Showing posts with label phyllis logan. Show all posts
Showing posts with label phyllis logan. Show all posts

Wednesday, 7 August 2024

Prime Time: No Way Up (2023)

As someone who is not good on aeroplanes, and also someone who is terrified of the idea of ever being in the same space as sharks, I have long joked that my biggest fear is to be involved in a plane crash that leaves me floating in the sea, surrounded by sharks. No Way Up takes that idea and tries to add a slight twist, by putting the plane underwater and having the shark able to nose inside. Uh oh.

Things start in the expected way. We meet a variety of people we will then watch try to survive a perilous situation. The three bright young things who seem to be the leads are Ava (Sophie McIntosh), Jed (Jeremias Amoore), and Kyle (Will Attenborough). They are accompanied by Ava's bodyguard, Brandon (Colm Meaney). There are also a pair of grandparents on board with their granddaughter, Rosa (Grace Nettle). Add at least one air steward (Danilo, played by Manuel Pacific), and you may have enough potential snacks for a curious shark. If not, don't worry, a rescue team will soon send down some divers.

If I had recognised the name of director Claudio Fäh before pressing play on this then I may not have taken the chance. Although they have since helmed a number of what may well be enjoyable and entertaining non-theatrical movies, I last experienced their work when I sat through the dire Hollow Man 2. They've definitely improved over the years though, even if this is very standard and predictable stuff.

Writer Andy Mayson only has this screenplay to his credit, so far, but he does enough to show that he knows what kind of formula to work with. None of the characters are particularly great, which is down to the performances not helping the lacklustre writing, but people get their little bit of character development as they start to become more afraid and figure out ways to avoid becoming shark food.

Meaney is the standout, as expected, but the fact that his name looms so large over the others in the cast list means that his storyline feels very obvious. Still, it's a pleasure to have him onscreen. McIntosh also does well, and the film isn't so bad when it focuses on her finding her strength and courage. Phyllis Logan is a sweet grandmother, with Nettle doing okay as the scared little girl, but the rest (Attenborough, Amoore, Pacific, etc) were all just people that I wanted to see turned into chum as soon as possible. Whether that happened or not, and whether any of it was satisfying enough, is something I will leave you to discover for yourself.

This works hard around what I am assuming is a relatively low budget, and it gets more right than wrong. There's a general good sense of the geography of the plane, in terms of the interior layout and where it is perilously placed under the water, the cinematography from Andrew Rodger is clean and clear (aside from the times when shark attacks require some choppy editing), and it's a disaster movie that follows a well-used template, with added fins. It sadly never quite hits the heights it should though, due to the quality and quantity of the potential victims, but it does enough to sit in the mid-tier of modern shark movies.

5/10

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Tuesday, 13 December 2022

Last Train To Christmas (2021)

Written and directed by Julian Kemp, Last Train To Christmas is an enjoyable way to update A Christmas Carol. It mixes things up slightly by setting the tale on a train. And there’s the additional peril of the butterfly effect, as our lead character figures out that moving to the forward carriages takes him into his future while moving back takes him into his past.

Michael Sheen stars as Tony Towers, a character best described as a cross between Peter Stringfellow and Pete Waterman. About to open a number of extra new clubs, and about to celebrate his engagement to Sue (Nathalie Emmanuel). He has a strained relation with his brother, Roger (Cary Elwes), but is about to realise that it might make sense to listen to his words of caution, especially when he moves into his future and realises that his club empire is doomed to fail after he overspends and tries to expand too quickly. Attempting to fix things in the present, Tony soon figures out that he might do better to improve things by changing past decisions. And things start to go a bit wrong.

Although almost entirely set on a train, and with a fairly small central cast, Last Train To Christmas doesn’t feel small in scale, or inhibited in any way. It helps that the main characters are shown in so many different iterations (played well by a variety of actors, but Sheen and Elwes are the undeniable stars of the show) and the whole thing has a building momentum that energises the material. And, yes, keeping some money from the budget to spend on some popular, proper, Christmas hit songs also helps.

Kemp has come up with a wonderful way to mix the familiar with something a bit fresh, unafraid to take things to a very dark place (in line with the classic tale influencing it), but managing to keep viewers seeing the chance for even the smallest ray of hope. A light at the end of the train tunnel, as it were.

Sheen has a blast in his role, sporting a variety of looks that see him going from glitz to pure business, from prime ‘80s TV presenter to someone who has decided to age with the help of cosmetic surgery. Every actor portraying his character does a good job, but Sheen is the heart of the film. Elwes is equally good though, and almost unrecognizable for most of the runtime. Emmanuel is sadly underused, but as welcome as ever, and there are small roles for Katherine Kelly, Phyllis Logan, Danny Ashok, and John Thomson, as well as cameo appearances from Robin Askwith and Hayley Mills.

While the performances make the most of the material, the script deserves more praise than most Christmas movie scripts. First of all, it’s interesting to have a central character who isn’t necessarily an oblivious villain at the start. Tony Towers is egotistical and a bit selfish, but he’s no monster. Secondly, there are a number of little details that are nicely worked throughout the script to build the bigger picture, yet viewers are also asked to extrapolate whatever chain of events has changed the ripples of time as Tony moves from carriage to carriage. It’s very clever stuff.

This is a really enjoyable film to watch in the run up to Christmas. Maybe not as funny as some might expect, but it blends everything together really well. And you certainly get plenty of Michael Sheen for your money.

8/10

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