Showing posts with label mark steven johnson. Show all posts
Showing posts with label mark steven johnson. Show all posts

Wednesday, 10 June 2026

Prime Time: Daredevil (2003)

While most people really seemed to dislike the film when it came out, I've always had a soft spot for Daredevil. It has since been overshadowed by a superior small-screen interpretation of the character, but it still retains a certain charm, feeling even further removed nowadays from the many other bombastic superhero movies that always seem to pit the main characters against either god-like enemies or potential world-destroying threats.

Written and directed by Mark Steven Johnson, this is the tale of Matt Murdock/Daredevil (Ben Affleck), a blind man who works as a lawyer by day and serves up any extra justice required by night. Things are getting tougher on the streets as Wilson Fisk/Kingpin (Michael Clarke Duncan) starts to tighten his stranglehold on the criminal network. At least there's a beautiful woman, Elektra (Jennifer Garner), to get to know. But there's also the dangerous and quite bonkers Bullseye (Colin Farrell) looking to push in for his own particular dance.

It's hard to think of a film that feels more absolutely 2003 than this, from the cast to the stylistic choices made for the visuals, from the soundtrack to the attempts at grittiness. If you haven't seen the film in a while then I tentatively recommend giving it a go, especially when you get to the early scenes that show our hero happier than most to push some villains right off the mortal coil.

Affleck isn't the best fit for the lead, sadly, although he tries. This was during a time when he seemed a bit too smooth and smug, traits that seep into his portrayal of a character who is much more captivating when worn down and roughed up (as they try to make him by the third act). Garner isn't given much to work with, and I think she fares much better in the spin-off movie, but she tries to make the most of a couple of moments that allow her to flex her action skills. Duncan is superbly imposing as Fisk, really helping to lift the movie up on his broad shoulders, and Farrell . . . well, Farrell is an absolute blast for every moment that he's onscreen. He just seems to be in a different movie from everyone else, but that's the more fun and entertaining movie. Jon Favreau is an amusing "sidekick", and the cast also includes Ellen Pompeo, Joe Pantoliano, Leland Orser, David Keith, and Erick Avari, as well as one or two other familiar faces (and, yes, there's also a Stan Lee cameo here). 

It's a shame that the tone wasn't consistent throughout. The same can be said for the action. The film works best when it has some darkness and weight onscreen, but other times (a playground "flirt fight") are almost painful when trying to be a bit too cute. And once Bullseye appears onscreen then it's game over. He's the one you really want to see for the rest of the runtime.

There's still plenty to enjoy here, including the way we're shown Daredevil's reading of the environments and a good musical score from Graeme Revell, but this remains more of a miss than a hit. It's neither as slick or visually-impressive as many other modern spectacles, nor is it as entertaining and brutal as the more recent take on the character. I'll retain a soft spot for it, but I probably won't revisit it again for another decade or so, if ever. 

6/10

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Sunday, 28 December 2025

Netflix And Chill: Champagne Problems (2025)

Minka Kelly plays Sydney Price, a young exec who heads to France just before Christmas in order to hopefully finalise a deal that will allow her firm to gain control of a family-owned champagne brand. The owner is rightfully wary, and he would ideally like to find a solution that leaves management in the hands of his son, Henri (Tom Wozniczka). And who is the stranger that Sydney met and had one magical night with when she first arrived in France? Oh yes, it's Henri.

Champagne Problems is a Christmassy romance that feels neither Christmassy enough nor romantic, despite being set in some beautiful French environments. It's not that it's a terrible film, and I think undemanding viewers after a bit of fluff will enjoy it well enough, but it's just disappointingly flat. There's not even a real spark between the leads, making the finale feel more like something engineered purely by someone who knows from the start where the film has to end up.

Writer-director Mark Steven Johnson is a capable enough talent, and he's even been at the helm of a couple of Marvel movies (although he had the misfortune to be with them before the globe-dominating MCU phase of their life cycle), but he doesn't inject any energy into this. I was going to label it as a rom-com, but there's not enough comedy to justify that, and I didn't want to criticise it for not being something that it maybe isn't aiming to be. There is, however, some fun whenever Sean Amsing's character, Roberto, speaks to everyone in his outgoing and entertaining manner. And there's one unexpected fart. Not really a fart gag. Just a fart. How can you sneak that into the plot and not make it funnier? Good on Kelly for portraying a woman who can suffer from wind though.

Kelly tries her best with the material, in fact, and is a big plus. It's just a shame that nothing can be done to lift up something so relatively dull. How can a Christmas romance in France/Paris feel so unspectacular? Wozniczka is handsome and French, as he needs to be, and also tries his best, although he's given even less to work with than Kelly. Amsing is fun, and the supporting turns from Thibault de Montalembert, Flula Borg, Astrid Whettnall, and Xavier Samuel are what you'd expect them to be, nothing more and nothing less. France should be another major character, but it's not showcased as it should be, especially once we've moved beyond the first 10-15 minutes.

Mostly harmless, and I know some have enjoyed it more than I did, but I'm surprised by those who have spoken of it as an unexpectedly enjoyable seasonal offering from Netflix. There's nothing of any substance here. You'd get more satisfaction from eating half a macaron.

4/10

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