Holidays, as much as we fantasize about them in our minds, don’t always go to plan. They can actually be very stressful, especially when you are wrangling various family members, and especially when you aren’t heading off to sun-kissed tropical climes. And visiting family, including a very ill father who may not see beyond his next upcoming birthday, while pretending that you and your wife haven’t separated and are struggling to behave in a way that doesn’t negatively impact on the children? That probably wouldn’t be a nice and relaxing holiday. It is the holiday that viewers see depicted here though.
Rosamund Pike is Abi, David Tennant is Doug, and the two are taking their three children up to Scotland to visit Doug’s father, Gordie (Billy Connolly). Gordie has terminal cancer, with not long left until he reaches his expiration date, so Abi and Doug try to put on a united front, despite going through divorce proceedings. This united front will also require the help of their children, Lottie (Emilia Jones), Mickey (Bobby Smalldridge), and Jess (Harriet Turnbull). Other characters populate the screen, including Doug’s brother, Gavin (Ben Miller), and his sister-in-law, Margaret (Amelia Bulmore), but the focus stays on the antics of the children, eventually left in the care of their grandfather, and the bickering between Abi and Doug. It isn’t long until some messy stuff hits the fan.
Co-directed and co-written by Andy Hamilton and Guy Jenkin, What We Did On Our Holidays is very much in line with other work they have delivered over the years, most often on the small screen. These two men have decades of experience, and they help themselves by casting familiar adults with an equal amount of experience in front of the camera. If you like any of the cast members here then you’re going to enjoy this, to some degree, and you may be relieved to hear that the child actors are all more than up to the task of being amusing and entertaining without becoming too annoying.
It cannot help feeling like a TV movie though, as opposed to something that could stand tall as a theatrical feature. The small scale of the story, the familiar faces most recognisable from their TV work, the tone and pacing of the whole thing. It’s not bad, and it certainly doesn’t feel as if it was made by people lacking skill or resources, but it’s not inherently filmic. Not to me anyway.
The children get to shine, especially in their scenes alongside a typically cheeky and anarchic Connolly, Tennant and Pike work well together, Miller and Bulmore are entertainingly uptight throughout, and I will always welcome screentime for the likes of Celia Imrie and Annette Crosbie. Nobody is doing their best work, but they all add extra value to the project.
You get a fair few decent laughs, some entertaining characters, and some pleasant views of the Scottish countryside. If that sounds like enough to keep you happy, and you may already be swayed if you are a fan of Tennant, Pike, or Connolly, then I recommend this. Unlikely to become a firm favourite, but it’s a decent enough little film with a big heart.
6/10
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