Sunday, 27 December 2020

Netflix And Chill: Let It Snow (2019)

Three people wrote the book that this screenplay, written by another three people, was based on. That's six people altogether. Okay, the book is three thematically-linked stories, but it still seems like six is an awful lot of people to come up with a film that feels very much like something John Hughes should have come up with over twenty years ago. Just with much better representation.

Anyway, let's rattle through some of the storylines. It's snowing. On Christmas Eve. Julie (Isabela Merced) bumps into Stuart (Shameik Moore) on a train that then grinds to a halt. Stuart is a famous singer trying to enjoy some time not being recognised. He and Julie end up heading to a nearby waffle house. Also at that same waffle house is Keon (Jacob Batalon), hoping to get his shift done and then throw a great party for anyone who decides to stick around. Dorrie (Liv Hewson) works at the waffle house, and is upset when she has to serve a girl (Kerry, played by Anna Akana) that she had an amazing date with, only to find that her attitude seems completely different while she is surrounded by her friends. Dorrie is also infuriated by her friend, Addie (Odeya Rush), who is having her standard relationship issues that seem to stem from her own insecurities. And Tobin (Mitchell Hope) hangs out with Angie (Kiernan Shipka) without being able to tell her how he really feels, which becomes harder for him as she enjoys the company of JP (Matthew Noszka). They are also eventually heading towards the waffle house. 

Director Luke Snellin has a number of credits to his name already, all of them being shorts or TV show episodes. This may not be the most sophisticated material for a feature debut, but he knows how to handle it, and how easy it is to forgive the more cheesy moments when everything is so well put together.

The script is chock full of teen angst about very teen issues, but that doesn't mean they're all light and easy to dismiss. The characters with the less painful situations (wanting to throw a great party, wanting to spend some time out of the spotlight) are played by actors who help them remain just as appealing as those dealing with more serious issues (unrequited love, an ill parent, struggles with people who may resent their sexual orientation). Which isn't to say that the latter characters are portrayed by any lesser players, it just highlights the great casting all around.

Moore is someone I have enjoyed since seeing him in the excellent Dope, and he gives a winning turn here, working well with Merced (who I last saw in the enjoyable Dora The Explorer movie . . . yes, it IS enjoyable). Hewson shines in her role, and Hope and Shipka have you rooting for their friendship to turn into something more, while Batalon continues to be a fun and enjoyable onscreen presence. Rush and Akana are a little bit hampered by how their characters act for most of the runtime, but that's just how the script treats them until the expected changes in the finale. You also get an enjoyable supporting turn from Joan Cusack, as a woman who drives a tow truck while wearing a lot of tin foil (she's actually credited as Tin Foil Woman).

This is not a film for cynics, and not a film for those who cannot remember how painful it can be to not be spending time with the love of your life as a teenager (because you're obviously going to have a romance that lasts forever). It's a light and lovely comedy drama that serves as an enjoyable seasonal distraction, despite not focusing on the Christmas trimmings we normally get in a movie set at that time of year.

7/10

https://ko-fi.com/kevinmatthews

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