Tuesday, 21 August 2018

Rampage (2018)

Say what you like about Dwayne Johnson, the man can do silly action spectacle with an admirably straight face (well, an arched eyebrow or pec twitch notwithstanding). He knows that he's not going to be called upon to do anything too serious, not yet anyway, and he most often stays comfortably in his wheelhouse. That might sound like I'm being a bit condescending and snooty but I'm really not. I enjoy seeing Johnson in most movies, he even tries to do his best in dross like Baywatch, but he excels at action fare, and he can sell some of the most ridiculous cinematic moments in recent years without viewers throwing their hands up in disgust and giving up on the movie. Who else could believably grab a speeding missile and turn it back towards enemies that were trying to kill him?

Rampage, loosely based on the videogame that I even managed to enjoy on my old, rubber-keyed, Spectrum 48K, is silly action spectacle. There's the main plot itself, a large albino gorilla is turned into a HUGE albino gorilla, with some anger issues, and there are also another couple of big creatures heading towards Chicago to cause massive amounts of destruction as they go on their . . . rampage. There are also the plot details, silliness wrapped in tech-speak to try and make it all sound plausible. You may think the conversations about genetic manipulation and pathogens are laughable, because they are, but they do the minimum required to kickstart the plot and explain events, as long as you don't think about what has been said as you move on to the next scene of entertaining destruction. And, if you need even more silliness, there's a moment that sees Johnson trying to use a damaged helicopter to surf/hover his way down a collapsing tower.

Johnson is very much at ease amidst all of the preposterous set-pieces, emanating his usual charisma and souped-up muscle power. He spends a lot of the runtime alongside Naomie Harris, who does well to avoid being overshadowed while she delivers most of the exposition in between the thrills, and the two human stars are overshadowed, but not literally, by some impressive CGI beasties. Jeffrey Dean Morgan gets to be amusingly charming and ambiguous as the man who is hoping to clean up the debris and capture the creatures, and Malin Akerman and Jake Lacy are the humans who need to weigh up their self-interests alongside the carnage.

Director Brad Peyton previously delivered this kind of Johnson-led spectacle with San Andreas, so we know that he CAN give audiences what they want (well, he kept me happy enough), but there's something here that's a bit lacking. I still found enough to enjoy, I was entertained enough by the scale of the destruction, but maybe having to incorporate enough little nods to the original videogame was enough to detract from a more simplistic slice of fun. Yes, I realise that I just accused Rampage of not being simplistic enough. It took four writers to make this. Four. To write a script that turns that classic videogame into a mainstream blockbuster.

Still, it's better than Battleship.

6/10

The blu can be bought here.
Americans can buy it here.


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