All About Steve (2009)

Yet another film that I only became aware of due to the Razzies, All About Steve is a notorious stinker (allegedly) that I always wanted to see because of Sandra Bullock having the good grace and humour to turn up at the ceremony "rewarding" it and doing her best to entertainingly defend it. And, hey, maybe it wouldn't be THAT bad.

All About Steve really IS that bad. Sandra Bullock plays Mary Horowitz, a young woman who creates crossword puzzle for a newspaper. She then goes on one date with Steve (Bradley Cooper), a news cameraman, and becomes absolutely obsessed with him. This leads to her pursuing him across the country, much to the amusement of his colleagues. Mary has a way with people around her though, thanks to her good nature and eccentricity that people respond to. Apparently.

Writer Kim Barker has three projects to their name. This is the second. Director Phil Traill, on the other hand, has managed to create a body of work that provided much more distance between himself and this travesty. And it is a travesty, although it's hard to figure out what else it is meant to be. If it's a twisted rom-com then it lacks both the rom and the com. If it's a dark comedy then it lacks both the darkness and the comedy. If it's supposed to be some commentary on what happens when people without a filter are thrown into the middle of the general population, presenting some kind of "idiot savant" able to teach others a la Being There and Forrest Gump, then it also fails in that regard. No good points are made here, and we're left with a character study of people who are poorly-written and completely uninteresting, once you get beyond the "quirkiness" of someone who is actually on the spectrum of autism.

As unlikely as it seems, there may have been some way to make this a good movie. I think the screenplay would have needed a complete overhaul though, with Bullock and Cooper constantly thrown together more by coincidence than any scheming. It might also have benefited from different leads.

I really like Bullock. I would consider myself a full member of the Sandra Bullock fan club. How dedicated am I to her career? Well . . . I just watched All About Steve. This is easily one of the worst performances I have seen from her though, and the way she portrays Mary is almost offensively bad. There are times when she's only a couple of steps away from being the female equivalent of Simple Jack (see Tropic Thunder for that reference point). Cooper can do cocky and smarmy, but he doesn't have the extra softness required to offset the mean side of his character. At least there's some fun to be had with Thomas Haden Church (a smug TV reporter), Ken Jeong, DJ Qualls, Katy Mixon Greer, M. C. Gainey, Holmes Osborne, and, as Mary's parents, Beth Grant and Howard Hesseman.

Despite my overwhelming criticism of this movie, I will say that it's almost saved by the supporting cast and the third act moments that try hard to show some kind of closure for both Mary and Steve. Some lessons are learned, I think, and it would work in a standard movie way if viewers had grown to care about the central character. Very few will care though, which kind of undermines the ending.

Like so many similarly maligned films, this is far from the worst of the worst. It's also deserving of a lot of the mockery and disdain it has received though. 

3/10

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Netflix And Chill: KPop Demon Hunters (2025)

If you're going to create an animated movie that also happens to make use of a current popular fad (and I know that is absolutely the wrong turn of phrase, I am just emphasising how the mainstream popularity of k-pop has really exploded in recent years) then you could do a hell of a lot worse than KPop Demon Hunters. I started to notice this when it was first released a couple of months ago, but I resisted the pull of it until my movie-centric FOMO seized hold of me.

Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo) are the three members of Huntr/x, a hugely successful female K-pop group. They are the latest in a long line of singers who do more than just entertain the masses. Their voices and songs help to create, and maintain, a barrier between our world and a world of demons. Tired of constantly failing, the demons come up with a revolutionary plan to present their own K-pop band, one headed up by the handsome and charming Jinu (Ahn Hyo-seop).

Written by a handful of people, including co-directors Chris Appelhans and Maggie Kang, this is a stylish animation that has some fun action sequences, a lot of very enjoyable gags, and, well, a couple of songs in the soundtrack that are absolute pop-tastic bangers. Have I started playing these tunes on regular rotation in my home yet? No, but it's absolutely going to happen. It overdoes the standard gag of something being said before a hard cut to the exact opposite of what has just been stated, but it's otherwise a great mix of cute, cool, funny, and emotional. At least one main character has a secret they're withholding from others, which allows for the film to explore self-acceptance and trust, as well as teaching a lesson about not being defined by others who want to keep you as only one limited version of yourself.

Cho, Hong, and Yoo are fantastic in their main roles, Hyo-seop is equally good, and there's strong support from Ken Jeong and Lee Byung-hun, playing what could be referred to as two very different kinds of "handlers". Yunjin Kim and Daniel Dae Kim also join in with the fun. It's good to have these names on the credit list, but it's just a nice bonus tucked away beneath the great visuals and music.

Managing to cover an impressive range of emotion without over-complicating things, KPop Demon Hunters is guaranteed to entertain those in the target demographic, and some people who just enjoy a well-made bit of animation. I was going to specify that it would work best for younger viewers, but have to take into consideration how much I, as a middle-aged/old man, ended up loving it. 

Even if you're wary, like I was, of dipping a toe into the K-pop waters, this is likely to win you over. It has memorable characters, a solid main narrative, and those catchy main tunes. I'm going to cave in now and listen to the soundtrack on Spotify, although I know that will lead to me eventually refusing recommendations when the algorithm tries to get me listening to the likes of BTS and BLACKPINK.

8/10

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Prime Time: Boss Level (2021)

We really need more films from director Joe Carnahan, because I cannot think of anything from him that I have disliked. He may not aim for subtlety (although more people also need to watch the excellent Narc), but that’s no bad thing when you get such inventive ways to use and remix standard action movie tropes. 

Boss Level is, essentially, a timeloop movie. Written some years ago by Chris and Eddie Borey, and then rewritten by Carnahan, it is the story of Roy (Frank Grillo), a man unexpectedly reliving the same day over and over again. And that day is the day he dies, for reasons he is unaware of. As the plot develops, Roy starts to piece together a bigger picture, an actual explanation for his dilemma, and there may be a slim chance to eventually break the cycle. Roy certainly has the skills, being your typically talented ex-special forces type, but the odds are very much stacked against him, with the sheer number and variety of killers aiming to end his life. He also wants to ensure that his son (played by his real son, Rio Grillo) is safe, and maybe even hopes to avenge the death of his ex-wife, Jemma (Naomi Watts) when he starts to suspect that she wasn’t involved in the fatal accident he was told about by her boss, Col. Clive Ventor (Mel Gibson).

Starting right in the midst of an action moment that shows viewers how well Roy knows the routine of his day, Boss Level soon shows that it is made by someone who wants to maximise the potential fun of the premise. Roy dies in a variety of ways, and there’s usually a mix of gore and humour in every death scene, as he makes a number of mistakes on his journey. That’s okay though, because many of his mistakes provide an important learning moment.

Unlike many other timeloop movies, Boss Level minimises the timestamp details. Rather than specific repeated moments, although one or two do stay the same, we get shown the shape of a day, and that shape changes, and extends, as Roy learns more and more, and adapts his strategy accordingly. Some days he just wants to reach a diner and get drunk (with Ken Jeong playing the boss there, and Sheaun McKinney playing a fellow patron who happens to have a useful knowledge base), some days he battles villains until eventually (inevitably?) being bettered, and some days he just decides to take some time to connect with his son.

Grillo is perfect in the lead role here. He has a morbid sense of humour, an understandably flexible grip on his sanity, and a convincing physical presence. He also has a sense of pure grit. Jeong and McKinney are both fun, and the early appearance of Michelle Yeoh, as another diner patron, bodes well for fans who want to see a bit more of her later in the film. You do get that, but it’s sadly only a minute or two. Gibson is an enjoyable big villain, allowing himself a moment or two to deliver some great dialogue when people are right where he wants them, and Will Sasso is a solid henchman. The other highlight is Selina Lo, a sword expert who delivers a fun signature line every time she kills off our hero. Young Rio Grillo and Naomi Watts are involved in the moments that give the film some real heart, and both do well in roles that could have been totally thankless.

I heard the premise of this movie and thought it sounded great, but it also sounded as if it could be very silly, in a way that would make it hard to care about. It IS silly, but in a way that just helps you warm to the main character, and it turns into something more interesting, and deeper, than you might expect. It’s not exactly Kramer Vs. Kramer with added timeloop shenanigans and gunfights, but it’s quite a bit more than the opening act sets it up to be.

Another winner from Carnahan, and I eagerly await whatever he does next. Maybe I will just watch this one repeatedly until then.

8/10

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Scoob! (2020)

An attempt to give the Scooby-Doo brand a shot in the arm, Scoob! may fall a bit short for fans due to two main points. And one of those is the fact that the brand never feels like it needs a shot in the arm (and this is from someone who quite enjoyed the live-action movies).

The story starts with Shaggy (voiced by Will Forte) meeting a little Scooby (voiced by Frank Welker, so that is a plus). The two then meet the rest of "Mystery, Inc" before that was formed - Fred (Zac Efron), Velma (Gina Rodriguez), and Daphne (Amanda Seyfried). Years pass by, a montage shows the gang doing what they do (in a wonderfully-recreated copy of the opening titles of the cartoon I grew up with), and life is good. Which makes it a perfect time for the group to be split up, with Shaggy and Scooby meeting the Blue Falcon (Mark Wahlberg), and possibly helping to foil some nefarious plan by Dick Dastardly (Jason Isaacs).

You might have already surmised the other main problem people may have with Scoob! Yes, as seems to be the norm now for companies wanting to get lots and lots of money coming in . . . this film is also an attempt to create some kind of bizarre Hanna-Barbera movie universe. You get Blue Falcon and company, you get Dick Dastardly and Muttley, and you get a small role for Captain Caveman (and whoever thought Tracy Morgan was the best choice to voice one of my favourite cartoon characters was so far wrong that I hope they spend many sleepless nights thinking about what they have done).

The script, written by a few different scribes, works in the first third, generally, before trying to fit the gang into a wider movie universe. Then it all goes to pot, one or two witty, meta lines aside.

The same may be said of the direction from Tony Cervone, although his hands are tied by the script. But everything becomes a long, slow slide downhill once the main mystery comes into play.

The voice voice cast generally do well. It's a shame that nobody offered Lillard the chance to return to the role he made his own, but Forte doesn't do too bad as an alternative. Efron, Rodriguez, and Seyfried are a good match for their characters, Welker does his usual excellent work (which really goes without saying), and Isaacs has a lot of fun as Dick Dastardly. Unfortunately, the rest don't really fit in, be it Whalberg and his companions (voiced by Ken Jeong and Kiersey Clemons), or that unforgivable mis-casting for the Captain Caveman role. And let's not mention the clanging Simon Cowell cameo.

Scooby-Doo isn't a property that you should be able to mess up so easily, certainly not in animated form. But the creative forces behind this film manage it.

Consider my rating generous, with at least one point just for the sweet glow of nostalgia.

4/10
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Rapture-Palooza (2013)

I initially dismissed Rapture-Palooza as nothing more than a retread of material that I'd already enjoyed in This Is The End (a movie that has crept up and up in my estimation after each repeat viewing). Thankfully, I heard from others that it was worth my time so I gave it a watch. And, whaddya know, it was worth my time.

Anna Kendrick stars as Lindsey Lewis, a young woman who ends up living through the rapture. Yes, lots of people have been taken up to heaven, but Lindsey isn't one of them. She spends her days with her boyfriend, Ben (John Francis Daley), avoiding fiery rocks that fall from the sky, trying to ignore foul-mouthed crows, despairing of her parents (Ana Gasteyer and John Michael Higgins), and generally having a pretty bad time of it. Then things get worse when she catches the eye of the antichrist (Craig Robinson).

Thanks, mainly, to a great cast, Rapture-Palooza provides a decent number of chuckles for those who are willing to go along with the bonkers premise. Kendrick is always a likable presence, Robinson is often very funny (and gets to play the antichrist as an amusing asshole), Rob Corddry is a lot of fun as Ben's father, a man who wants to keep his loved ones safe by going along with whatever the antichrist wants, and Thomas Lennon is someone else I always like to see onscreen, so I thoroughly enjoyed his turn as a passive, sweet zombie. Daley may not be on a par with those mentioned, but he does a perfectly fine job with his role. As well as Gasteyer and Higgin, there are chuckles raised by the likes of Calum Worthy, Ken Jeong, Paul Scheer and Tyler Labine in small roles.

Writer Chris Matheson has a lot of fun interpreting the rapture in a way that mixes traditional aspects with twists that provide a lot of little laughs. The movie may never feel bleak, but it does enough to let you know that the characters left alive on Earth are having a pretty miserable time of things.

Paul Middleditch does well in the director's chair, setting up the lunacy without leaving any gaps for viewers to start thinking about the whole thing, and ridiculing it, before settling down to the main core of the plot - a woman with a loving boyfriend who finds herself receiving unwanted attention from an evil, powerful man. The pacing is perfect, the special effects are fun and good enough for the material, and the whole thing deserves to be viewed as more than just a trip back to the well used by This Is The End. So give it a go soon, especially if you've been (like me) avoiding it for that very reason.

It helps, of course, if you like everyone involved. If you do, I pretty much guarantee that this will entertain you for 90 minutes. If you don't, well, you may want to keep this as a very low priority.

7/10

http://www.amazon.com/Rapture-Palooza-Blu-ray/dp/B00DEKKDPA/ref=sr_1_2_bnp_1_blu?s=movies-tv&ie=UTF8&qid=1406007165&sr=1-2&keywords=rapture-palooza

Ani-MAY-tion Month: Despicable Me 2 (2013)

Supervillain Gru (Steve Carell) returns in this animated sequel that stays very much within the parameters of "if it ain't broke, don't fix it". Oh, things are a bit different, but they're also just the same. And those little minions, so popular with the younger viewers, get plenty of fun moments en route to their own spin-off movie (due in 2015).

Gru has left his evil life behind, and is now a lot happier. He is a father to three adopted girls, and uses the lab and his staff to create a range of flavoured jellies (jams to us folk in the UK). His idyllic life is interrupted, however, when the Anti-Villain League ask him to help as they try to find a dangerous stolen substance. They have tracked its signal to a shopping mall, but need Gru to go in and find out just which one of their main suspects is the thief. Lucy (Kristen Wiig) is an agent able to offer assistance, and also quite an admirer of Gru.

With everyone returning to the main roles behind the scenes, this is clearly a project in capable hands. Directors Pierre Coffin and Chris Renaud, as well as writers Cinco Paul and Ken Daurio, all know the characters well, and all know what worked from the first outing. Of course, for anyone who isn't as easily amused by those minions, that approach isn't without its shortcomings. But giving the little guys more screentime is clearly something that pleases the target demographic, and you can't blame the film-makers for wanting to keep that section of the audience happy.

Carell and Wiig are a lot of fun in the two main roles, Miranda Cosgrove provides amusement as Margo, the eldest of the girls who causes Gru some angst when she starts to take an interest in boys, and Steve Coogan and Ken Jeong also do well. But it's Benjamin Bratt who deserves a special mention. Taking over so late in the game, after original star Al Pacino had already spent so much time on the project that the animation was created to his dialogue, Bratt had to both create a fun character, Eduardo, and also match the speech movements already animated. That couldn't have been the easiest task, but you'd never guess from the final product. Bratt never seems like a replacement. He's fantastic in the role, and viewers should be glad that he was able to step in and "save the day", as it were.

If you liked Despicable Me then you'll like this sequel. Children will love it, and there's plenty for adults to enjoy. Be warned, however, that if you never warmed to those minions then you may want to give this a wide berth.

7/10

http://www.amazon.co.uk/Despicable-Me-Blu-ray-UV-Copy/dp/B00E9SUTHI/ref=sr_1_5?s=dvd&ie=UTF8&qid=1398221084&sr=1-5&keywords=despicable+me

Shiny discs, cinema tickets, laptops and the other resources I use all cost money. So does my book, but it's really not that much money. And you might even enjoy it.

The UK version can be bought here - http://www.amazon.co.uk/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1395945647&sr=1-3&keywords=movie+guide

And American folks can buy it here - http://www.amazon.com/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_fkmr0_1?ie=UTF8&qid=1395945752&sr=8-1-fkmr0&keywords=TJs+ramshackle+mov

As much as I love the rest of the world, I can't keep up with all of the different links in different territories, but trust me when I say that it should be there on your local Amazon.

Ani-MAY-tion Month: Turbo (2013)

After being unexpectedly entertained by The Croods, I now have to say that Turbo is another film ignored by many that I'll be highly recommending to lovers of fun animated movies. Both came from DreamWorks Animation, both feature Ryan Reynolds in a main role, and both were unfairly (in my view) dismissed last year. The Croods actually managed to do decent box office, so I guess I just missed out on any of the positive comments made about it, but Turbo didn't do that well at all, despite being just as good.

Theo (voiced by Reynolds) is a little snail who dreams of big things, hence the name that he gives to himself - Turbo. He wants to be fast, he wants more to his life than just helping to deal with over-ripe tomatoes. His brother, Chet (Paul Giamatti), just wants them to stay safe and do their part alongside the other snails. While looking out over a motorway, Theo ends up blown away from his sightseeing position by a passing vehicle. He passes through a motor, somehow surviving as he is moved through the engine. Once out the other side, Theo heads home and soon finds that the experience has changed him. He's a snail transformed, and might just have enough speed under his shell to achieve his dream - a shot at the Indy 500.

With a fantastic cast lending their voices to the characters, and some gorgeous CG animation, Turbo is always doing enough to keep people entertained, at the very least. There aren't any surprises, there rarely are in animated movies aimed at kids, but a lot of the gags work and the whole thing has a sweetness to it that shows how much it aims to please without tipping all the way over into saccharin territory.

Reynolds has a voice that lends itself well to animated characters, and Giamatti is always recognisable, but Luis Guzman and Michael Pena also do well in their roles, Bill Hader is a lot of fun as Guy Gagne (the champion driver who views Turbo as an amusing trier, as opposed to any real competition), and Samuel L. Jackson, Snoop Dogg, Maya Rudolph, Ben Schwartz and Mike Bell are all entertaining snails who feel the need for speed. Ken Jeong, Michelle Rodriguez and Richard Jenkins also pop up, as well as Kurtwood Smith and even racing superstar Mario Andretti.

Director David Soren (who co-wrote the screenplay with Darren Lemke and Robert D. Siegel) does a great job of mixing the fun with the heart. I seem to be in the minority of people who really like it, but I hope that others give it a chance. If I can convince just one person to watch it, and if that person ends up liking it almost as much as I did, then my work here is done.

8/10

http://www.amazon.com/Turbo-Blu-ray-DVD-Combo-Pack/dp/B00E00P5JC/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1398291394&sr=1-1&keywords=turbo