker than you can send out a carefully-worded video apology.

Writer-director Kristoffer Borgli has crafted one of the best movies of 2023 here, a clever and pointed exploration of our modern society that has us all putting ourselves into the lives of others, eager for connections and validations that can appear or disappear with one keystroke or touch of a phone screen.

Borgli is helped by another fantastic Nicolas Cage performance, once again performing the kind of schlub he has shown us in one or two of his other films. Cage perfectly embodies the full journey of his character, from curiosity to cockiness, from nervousness to narcissism, and the various dream incarnations of his character allow him to consider his waking life in ways he would never have done before. Julianne Nicholson and Lily Bird are very good as the affected family members, wife and daughter respectively, and there is an excellent supporting cast that includes Kate Berlant, Tim Meadows, Michael Cera, and Dylan Baker, but the film rests on the shoulders of Cage, and he admirably carries it with ease.

I thought I was going to like Dream Scenario since I heard of the concept. The trailer just made me even more keen to see it. It absolutely surpassed my expectations, and is a perfect blend of humour, drama, commentary, and movie magic. I would hope that people are now well aware of how great Cage can be onscreen (he is enjoying a recent renaissance, but I have been a fan of him for decades, regardless of the times when the bad movies far outweighed the bad). If you somehow still doubt his talent, this may very well convert you.

9/10

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