Showing posts with label richard dormer. Show all posts
Showing posts with label richard dormer. Show all posts

Monday, 13 September 2021

Mubi Monday: Good Vibrations (2012)

This is the story of Terri Hooley, a man with a passion for music so great that he ended up opening a record store in Belfast, and forming a label, that would support, and hugely influence, the punk music scene in Belfast. Not that either business made any money. Profit was never a motivation for Terri. It was always just about the music.

Hooley is certainly someone who deserves to have their life story shared and celebrated, whether you read any books written about him or (like me) just watch this movie. Taking place during the infamous years of bloodshed and death in Northern Ireland known as The Troubles, Hooley did his best to stay apart from everything he viewed as unnecessary distractions from the music. It was a view that ended up being infectious, allowing him to gather together a number of like-minded individuals, all of them using music in different ways to the same ends. Escape. Whether that is physical or mental.

With the role of Hooley played by Richard Dormer, Good Vibrations is a film lifted by that performance and, appropriately, the music pumping through it. Dormer has a blast, portraying Hooley with charm and savvy, if a lack of business sense, and there’s a lovely supporting role for Jodie Whittaker, playing his partner, Ruth. Aside from the people portraying some key figures in the industry, Kerr Logan as Feargal Sharky and Kieron Forsyth as John Peel, the cast also has consistently solid turns from Liam Cunningham, David Wilmot, Karl Johnson, and many others. 

Directors Lisa Barros D’Sa and Glenn Leyburn do a fine job of capturing the time and the place, and conveying that feeling of stumbling on to some life-changing music, and the script, by Colin Carberry and Glenn Patterson, keeps the humour, that seems to have been a central part of Hooley’s nature, juxtaposed alongside the very real threat posed to so many people in Northern Ireland during that time. 

It may not be an essential story, although it will inevitably be essential to those impacted by it, and it may not be a standard feelgood film, with the highs and lows leading to a fairytale happy ending, but Good Vibrations mixes the authentic with the fantastical and perfectly illustrates that way in which we can all be transported from mundanity by one great song that resonates through our entire body. It also has a predictably great soundtrack.

You could say that . . . it's well worth keeping an eye open for it.

8/10

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Tuesday, 12 August 2014

Dark Touch (2013)

Written and directed by Marina de Van, Dark Touch is an impressive horror movie that manages to provide the goods for horror fans while also doing something a bit different from the norm. It's dark, it's pretty disturbing, and it's well worth your time.

Young Niamh (Missy Keating) is the sole survivor of a massacre that left the rest of family dead. Well, it seems to have been a massacre, but there are enough elements that don't quite fit in with the picture that the police are putting together. It certainly couldn't have been anything to do with Niamh anyway. Could it? While she is cared for by the sweet Nat (Marcella Plunkett) and Lucas (Padraic Delaney) it quickly becomes clear that this eleven-year-old girl isn't exactly like other children her age. Things seem to happen when she gets angry. And she has a lot to get angry about.

Mixing together elements of Carrie and The Children with something even more disturbing, Dark Touch may not be full of surprises, but it benefits from a nice thread of moral ambiguity running throughout and a third act that is as hard to accept as it is impressive. It also manages to sketch out a small Irish community, in broad strokes, as a place where the events depicted could actually happen.

Missy Keating is very good in the main role, maintaining a fine balance between innocent child and something much more dangerous, while Plunkett and Delaney both provide solid support as the main adults in Niamh's life. Charlotte Flyvholm and Stephen Wall will make viewers squirm, and Robert Donnelly, Susie Power, Catherine Walker and Richard Dormer all hold themselves confidently alongside the leads.

I wouldn't exactly call Dark Touch a slow burner, there's a cracking opening sequence and enough moments throughout to keep everyone interested and entertained, but it's certainly a film that veers between restraint and excess as it builds up to quite a weird and wild conclusion, and that's what makes it so memorable.

7/10

http://www.amazon.com/Dark-Touch-Missy-Keating/dp/B00FUABH8E/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1391692887&sr=1-1&keywords=dark+touch