If there's one good thing that can come out of the release of Day Of The Dead: Bloodline it's the idea that I may not get constant grief from horror movie fans when I say, in hushed tones, that I really didn't mind the Day Of The Dead movie that came out in 2008. It got a lot of hate, and still does, but I enjoyed it as a simple bit of zombietastic fun, albeit one that sullies the good name of a Romero classic. But, trust me, it was a LOT better than Day Of The Dead 2: Contagium (2005). And it's a lot better than this eye-watering mess.
Talented director Hèctor Hernández Vicens (who made a great impression on me with The Corpse Of Anna Fritz) is going to have a struggle on his hands to make horror movie fans forgive and forget this. There are times when it doesn't seem like he should shoulder all of the blame, especially when you consider the weak script by Mark Tonderai and Lars Jacobson, but when poor choice follows poor choice, and is then followed by another poor choice, it's hard not to believe that Vicens is the one responsible for how ultimately awful this film is.
The plot is almost too dumb to even summarise. There's a zombie outbreak, of course, and Sophie Skelton becomes the main medical professional in a large shelter. Things happen, the safety of the shelter is placed in jeopardy, and Skelton ends up pursued by the zombiefied incarnation of the creepy man who lusted after her years ago (Max, played by Johnathon Schaech).
Where to begin here? The script that I already generously referred to as weak, when just calling it horrible would have been more appropriate? The decision to make the lead zombie threat an obsessed stalker/wannabe-rapist? The way the characters have been sketched to somehow ensure that viewers won't want to root for a single one of them? The nonsensical plotting, complete with an inserted sex scene that would have felt straight out of the European horrors of the '80s if it hadn't been so damn tame? There are a few decent moments of gore, but not enough to make up for the pain of the rest of the content of the movie.
And part of me doesn't really want to mention the cast, mainly because I try not to get personal and outright rude in any of my movie reviews (although I think it has happened once or twice). I don't have to worry, however, about singling anyone out here. Every single cast member is atrocious. Seriously. Not one person puts in a convincing, or even halfway decent, performance. It's as if Vicens asked them to forget anything they ever learned about their craft and give deliberately awful performances. I don't know why he would do that, but it's the only explanation I can come up with.
My rating for this film is incredibly generous, and I've ONLY gone as high as this because of three main factors: the gore, the fact that people were around to make sure that the equipment was all running properly, and the injuries/deaths that intermittently entertained me.
3/10
If you hate yourself then you can buy the film here.
American self-haters can buy it here.
Showing posts with label hector hernandez vicens. Show all posts
Showing posts with label hector hernandez vicens. Show all posts
Tuesday, 10 April 2018
Thursday, 28 April 2016
Dead By Dawn 2016: The Corpse Of Anna Fritz (2015)
Anna Fritz (Alba Ribas) is a beautiful celebrity. And as this movie begins, you may not be surprised to know, she is dead. Her corpse is being held overnight in a hospital morgue before being further dealt with elsewhere. Pau (Albert Carbo) works at this hospital, and he receives a visit from two friends (Ivan, played by Cristian Valencia, and Javi, played by Bernat Saumell) before they are all due to go out partying. Which is when things start to get dark. Very dark indeed.
I'm not going to say any more about the plot details here because the less you know going into this movie the better. Suffice to say that this is a deeply unpleasant and uncomfortable viewing experience, to start with. But stick with it and you'll be rewarded with a damn fine, and extremely tense, thriller that rattles along nicely for the duration of its relatively short runtime.
Director Hector Hernandez Vicens, who also co-wrote the movie with Isaac P. Creus, skates to the very edge of what many will consider immoral and distressing before starting to then add complexity to the scenario and connect more strongly with viewers who will start pondering just what they would do if thrust into a similar situation (not that, I hope to god, any one of us WOULD be thrust into a situation like this).
All of the cast do a fantastic job, although I could easily make the obvious joke about Ribas corpsing on camera, and it's impressive to think about your opinions of each character at the end compared to how you may have been viewing them at the very beginning of the movie. I also won't be going into any more detail here because discussing the character developments could be as damaging to your experience of the movie as discussing the plot details. This is a film about a wild situation, about morality and consequences, and it moves from scene to scene thanks to the actions of the main characters.
Although it's no blockbuster, with the hospital really the only setting of the movie, The Corpse Of Anna Fritz never feels lacking in any way. The budget has been put to great use, with extra focus on the cold, impressive camerawork and framing. Moving between the morgue itself and some other parts of the hospital also helps to release viewers from any potential feelings of claustrophobia and think of the film taking place in a world other than just an unconnected independent movie universe (look, we all love independent movies but we've also all seen a number of films that take place in one room or building with nothing but stock footage trying to convince us that there's still a big world outside).
As a look at the strange allure of celebrity, this works. As a look at the strange effect of testosterone mixed in with peer pressure, this works. As a tense and unique thriller, this works. Basically, yes, this works for film fans who have the stomach to handle the unpleasant premise.
If you enjoyed this review, and live in the UK, feel free to browse and buy some shit here - https://www.amazon.co.uk/
If you enjoyed this review and live in the USofA then feel free to browse and buy some shit here - http://www.amazon.com/
8/10
I'm not going to say any more about the plot details here because the less you know going into this movie the better. Suffice to say that this is a deeply unpleasant and uncomfortable viewing experience, to start with. But stick with it and you'll be rewarded with a damn fine, and extremely tense, thriller that rattles along nicely for the duration of its relatively short runtime.
Director Hector Hernandez Vicens, who also co-wrote the movie with Isaac P. Creus, skates to the very edge of what many will consider immoral and distressing before starting to then add complexity to the scenario and connect more strongly with viewers who will start pondering just what they would do if thrust into a similar situation (not that, I hope to god, any one of us WOULD be thrust into a situation like this).
All of the cast do a fantastic job, although I could easily make the obvious joke about Ribas corpsing on camera, and it's impressive to think about your opinions of each character at the end compared to how you may have been viewing them at the very beginning of the movie. I also won't be going into any more detail here because discussing the character developments could be as damaging to your experience of the movie as discussing the plot details. This is a film about a wild situation, about morality and consequences, and it moves from scene to scene thanks to the actions of the main characters.
Although it's no blockbuster, with the hospital really the only setting of the movie, The Corpse Of Anna Fritz never feels lacking in any way. The budget has been put to great use, with extra focus on the cold, impressive camerawork and framing. Moving between the morgue itself and some other parts of the hospital also helps to release viewers from any potential feelings of claustrophobia and think of the film taking place in a world other than just an unconnected independent movie universe (look, we all love independent movies but we've also all seen a number of films that take place in one room or building with nothing but stock footage trying to convince us that there's still a big world outside).
As a look at the strange allure of celebrity, this works. As a look at the strange effect of testosterone mixed in with peer pressure, this works. As a tense and unique thriller, this works. Basically, yes, this works for film fans who have the stomach to handle the unpleasant premise.
If you enjoyed this review, and live in the UK, feel free to browse and buy some shit here - https://www.amazon.co.uk/
If you enjoyed this review and live in the USofA then feel free to browse and buy some shit here - http://www.amazon.com/
8/10
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