Netflix And Chill: Taxi (2004)

An American remake of an action comedy from the late 1990s, one written by no less than Luc Besson, Taxi has a good bit of talent behind the camera. Tim Story is the director, and the screenplay is from Robert Ben Garant, Jim Kouf, and Thomas Lennon. It's just a shame that Jimmy Fallon is one of the leads.

Queen Latifah is Isabelle 'Belle' Williams, a woman who is at the very start of her career as a taxi driver. She has spent years being a courier, and has even managed to get caught speeding while whizzing about on her bicycle. She's a very talented driver, and very quick. That's why she proves to be a useful asset when a police officer named Andrew Washburn (Fallon) jumps into the back of her cab and asks her to head to the site of a nearby bank robbery. Williams and Washburn end up working together on the case, although it's not made official. But it might take a speedy and slick taxi driver to catch a speedy and slick getaway driver. 

Despite the work of the writers, there's nothing very witty or entertaining here, not outwith the stunt driving anyway. A large part of that is due to the screenplay just being a bit too thin, but I think the problem is almost equally down to having Fallon in the role of Washburn. While I can tolerate him in some of his TV spots, Fallon has never done enough in movies to fully win me over, which is a major hurdle when he's given a lead role.

Queen Latifah certainly tries her best to balance out the awfulness of Fallon though, and she's fantastic in her role (as she has been in many of the movies she has starred in). She cannot carry the whole film on her shoulders though, and that's what is being asked of her. Henry Simmons isn't too bad, playing her partner, and Ann-Margret has fun in her scenes, but Jennifer Esposito, Gisele Bündchen, and everyone else are just disappointing non-entities.

Similar to so many other American remakes of “foreign-language” originals, Taxi succeeds when it replicated the scenes that worked just as well in the original, but falters in the attempts to make everything more appealing to mainstream American audiences. You can watch this and not hate it. You’re unlikely to enjoy it as much as the first film though, as long as you can overcome the teeny tiny obstacle of subtitles.

This review may not have given you anything substantial to digest. Nor does the movie. I'm happy enough to have been critical without being too insulting. I'd encourage people to check out almost anything else directed by Tim Story, or indeed anything else starring Queen Latifah.  

4/10

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Hell Baby (2013)

A horror comedy written by, directed by, and starring Robert Ben Garant and Thomas Lennon, Hell Baby is a fairly amusing movie that could have been improved by two things. One, a better cast. Two, some sharper gags.

Rob Corddry and Leslie Bibb are the couple who move into a home that has seen a lot of bad stuff, to put it mildly, within its walls. Bibb is quite heavily pregnant, and the parents-to-be hope to fill the place with good vibes and start making a rosy future. Keegan-Michael Key plays a man who keeps popping up to remind them of how unlikely that is, while two priests (Garant and Lennon) start down a trail that may well lead them to the very same house. Well, okay, it's obvious that it will. This isn't a mystery. It's obvious almost from the very beginning that the pregnancy is far from a normal one, which makes it just a matter of time until the priests get there and try to defeat any evil forces in the third act.

With a cast that also includes Riki Londhome and Michael Ian Black, this certainly has enough comic talent in front of the camera to help make the ridiculousness more palatable, but it's just a shame that there weren't a few more well-known names in the mix. The film doesn't actually have too many characters, which is a shame, because an extra cameo or two might have been enough to make this that bit more enjoyable. Bibb and Corddry are fun leads, Garant and Lennon work well together, and Key does well enough with a character that could have easily been far too grating.

But the biggest problem that the movie has is over-indulgence. I laughed quite a few times, but there were just as many occasions that started with me laughing and ended with me just wishing that everything had been wrapped up a bit quicker.

There are some easy jump "scares" here and some good gore, mixing with the easy laughs to result in something that defies the odds to become a surprisingly decent horror comedy at times. Unfortunately, it's all undone by a finale that ditches any semblance of intelligence for an overlong and unfunny riff on pass the parcel.

If you like the people involved then you'll like Hell Baby. It's fun. It's just a shame that Garant and Lennon didn't try a bit harder to tighten everything up and pack a bit more in to each act. And it's a great shame that they didn't seem to put any effort at all into thinking up a decent finale.

6/10

http://www.amazon.com/Hell-Baby-Blu-Ray-Leslie-Bibb/dp/B00EP2SN62/ref=sr_1_2?ie=UTF8&qid=1390658933&sr=8-2&keywords=hell+baby

Reno 911!: Miami (2007)

While I never watched the TV version of Reno 911! I was somehow always aware of it. It was a parody of the "COPS"-style TV shows that have become so popular over the last decade or so and featured some great comedy from two people I really enjoy seeing onscreen - Thomas Lennon and Wendi McLendon-Covey. Maybe if I'd seen some episodes I would have enjoyed it. Maybe not.

The plot sees our hapless police officers invited to a big event in Miami. It's not that they're special, or that anyone actually wanted them there, but the fact is that this time around everyone was invited. Things start off as you would expect - the group are mocked and their details can't be found on the system - but things swiftly turn around the next day when a terrorist attack leaves every other officer quarantined inside the main event building. Law and order must remain and it's up to the folks from Reno to uphold it. Uh oh.

Directed by Robert Ben Garant (who also co-wrote the thing with stars Thomas Lennon and Kerri Kenney - and, I'm sure, everyone who was able to improv some lines), this movie suffers due to the fact that every single character is just slightly too dumb to be amusing for an entire film. The cops are dumb, of course, but The Rock pops up just to be dumb too. Then we have a dumb, though still amusing, Scarface-inspired baddie played by Paul Rudd. Patton Oswalt, as Jeff Spoder, does reasonably well until the big finale, in which he also becomes pretty dumb. It's a symphony of stupidity and that's a tricky thing to get just right, which is why the movie falls down slightly.

There are many individual moments that cause laughs (the aforementioned appearance from The Rock is one while attempts to remove the body of a beached whale is another) but there are many other moments that pile on the crudity and nonsense without success. Lennon is consistently great, as are Wendi McLendon-Covey and Kerri Kenney, but the other main characters are either undeveloped or just plain unfunny.

With a cast that also features David Koechner and Nick Swardson, and even a small and amusing cameo for Danny DeVito, there's enough stupidity thrown around to make this a passable time-waster but it's not one that I'll choose to watch again.

5/10

http://www.amazon.co.uk/Reno-911-Miami-The-Movie/dp/B000RGUN2W/ref=sr_1_1?ie=UTF8&qid=1341255680&sr=8-1