Showing posts with label jeremiah kipp. Show all posts
Showing posts with label jeremiah kipp. Show all posts

Saturday, 28 March 2026

Shudder Saturday: The Mortuary Assistant (2026)

When I saw the trailer for The Mortuary Assistant a few weeks ago I thought it would be something I would enjoy. It looked enjoyably creepy and entertaining. I had no idea that it was based on a videogame of the same name. To be fair, it doesn't feel like a videogame movie. I am mentioning the source material here for those who may be even more inclined to see it due to an already-established connection.

Directed by Jeremiah Kipp, who has already helmed a few other features in amongst the many shorts that make up the majority of his filmography, this is the tale of a young woman, Rebecca (Willa Holland), who starts a new job in a mortuary and soon finds herself surrounded by dark and demonic forces aiming to hurt and destroy her. The situation seems to be known to her boss (played by Paul Sparks), and it's almost like a rite of passage if she can survive her first night on the job.

Co-written by Tracee Beebe and Brian Clarke, the latter responsible for the videogame, what you get here is an atmospheric horror film that spoils things by moving far too quickly between what could be real and what could be imagined. Horror can often make use of vivid imaginations in an effective and tense way, especially when a character is so disorientated that they end up walking themselves into potential danger, but it needs to be done with care, and I think it works best when used sparingly, unless the overall effect is one of spiralling insanity. The Mortuary Assistant starts the shenanigans so quickly, and refuses to let up with them, that it quickly becomes impossible to care about anything that is happening onscreen. There's some decent imagery, and the lead remains someone you hope will survive the ordeal, but wondering if everything is real or none of it is real just leaves you shrugging as yet another scary moment occurs.

Holland does a good job in the lead role, and her ability is especially important while she carries the film for the majority of the runtime, but she's weighed down by a screenplay that gives her an all-too-familiar tragic backstory without enough full context and detail regarding her daily life as it is now. Sparks never feels like more than a creepy figure delivering exposition (funnily enough, he's a bit like a videogame guide), and there's not enough for the likes of Keena Ferguson Frasier, Emily Bennett, Mark Steger et al., to get their teeth into. 

There's enough to enjoy here if you're after something that feels entertainingly spooky. It's just a shame that it's also so hard to be invested in. I stopped caring about how the film would end as soon as things started to go bump in the mortuary. The more the main character was confused, yet also not reacting as strongly to the things happening around her as I would, the less I cared about where it was all going.  

4/10

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Saturday, 5 February 2022

Shudder Saturday: Slapface (2021)

Written and directed by Jeremiah Kipp, Slapface is a feature adaptation of his 2017 short film, and I would argue that, like some others, it perhaps worked better as a short than it does as a feature. Not that I have seen the short film yet, but I aim to.

The film is all about young Lucas (August Maturo), who lives with his brother, Tom (Mike Manning, also a producer on the film). The two have been scrambling to figure out their way through life after the sudden death of their mother, and part of their coping mechanism is to use a "game" named Slapface to question and test one another. Lucas doesn't really have any friends, but that changes when he encounters a legendary local monster (played by Lukas Hassel).

On the one hand, and most importantly, Slapface shows the life of a child that will be horribly familiar to anyone who has grown up relatively unsupervised in their home. You have that element of fun and freedom, but it comes with the major price of also not having that support, you don't have anyone to help you course correct or learn some more social defence mechanisms, which makes it easier to end up on the end of different forms of bullying. This is a film that hones in on that point better than many others, and that's partly thanks to the lead performance from Maturo.

Unfortunately, the horror element mixed in doesn't quite work, not for me anyway. The monster always feels too . . . monstrous, making it impossible to consider young Lucas making a connection with the creature. It's clear what Kipp is aiming for here, it just doesn't ever work as well as he thinks it well. Having said that, I seem to be very much in the minority with that view.

Maturo gives a great performance, introverted and withdrawn in a way that clearly shows how his childhood has been impacted by a traumatic loss. Manning is also very good, a big brother who tries, but isn't really ready, to be the parental figure. Libe Barer and Mirabelle Lee both put in good turns, playing two young women who view Lucas very differently, and their view of Lucas, and his relationship with his brother, is an important reminder of the different ideas that people can have when they are observing from an outsider's perspective. Dan Hedaya also has a small role, playing a local Sheriff, and is as good as ever.

I really wanted to like this more than I did. There's a very good idea at the heart of it, and it sometimes comes very close to being great. It ultimately never worked as well as it should, sadly, but I'd really like to see Kipp explore this territory again, committing himself to a journey that keeps him away from the middle ground. This either needed additional horror content or no extra horror at all, with the damaged child at the centre of it all arguably going through enough horror in his daily life. 

Good intentions, nicely put together, and with some great performances, this falls just short of being one to recommend to people. But I do recommend keeping an eye out for whatever comes next from Kipp.

6/10

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