Showing posts with label tom bateman. Show all posts
Showing posts with label tom bateman. Show all posts

Sunday, 26 November 2023

Netflix And Chill: Cold Pursuit (2019)

It's no surprise to see a film in which Liam Neeson plays someone carving a path of vengeance through the criminal underworld, which is an easy way to summarise the plot of Cold Pursuit, but it's a bit more surprising to see the whole thing played out as a very dark comedy, with Neeson not an unflappable hero looking to showcase a particular set of skills. Remaking his own film, In Order Of Disappearance (written by Kim Fupz Aakeson), director Hans Petter Moland makes good use of his leading man, and seems to enjoy working with a cast of familiar faces who are all ready to be killed off and moved offscreen at any moment.

Neeson plays Nels Coxman, a dependable and quiet family man who has served his local community well for many years in his role as a snowplough driver. His life is upended, however, when his son is found dead, and the cause of death is marked as a heroin overdose. Nels knows that his son was no drug addict, but he doesn't know exactly what circumstances led to his death. Contemplating his own death, things change for Nels when he receives a vital piece of information that leads him from one criminal figure to another, creating a chain of connections that may take him all the way to a confrontation with Trevor 'Viking' Calcote (Tom Bateman).

Although this is another film that comes in at just under two hours (the days of a brisk 90-minute runtime for action movies and/or thrillers seem to be far behind us), Cold Pursuit does a good job of plotting things in a way that remains just about believable, up until the very end, and with time and space to give every character just enough flesh on their bones to make them more than just one of many disposable henchmen, which they could easily have been. Writer Frank Baldwin seems to do a decent job of transposing the action from snowy Norway to a snowy area of Colorado (although I should note that I haven't seen the original movie, which stars Stellan SkarsgÄrd in the main role), and there are plenty of little moments that highlight the vein of comedy running throughout the violence and darkness.

Neeson is very good in the lead role, effectively reworking his typical performance with a hint of uncertainty and a need for good luck being on his side, and he embodies an unstoppable force, even if he's a blundering one, on the way to an unmovable object. Bateman is a lot of fun as the big baddie, ultimately undone by his inability to control the situation without escalating things, which puts his young son (Ryan, played by Nicholas Holmes) in danger, leads to a good number of "staff reductions", and puts him in an unnecessary war with a gang of Native American criminals headed up by White Bull (Tom Jackson, also very good, but much more subdued than everyone around him). Domenick Lombardozzi, Benjamin Hollingsworth, Gus Halper, David O'Hara, and a number of others have fun portraying dangerous men with a variety of amusing nicknames, and there's also room for welcome supporting turns from Laura Dern (Grace Coxman, a woman who ends up grieving without her husband to help her through the process), Julia Jones, William Forsythe, Emmy Rossum, and a few other familiar faces.

I had heard bad things about this when it was first released, which may have been a majority opinion from people already familiar with the original film (and it doesn't feel like a film that NEEDED a remake, other than to cater to the "I don't read movies" crowd), but I had a good time with it. The humour worked, the cast were all generally great (Bateman feels slightly miscast, but his character is so much fun that he still works well enough), and things knit together in a way that feels both satisfying and slightly messy.

7/10

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Wednesday, 10 August 2022

Prime Time: Thirteen Lives (2022)

If you try to keep up with major news events then you will know the story that Thirteen Lives is based on. In fact, even being tangentially aware of major headlines should have you knowing enough about this before it starts to play out. This was a huge story in 2018, with many people gripped by the plight of those involved, a group of young male footballers and their coach stranded in a water-filled cave system in Thailand. You might even think that there’s no point in dramatizing there story and presenting it to people who may have those headlines still relatively fresh in their minds. I’d politely say that you would be wrong.

At approximately two and a half hours in length, this is a film that takes just the right time needed to set up the main premise, bring in the main characters (the rescue mission ended up being headed up by two British cave divers, Rick Stanton and John Volanthen), and show the many people who came together during this time. From the Navy Seals who may underestimate the conditions they need to work through to the person hoping to divert rainfall away from the openings that lead to the cave system, from the distraught parents to the farmers who agree to have their crops flooded.

Director Ron Howard, working with writer William Nicholson (a dab hand at this kind of thing, and helped with the story development by Don Macpherson), makes this an incredible viewing experience, crafting a film that presents plenty of data, context, and tension while giving equal time to the main characters. The boys needing rescued don’t have too much screentime, understandable as they simply had to wait while others struggled to figure out a workable plan, but Stanton and Volanthen go through a real variety of emotions, as do the people working with them, and the local governor who is kept in place to take the blame when the expected, “unavoidable”, deaths occur.

With Viggo Mortensen and Colin Farrell playing Stanton and Volanthen, respectively, and their main team being filled out by Tom Bateman, Paul Gleeson, and Joel Edgerton, it would be all too easy to make this a film about a rescue mission in Thailand that focuses purely on the white men who were brought in because of their niche expertise. So it’s a good job that Howard allows time to show the work of the local Navy Seals, and the ultimate responsibility placed on Sahajak Boonthanakit (playing Governor Narongsak). Vithaya Pansringarm is also a formidable presence, as General Anupong, and it would be remiss of me to not highlight the optimism and energy delivered by Nitipoom Khachatphai, aiming to help divert as much water away from the cave system as possible.

Everyone gives a very good performance, but hats off to both Mortensen and Farrell for also putting on decent English accents. The two men apparently took their roles very seriously, often performing their own diving for most of the shots, and they slip into their characters so well that you very easily forget that it IS actually Viggo Mortensen and Colin Farrell you’re watching. Bateman and Edgerton are the other actors to single out, both bringing different elements to the story, and both seeming very much out of their comfort zone in different ways. 

A good documentary could give you all of the information presented here, and there is at least one good documentary already made about this incident, but a good drama can somehow deliver the same information to you in a more effective way, when it is done as well as this anyway. Distances, timings, the co-ordination between so many different groups of people, the weight of every decision, the technical details that are discussed, everything is here, and it is all improved by viewing it from “behind the scenes”, warts and all, and being reminded of the rollercoaster journey that everyone went through while the tick of the clock grew louder and louder.

Thirteen Lives is a fantastic telling of a story that deserves to be told in full. The hefty runtime flies by, and by the time it all ends you feel as if you have watched something great, but also something that succeeds in properly honoring the amazing achievements of everyone involved.

8/10

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