Showing posts with label ji-young yoo. Show all posts
Showing posts with label ji-young yoo. Show all posts

Sunday, 24 August 2025

Netflix And Chill: KPop Demon Hunters (2025)

If you're going to create an animated movie that also happens to make use of a current popular fad (and I know that is absolutely the wrong turn of phrase, I am just emphasising how the mainstream popularity of k-pop has really exploded in recent years) then you could do a hell of a lot worse than KPop Demon Hunters. I started to notice this when it was first released a couple of months ago, but I resisted the pull of it until my movie-centric FOMO seized hold of me.

Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo) are the three members of Huntr/x, a hugely successful female K-pop group. They are the latest in a long line of singers who do more than just entertain the masses. Their voices and songs help to create, and maintain, a barrier between our world and a world of demons. Tired of constantly failing, the demons come up with a revolutionary plan to present their own K-pop band, one headed up by the handsome and charming Jinu (Ahn Hyo-seop).

Written by a handful of people, including co-directors Chris Appelhans and Maggie Kang, this is a stylish animation that has some fun action sequences, a lot of very enjoyable gags, and, well, a couple of songs in the soundtrack that are absolute pop-tastic bangers. Have I started playing these tunes on regular rotation in my home yet? No, but it's absolutely going to happen. It overdoes the standard gag of something being said before a hard cut to the exact opposite of what has just been stated, but it's otherwise a great mix of cute, cool, funny, and emotional. At least one main character has a secret they're withholding from others, which allows for the film to explore self-acceptance and trust, as well as teaching a lesson about not being defined by others who want to keep you as only one limited version of yourself.

Cho, Hong, and Yoo are fantastic in their main roles, Hyo-seop is equally good, and there's strong support from Ken Jeong and Lee Byung-hun, playing what could be referred to as two very different kinds of "handlers". Yunjin Kim and Daniel Dae Kim also join in with the fun. It's good to have these names on the credit list, but it's just a nice bonus tucked away beneath the great visuals and music.

Managing to cover an impressive range of emotion without over-complicating things, KPop Demon Hunters is guaranteed to entertain those in the target demographic, and some people who just enjoy a well-made bit of animation. I was going to specify that it would work best for younger viewers, but have to take into consideration how much I, as a middle-aged/old man, ended up loving it. 

Even if you're wary, like I was, of dipping a toe into the K-pop waters, this is likely to win you over. It has memorable characters, a solid main narrative, and those catchy main tunes. I'm going to cave in now and listen to the soundtrack on Spotify, although I know that will lead to me eventually refusing recommendations when the algorithm tries to get me listening to the likes of BTS and BLACKPINK.

8/10

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Friday, 16 May 2025

Freaky Tales (2025)

Written and directed by Anna Boden and Ryan Fleck, Freaky Tales is a film that I decided to watch this week with very low expectations. I hadn't really heard too much about it, and there was certainly nobody telling people to make it a priority. Maybe it was due to those low expectations, or maybe simply due to the movie itself, but I had a blast with it.

Set in Oakland in 1987, this is an anthology film showing four interconnected stories. You get some young punks who end up battling Nazis outside one of their clubs, a pair of young women who get a chance to show off their rap battle skills on a stage opposite a well-known star, a debt collector/killer renting a movie for his pregnant wife, unaware of the fact that they've been targeted by someone he caused pain to in the past, and a super-powered basketball player who goes on a killing spree after a robbery-gone-awry leads to things going really bad really quickly.

Boden and Fleck have been working together for about two decades now, and they have a filmography that refuses to be pigeonholed, but this may be their most enjoyable work yet. It's so fun and satisfying, partly down to the aesthetic and energy of the whole thing and partly down to the timing of it (because this is a perfect time to enjoy any film that features people beating up on Nazi scumbags). Jac Fitzgerald delivers some cool cinematography, straightforward stuff with just a few flourishes here and there, and the score by Raphael Saadiq is an excellent selection of synth work.

Pedro Pascal and Ben Mendelsohn are the biggest names in the cast, when it comes to the main roles anyway. The former plays that debt collector/killer, obviously perfect as the reluctant heavy who becomes quite morose and soulful when his world is irrevocably changed, while the latter is a horrible cop who is unsurprisingly connected to a number of the Nazis. The late Angus Cloud does well as a bad guy named Travis, Jack Champion and Ji-young Yoo are easy to like, playing the two main punks we spend time with, and Dominique Thorne and Normani are great fun as the rapping duo wary of being made a laughing stock while they have a chance to show what they can do in front of a big crowd. Tom Hanks appears for a cameo that lasts just a few minutes, and he's a hell of an addition to the thing, and Jay Ellis dominates the final section of the film, giving us a character who feels like Jim Kelly spliced with Cameron Vale.

Although it would seem to have a layer of grime and unpleasantness wrapped around everything, Freaky Tales works so well because it's a celebration. It celebrates love, it celebrates those who pursue their dreams, it celebrates a time and a place (and we can all think back to our own special venue that may have had a similar peak time many years ago, or maybe just seems that way through our nostalgia goggles), and it celebrates the joy of fighting back against truly despicable humans. The message couldn't be clearer, and there's some violence on display that is as satisfying as it is over the top, but that lack of subtlety feels like a refreshing drink of cool water in a time when so many others are considering compromise or ways to appeal to those who wouldn't appreciate such a message. 

If this was only a selection of tales that said "it's always okay to punch a Nazi" then I would have been fine with it, but it's got a lot more packed into it. I REALLY liked it, and I hope others have as much fun with it as I did.

8/10

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