Showing posts with label benjamin ayres. Show all posts
Showing posts with label benjamin ayres. Show all posts

Friday, 5 December 2025

A Christmas Angel Match (2025)

While I watch many movies in December that I wouldn't watch at any other time of year, I still try to search high and low for the real gems. That's hard when it comes to the many TV movies churned out by companies wanting to supply people with some distracting cheer and warmth to play out while they wrap gifts and decorate their home. Sometimes you get something good though, whether it's a film with some unexpected laughs or a film that benefits from a stronger premise than the standard "busy professional woman is forced to spend some time in a small town, where she meets and falls for a laid-back small-town man who reminds her that there's more to life than just a career".

Meghan Ory plays an angel named Monica, a bit frustrated when she ends up forced to work alongside another angel named Michael (Benjamin Ayres). The two of them make connections between mortal human beings, and Christmas is a great time to do that, but they have a very different approach to the job. Monica is more about using classic moves to establish something deep and meaningful. Michael believes that fun is key to love. Can they work together to succeed in matching Patrick (Francesco Filice) and Daisy (Lindura)? It's vital that they do, and Gabriel (Michael Dickson) keeps reminding them of that, particularly as they seem to be struggling to get on the same wavelength.

Directed by Christie Will Wolf, someone with a whole heap of Christmas movies under their belt, and with Ory also working as a writer, as well as her work in front of the camera, this is a film that feels well-crafted and, unlike so many others, reassuringly slick. It's obviously still restricted in certain ways (the budget, the main messaging that needs to be delivered), but it's generally good fun, helped by two charming leads.

Ory is very enjoyable here, doing well to make her fastidious and set-in-her-ways character less annoying than she could be. Ayres has the easier role, the angel who enjoys watching and experiencing the human experience, and he moves through every scene with a consistently positive and fresh outlook. Filice and Lindura are less interesting, but it's fun to watch them being manipulated by our angelic match-makers, Dickson is suitably calm and smiley as Gabriel, and there are perfectly solid supporting turns from Amanda Jordan, Linda McCurdy, and S. G. Simpson.

You can tell every moment has been written to slot in between ad breaks, you can sense a familiarity in the score, and there's nothing here that moves too far away from what you'd expect. It's all elevated by a little bit of something extra though, whether that's the simple and effective depiction of heaven/angel world, the interactions between our leads, or even just the fact that it adds a couple of nice touches to explain some of the rules governing the conduct of angels. I genuinely enjoyed it, and would watch it again.

6/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share 

Friday, 11 April 2014

April Fools: Cottage Country (2013)

Tyler Labine spends some time in a cottage in the middle of some woods, and death starts to have a field day. Yes, it should be clear to anyone who has seen the cover art for this movie that one or two people wanted to profit from the goodwill heaped upon the excellent Tucker & Dale Vs. Evil.

Labine stars as Todd, a young man who is planning to propose to his loved one (Cammie, played by Malin Akerman) during a romantic weekend at his family's cottage. Unfortunately, his brother (Dan Petronijevic) turns up, accompanied by his crazy girlfriend (Lucy Punch). Tensions quickly rise, leading to bloodshed and a situation that quickly spirals from bad to worse.

Although there's a fun cast here, all trying their hardest, there's just something about Cottage Country that stops it from every becoming a good film. Perhaps it's because we've all seen this kind of material done a number of times before, and done better. Perhaps it's because of that horrible feeling that people are just trying to wring more money from fans of Tucker & Dale Vs. Evil. Or . . . . . . perhaps it's just not good enough, with the tension never really feeling that tense and the comedy never being that funny.

Labine is as likable as ever, and Akerman is someone I tend to enjoy onscreen (she's gorgeous, and game for a laugh), but nobody else really makes a great impression. Petronijevic and Punch are saddled with portraying two extremely annoying characters, which makes their scenes hard to enjoy, and Benjamin Ayres, Kenneth Welsh, Nancy Beatty and Sabrina Grdevich just don't get enough to do.

Writer Jeremy Boxen fails to mix in any surprises, or good enough jokes, while director Peter Wellington does nothing to help strengthen the desperately-in-need-of-strengthening material. Everything is put together competently enough, but the film just never takes off.

If you like the leads, as I do, then you'll be able to get some amusement from this, but it's a below average effort that I can't imagine anyone listing as a favourite.

4/10

http://www.amazon.co.uk/Cottage-Country-Blu-Ray-Kenneth-Welsh/dp/B00EYVFHY0/ref=sr_1_1?s=dvd&ie=UTF8&qid=1396988320&sr=1-1&keywords=cottage+country



Tuesday, 3 December 2013

12 Dates Of Christmas (2011)

Christmas is the time of the TV movie, as many people will know (both from the schedules and also from the reviews that appear every December here on my blog). 12 Dates Of Christmas is yet another one of the many that seem to be churned out year after year, and it's yet another one that doesn't stand out from the crowd.

Amy Smart has the lead role, an actress that many people like well enough, but someone I have always really disliked since watching her almost bring down The Butterfly Effect with her poor performance in a role that many, more talented, actresses would have done much more with. But I digress. In this confection she plays a young woman named Kate Stanton. It's Christmas Eve and Kate really wants happiness in her life. And what does every young woman in a TV movie need when searching for happiness? Yes, of course, a man. Because we all know that single people can never be truly happy. Especially single women. In fact, there was a memo sent around a few years ago to remind everyone that the very thought of a happy single woman is enough to shake the very pillars of the ABC programming department and bring the whole world to a point of fiery implosion. But I digress again, sorry. Anyway, Kate is a bit controlling and aloof, so when she is set up on a blind date with the lovely Miles (Mark-Paul Gosselaar) she spoils it all by dwelling on her ex, Jack (Benjamin Ayres). And then at midnight, she is taken back to a moment on Christmas Eve and giving the chance to spoil it all again. Which she does. And again. And again. Until she starts to think on the error of her ways and maybe change things for the better.

Yes, it's Groundhog Day at Christmas. Kinda like Christmas Do-Over. But that's okay, because wibbly wobbly timey wimey stuff has been an important aspect of Christmas fantasy tales since the classic A Christmas Carol, so it's not as if Groundhog Day was the one that came along first. Good Dickens, no.

Writers Janet Brownell and Aaron Mendelsohn (adapting the story by Mendelsohn and Blake J. Harris) take the premise and do what you'd expect them to do with it. Kate at first tries to correct things in the way that SHE thinks is best, then she has a bit of fun, and then she struggles to find a way to end the repeating cycle. Director James Hayman gets the camera pointing and shooting the right way, with a standard swirly move to show the trip back in time whenever it gets to midnight. There's nothing spectacular here, and none of it is remotely believable, but it's perfectly fine TV movie stuff.

Smart certainly grows as the movie progresses, but it's hard to like her during the first half of the movie (which, I guess, is kind of the point). Gosselaar is a nice enough guy, I suppose, but so is Ayres, because this is all about the change needed in Smart. Jayne Eastwood stands out among the supporting players, portraying an elderly neighbour with a good heart.

Put someone, anyone, in the lead role instead of Smart and this could have, just, been a good bit of entertainment. As it stands, it's distinctly below average.

4/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share