Invasion U.S.A. (1985)

Richard Lynch is a bad man. A very bad man. Well, that's how he is in the role of Mikhail Rostov, the main villain in Invasion U.S.A. Thank goodness that we all have Chuck Norris to protect us from the evil people of the world. He's the man who can repel invaders with nothing more than the right denim clothing and his fists. Oh, and guns. And some grenades. And lots of other weaponry.

That's pretty much all there is to this movie. Rostov brings his men over to America, and sends them off to do lots of bad stuff, while Matt Hunter (Norris) does his best to stop their evil deeds. As the invaders impersonate cops and army personnel, American citizens become rightfully paranoid and mistrustful, making the job more difficult for anyone trying to offer them genuine help. Will Hunter be able to stop the madness before it becomes impossible to fix? Well, he IS Chuck Norris. What do you think?

Directed by Joseph Zito, this is a movie that puts fun ahead of everything else. Well, by fun I actually mean gunfire, explosions, and the endangering of human life. Which, in this context, is fun. The screenplay, by James Bruner and Chuck himself, is as clunky, at times, as you'd expect, but it does all that it needs to do in between some fantastic, riotous set-pieces. Who needs thoughtful, character-building dialogue when you can have Chuck driving a truck into a building, killing off numerous bad guys, and handling Uzi submachine guns like he's been holding them since birth.

Lynch is very good as the main villain, ably supported by Alexander Zale as his right hand man, and Norris stays well in his comfort zone as the one-man army able to keep America safe as it stands on the very brink of disaster. Melissa Prophet is alternately amusing and irritating as the reporter trying to figure out just what exactly is going on, and what Norris has to do with it all, and Eddie Jones is a perplexed cop. Elsewhere, there are small roles for James Pax and, best of all, the ever-brilliant Billy Drago.

Joseph Zito may not have directed too many movies in his career, but with films such as this, and the superior Red Scorpion, he guaranteed himself a place in the hearts of many action fans. Grab the beverage of your choice, wear your most comfortable denim ensemble, and enjoy.

7/10

http://www.amazon.com/Invasion-U-S-Chuck-Norris/dp/B00005O06W/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1406004304&sr=1-1&keywords=invasion+usa

Kinjite: Forbidden Subjects (1989)

Charles Bronson is a tough guy, once again, in this piece of sleazy nastiness from director J. Lee Thompson. Of course, Bronson was always a tough guy in pretty much everything he did so, don't worry, I'll give you a bit more about his situation this time around.

Bronson is a cop who can't seem to pin anything on horrible uber-pimp Duke (Juan Fernandez). Duke specializes in little girls for his clients, which leads to Bronson specializing in making Duke's life as difficult as possible. It's not all by the book. In fact, it's about as far from the book as you can get. The clock starts to tick faster when a Japanese businessman (James Pax) turns to the police when his young daughter is kidnapped. The distraught father also has a few peccadilloes of his own, and Bronson may not be too happy about helping him if he finds out just what he's been up to since arriving in America.

Written by Harold Nebenzal, Kinjite: Forbidden Subjects is, in many ways, standard Bronson fare, yet it's also a bit different. His character is forced, albeit momentarily, to question how his mind works when he's not on the job, to consider the damage done and the huge difference between his own view of the world and the view that others can take. There are times when this creeps into territory covered by the likes of Tightrope and The Offence. And then there are times when Bronson forces someone to eat a watch.

Director J. Lee Thompson is well known for a filmography that's pretty loaded with testosterone, and he worked with Bronson on a number of movies before this one (this was their last film together), so viewers shouldn't have been TOO surprised by the end result this time around. It may have some extra unpleasantness, but it's still all about Bronson doing a good job where the system falls down.

Bronson is fine in the lead role, whether he's aggressively scaring pimps and crooks or going off on a bizarre racist rant aimed at numerous Japanese people he views as pesky interlopers, at one point. Fernandez is suitably loathsome as Duke, and Pax is, arguably, one of the more interesting characters to be placed in a movie like this. It's made clear that he's not the nicest guy ever, especially in the way that he treats his wife, but he's also not demonised for his actions, despite the one main sequence that sees him sliding from relatively harmless thoughts of his fantasties to grossly inappropriate real actions. Peggy Lipton and Amy Hathaway are just fine as the women in Bronson's life, Perry Lopez does well enough as Eddie Rios, Sy Richardson is a bad man who works with Duke, and fans of Nicole Eggert will be pleased to see her in a relatively early role.

It might leave you wanting to take a shower as the end credits roll, but this is another fine piece of Bronson-led machismo for those who like such fare. And I count myself among that demographic nowadays.

7/10

http://www.amazon.com/10-Midnight-Kinjite-Charles-Bronson/dp/B008FYZIZK/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1405919498&sr=1-1&keywords=kinjite