I have to begin this review by confessing that, somehow, up until now I had never seen a Laurel & Hardy movie. Not a one. Oh, I'd seen some clips and may have seen one or two of their shorts in my youth, though I can't recall, but this was going to be a first for me.
Laurel & Hardy have enough fans. They're titans in the field of comedy, and don't need me defending or criticising them, so please bear that in mind when I proffer up my unworthy opinion after the following brief plot summary.
It's quite a simple tale. Stan and Ollie have taken a solemn oath to join their brothers from the Sons Of The Desert lodge at a convention in Chicago. Unfortunately, they didn't run it past their wives first of all. Stan is very upset, whereas Ollie thinks it will be easy. They are the men of their respective households, after all, so it shouldn't be a problem. Funnily enough, it's a problem, which leaves both men having to work together to come up with some excuse that will allow them to attend the convention without their wives ever finding out. Knowing Stan and Ollie, that can only end badly.
Recommended to me, along with a number of other titles, by fans of the duo, perhaps Sons Of The Desert wasn't the best movie for me to start with. It's good, don't think that I didn't enjoy it for the entire runtime, but I was somehow expecting something more. The slapstick felt, to me, forced and overdone. How many times can Stan forget how to open a door, for example, or how much water can he spill by constantly moving a tub full of the stuff into the wrong position? Having said that, there were plenty of solid laughs coming from both the dialogue and the entire situation as it unfolded throughout the film. The premise is, of course, a classic one that would be used, or so it seemed, by every sitcom throughout the fifties, sixties and seventies.
William Seiter is the director, and keeps things nice and simple for most of the movie. Just lock the camera down and watch Stan and Ollie work with one another. Simple. The story by Frank Craven has about half a dozen uncredited helping hands listed on IMDb, but I guess that many developments and set-pieces were shaped by the stars, allowing them to play to their strengths.
Laurel & Hardy are almost beyond criticism, and it seems redundant to heap more praise on them at this point, so I'll just say that Charley Chase was also fun in a small role, while Mae Busch and Dorothy Christy were both simply fantastic as the wives of the hapless leads. Christy is as sweet to Stan as he deserves. Busch, on the other hand, doesn't hold back when dealing out any punishment to Ollie.
A film worth seeing, and most Laurel & Hardy fans will have already seen it, but if you're new to the duo, as I am, then it may be one to push back, just until you've eased into their filmography with one or two other adventures.
7/10
http://www.amazon.co.uk/Laurel-Hardy-Collection-21-disc-Box/dp/B0001K2KE8/ref=sr_1_5?s=dvd&ie=UTF8&qid=1397281650&sr=1-5&keywords=laurel+and+hardy
Showing posts with label william a. seiter. Show all posts
Showing posts with label william a. seiter. Show all posts
Sunday, 27 April 2014
Tuesday, 13 March 2012
Little Giant (1946)
AKA On The Carpet.
The door to door salesman has long been a staple of comedy so it's no surprise to see Abbott & Costello weave a movie around such a character. Having said that, it IS a surprise actually because this was the first A & C film based around situation and characters as opposed to just numerous gags. It has plenty of flaws but it's also got some good laughs here and there (one connected to a mind reading prank and another being a repeat of the superb "13 x 7 = 28" routine).
Lou is the young man who heads off to the big city to try and make his name and fortune in the world of sales. He manages to secure himself a position selling the Hercules vacuum cleaner, upsetting Bud Abbott (Mr. Morrison). Thankfully, he moves to a different location and manages to impress . . . . . . Bud Abbott (Mr. Chandler). But even as things start to go right, it becomes clear that this country boy isn't suited to city life.
William A. Seiter directs with no real flair or energy - the movie is passable entertainment but some extra work and care could have resulted in something much better. The writers involved seem to have been so preoccupied with keeping the story moving and things building to a farcical climax that they forgot to sprinkle more laughs throughout.
Lou Costello is a bit more annoying than usual this time around, somehow, and I say that as someone who always preferred his childish and goofy persona to the uptight and stern Abbott (who does very well here with his portrayal of two different characters). Elena Verdugo is very good as Martha, Brenda Joyce is great as Ruby and Jacqueline deWit has a lot of fun as Hazel. In fact, it's definitely a movie in which the women stand out and fans of the actresses involved may find more to enjoy in this film than A & C fans.
But I had fun nonetheless.
6/10.
http://www.amazon.co.uk/Abbott-Costello-Universal-Pictures-Region/dp/B001EXE2Y2/ref=sr_1_5?s=dvd&ie=UTF8&qid=1331673531&sr=1-5
The door to door salesman has long been a staple of comedy so it's no surprise to see Abbott & Costello weave a movie around such a character. Having said that, it IS a surprise actually because this was the first A & C film based around situation and characters as opposed to just numerous gags. It has plenty of flaws but it's also got some good laughs here and there (one connected to a mind reading prank and another being a repeat of the superb "13 x 7 = 28" routine).
Lou is the young man who heads off to the big city to try and make his name and fortune in the world of sales. He manages to secure himself a position selling the Hercules vacuum cleaner, upsetting Bud Abbott (Mr. Morrison). Thankfully, he moves to a different location and manages to impress . . . . . . Bud Abbott (Mr. Chandler). But even as things start to go right, it becomes clear that this country boy isn't suited to city life.
William A. Seiter directs with no real flair or energy - the movie is passable entertainment but some extra work and care could have resulted in something much better. The writers involved seem to have been so preoccupied with keeping the story moving and things building to a farcical climax that they forgot to sprinkle more laughs throughout.
Lou Costello is a bit more annoying than usual this time around, somehow, and I say that as someone who always preferred his childish and goofy persona to the uptight and stern Abbott (who does very well here with his portrayal of two different characters). Elena Verdugo is very good as Martha, Brenda Joyce is great as Ruby and Jacqueline deWit has a lot of fun as Hazel. In fact, it's definitely a movie in which the women stand out and fans of the actresses involved may find more to enjoy in this film than A & C fans.
But I had fun nonetheless.
6/10.
http://www.amazon.co.uk/Abbott-Costello-Universal-Pictures-Region/dp/B001EXE2Y2/ref=sr_1_5?s=dvd&ie=UTF8&qid=1331673531&sr=1-5
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