Showing posts with label stephen mazur. Show all posts
Showing posts with label stephen mazur. Show all posts

Wednesday, 27 April 2022

Prime Time: Heartbreakers (2001)

A con movie with plenty of comedy in the mix, Heartbreakers makes use of a great cast to provide some enjoyable entertainment. It's never going to be rated as an unmissable slice of cinema, but I'd recommend it to anyone who likes the people involved.

Written by Robert Dunn, Paul Guay, and Stephen Mazur (the latter two a screenwriting duo who had previously delivered both The Little Rascals and Liar Liar), this is the tale of a mother (Angela, played by Sigourney Weaver) and daughter (Wendy, played by Jennifer Love Hewitt) who work together to trap foolish, horny, men. We see how their plan plays out at the end of their latest venture, with Angela having married Dean (Ray Liotta), falling asleep on him on their wedding night, and then ensuring that she catches him almost-coitus-startyuppus with Wendy (who is using an assumed name, and not letting on to the fact that she is related to Angela). Moving on to their next victim, a rich old man named William B. Tensy (Gene Hackman), things are soon complicated by Angela having to pretend to be Russian and Wendy being charmed by a local bar owner, Jack (Jason Lee).

Director David Mirkin may not have the most interesting and worthwhile directorial filmography to explore, his best work tends to be with his role as writer and/or producer, but he has delivered at least two very different comedy features that some put forward as deserving of more love. One is Romy & Michele’s High School Reunion, which so many people will now rush to remind you is a real treat. The other is Heartbreakers, often championed by . . . me.

With the focus on the main characters and dialogue throughout, without propping things up with soundtrack choices or big set-pieces, this is a film that will appeal more to people who like the leads. Which shouldn’t be a problem when the leads include Weaver and Hackman.

Weaver gives a performance so good that it saddens me she hasn’t been given more comedy roles. She is also showcased for her looks and sexiness here, which works brilliantly (thanks to her natural appearance and the wardrobe department maximising her ability to attract the gaze of any man she wants). Love Hewitt ends up overshadowed, which would seem inevitable, but also manages to show a decent knack for comedy at times. She commits to some of the zanier moments, and the relationship between herself and Weaver is nicely crafted. Hackman is having fun, playing a blinkered old man letting his heart overrule his head, and Liotta also seems to be enjoying himself, and ALSO does so well with the comedy that it makes you wonder why he didn’t get to do more (the opening act is hilarious, and he has one or two great lines in the finale). Lee is a sweet guy who might just be The One, a standard love interest role he played very well for a number of years, and there are great supporting roles, and cameos, for Anne Bancroft, Ricky Jay, Nora Dunn, Zach Galifianakis, Sarah Silverman, and Carrie Fisher, among others.

I am not here to convince anyone that Heartbreakers is an all-time classic, as a con movie or a comedy, but it is certainly up there with a number of greats that I would consider hard to beat. Films like Dirty Rotten Scoundrels, Matchstick Men, Paper Moon, The Brothers Bloom and a few others. I might rewatch all of those films ahead of this one, but this is one I would definitely like to see remembered by more people who appreciate its many charms.

8/10

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Monday, 22 December 2014

Jingle All The Way 2 (2014)

Daniel Whitney seems to have done quite well for himself in the guise of Larry The Cable Guy, a character so popular that he gets credited with the roles that Whitney performs in most of his movie appearances. Because Whitney is actually playing Larry PLAYING whichever character he's been designated in whichever movie he's been chosen for.

So the biggest problem I had with Jingle All The Way 2 was Larry, the kind of comedy character created specifically to appeal to a large section of America. Some will identify with him, some will laugh AT him, and many will laugh WITH him. Yet he's not the kind of comic creation that we appreciate here in the UK. Not to my knowledge, anyway.

But here's the rub. The biggest problem is also the biggest plus point for the movie. When not going for the laughs, there's a big, albeit misguided at times, heart beating in the chest of that big ol' American boy. And that big heart, let me tell you now, helps this movie edge slightly ahead of the film that precedes it. Despite the very basic core element being the same, a father after the latest must-have toy for his child, this film does a better job of clarifying that it's actually about parental love as opposed to materialism.

Larry plays . . . . . . . . Larry, a dad who wants to treat his daughter (Noel, played by Kennedi Clements) how she deserves to be treated at Christmas. It's especially important this year, due to the fact that Noel now has a step-dad (Victor, played by Brian Stepanek) who can afford to buy her anything she might possibly want. Well, she seems to want a talking bear toy. Larry is determined to get her one. Upon hearing of this, however, Victor is equally determined to stop Larry from achieving this goal. And so begins a frustrating time for Larry as he resorts to increasingly desperate measures in order to get his hands on something that he thinks his daughter wants more than anything else in the world.

Whitney/Larry is good enough in the main role here. Okay, his humour isn't my thing, but the sweet centre is hard not to warm to, especially in the context of a Christmas movie. Clements is equally sweet, in fact a bit sweeter, as the little girl perplexed by the actions of the adults around her. Stepanek is given the role of bad guy, and plays his part well, while Eric Breker is his right hand man, the one charged with getting those toy bears cleared from every shelf, and he's suitably stealthy and shady, for the most part. Anthony Carelli (AKA Santino Marella), Kirsten Robek and Rachel Hayward, among others, also do just fine in their roles.

The script by Stephen Mazur (and some other uncredited contributors, apparently) is a bit clumsy and uneven, with a number of the gags not really playing out as well as they could, and a finale that feels a bit rushed, but the direction from Alex Zamm, and the constant work put in by that bloody character I also class as a major problem, is enough to keep the whole thing ticking over pleasantly enough.

It doesn't quite do enough for me to call it a good movie, but this is at least decent enough entertainment for anyone who saw the first movie and is also a fan of Larry The Cable Guy.

4/10

http://www.amazon.com/Jingle-All-Way-Larry-Cable/dp/B00OGT2UFE/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1418320059&sr=1-3&keywords=jingle+all+the+way



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