At the time of writing, this is the last movie in The Naked Gun franchise. Ed Helms is being lined up to take over the main role, apparently, but it's hard to think of anyone being able to make the role their own after such fine work from the late, great Leslie Nielsen.
In this absurd adventre, Frank Drebin (Nielsen) has retired from the police force. He's happily married to Jane (Priscilla Presley) but misses being able to legally shoot people in the street. The fact that Jane wants to start a family also causes him some stress, something that he escapes when Ed (George Kennedy) and Nordberg (O. J. Simpson) call on him for help. They want Frank to go undercover, to get close to a criminal named Rocco (Fred Ward), and to find out about whatever bad, explosive plans he has in store.
All of the main players are as good as they have been in the previous movies, and Fred Ward is a lot of fun as Rocco. Kathleen Freeman is also very good as Rocco's mother, Muriel, but the good work by everyone else is almost undone by Anna Nicole Smith, playing Rocco's gal, Tanya. She's not quite as bad as some people would have you believe, but . . . . . . . . . . she's . . . . . . not good, and is easily the worst performer onscreen.
With Peter Segal taking over the directorial duties this time around, there's definitely something lacking from this third trip to the well. Perhaps it's just the law of diminishing returns, or familiarity breeding contempt, because there are still a number of great gags packed into the script (written by David Zucker, Pat Proft and Robert LoCash). The opening sequence, in particular, is a doozy. In fact, maybe the rest of the film simply suffers in comparison to that great comic riff on The Untouchables. The finale, taking place at the Academy Awards ceremony, may feel a bit tired and desperate, but it's hard to judge the movie too harshly when it comes as the capper to so many laughs and fun moments.
I can't imagine any fans of this type of humour hating this film, but a sense of disappointment may well outweigh a lot of the good feeling. I still like this, I just like it less than the first two movies. But those first two movies, to be fair, were SO good.
6/10
http://www.amazon.com/Film-Favorites-Nielsen-Wrongfully-Accused/dp/B00AMSQBUI/ref=sr_1_2?ie=UTF8&qid=1398040171&sr=8-2&keywords=naked+gun
Showing posts with label robert locash. Show all posts
Showing posts with label robert locash. Show all posts
Wednesday, 30 April 2014
Friday, 18 April 2014
April Fools: BASEketball (1998)
Trey Parker and Matt Stone star as Joe Cooper and Doug Remer, respectively, in this sports comedy that's really just an excuse to cram as many gags as possible into every scene and to highlight the comedy value of a really good insult.
"Coop" and Remer are a pair of losers, but they're a pair of losers who create a sport that becomes very, very popular in America. It's a cross between basketball and baseball. One player tries to throw a ball that will land in the basket, with the points scored determined by his position, while the opposing team try to psyche them out with various insults. Thanks to a general lack of ambition, and a wish to keep their sport pure, the guys manage to keep baseketball as something more about the actual players and gameplay than money and sponsorship deals. But scheming Baxter Cain (Robert Vaughn) really wants to change that.
Despite feeling very much like a Trey Parker and Matt Stone movie, BASEketball only makes use of the duo in an acting capacity, although it certainly feels like one or two moments came straight from their warped little minds (including a fantastic sneak preview of "Cartman"). The script was actually co-written by director David Zucker, along with Robert LoCash, Lewis Friedman and Jeff Wright. But Parker and Stone made sure they could rewrite enough to keep everything nicely in line with their own sensibilities.
The leading men may not be the most versatile performers, but they're perfect for these roles, playing two dudes who just have a lot of fun, realise that others enjoy what they do, and then have to walk a tightrope between doing well in life and selling out. It's not an unfamiliar scenario for them to deal with. The other main team member, Squeak Scolari (played by Dian Bachar), is very funny, and very often the butt of the jokes.
Elsewhere in the cast, Yasmine Bleeth has fun as the woman that "Coop" falls for, Jenny McCarthy and Ernest Borgnine provide some laughs, and Vaughn is amusingly conniving and unflappable, even while dealing with idiots around him.
Zucker has, of course, been involved with many great comedies in his career, many of them better known than this one, but BASEketball is so good that I still rank it up there with his best stuff. If you've not seen it yet then get to it whenever you can. It's guaranteed to make you laugh.*
9/10
http://www.amazon.co.uk/Baseketball-DVD-Trey-Parker/dp/B0000A33QV/ref=sr_1_1?s=dvd&ie=UTF8&qid=1397076115&sr=1-1&keywords=baseketball
*Comedy is subjective, everyone has a different sense of humour, any guarantees offered here by the author do not count as actual guarantees.
"Coop" and Remer are a pair of losers, but they're a pair of losers who create a sport that becomes very, very popular in America. It's a cross between basketball and baseball. One player tries to throw a ball that will land in the basket, with the points scored determined by his position, while the opposing team try to psyche them out with various insults. Thanks to a general lack of ambition, and a wish to keep their sport pure, the guys manage to keep baseketball as something more about the actual players and gameplay than money and sponsorship deals. But scheming Baxter Cain (Robert Vaughn) really wants to change that.
Despite feeling very much like a Trey Parker and Matt Stone movie, BASEketball only makes use of the duo in an acting capacity, although it certainly feels like one or two moments came straight from their warped little minds (including a fantastic sneak preview of "Cartman"). The script was actually co-written by director David Zucker, along with Robert LoCash, Lewis Friedman and Jeff Wright. But Parker and Stone made sure they could rewrite enough to keep everything nicely in line with their own sensibilities.
The leading men may not be the most versatile performers, but they're perfect for these roles, playing two dudes who just have a lot of fun, realise that others enjoy what they do, and then have to walk a tightrope between doing well in life and selling out. It's not an unfamiliar scenario for them to deal with. The other main team member, Squeak Scolari (played by Dian Bachar), is very funny, and very often the butt of the jokes.
Elsewhere in the cast, Yasmine Bleeth has fun as the woman that "Coop" falls for, Jenny McCarthy and Ernest Borgnine provide some laughs, and Vaughn is amusingly conniving and unflappable, even while dealing with idiots around him.
Zucker has, of course, been involved with many great comedies in his career, many of them better known than this one, but BASEketball is so good that I still rank it up there with his best stuff. If you've not seen it yet then get to it whenever you can. It's guaranteed to make you laugh.*
9/10
http://www.amazon.co.uk/Baseketball-DVD-Trey-Parker/dp/B0000A33QV/ref=sr_1_1?s=dvd&ie=UTF8&qid=1397076115&sr=1-1&keywords=baseketball
*Comedy is subjective, everyone has a different sense of humour, any guarantees offered here by the author do not count as actual guarantees.
Labels:
baseketball,
comedy,
david zucker,
dian bachar,
ernest borgnine,
jeff wright,
jenny mccarthy,
lewis friedman,
matt stone,
robert locash,
robert vaughn,
sport,
trey parker,
yasmine bleeth
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