The Watcher In The Woods (1980)

Here we are, once again, with another film I had always been aware of, from a very young age, but somehow never got around to watching. This was, to me, that Disney horror movie, and I'm annoyed that it took me so long to see it.

David McCallum and Carroll Baker play Paul and Helen Curtis, parents to two girls named Jan (Lynn-Holly Johnson) and Ellie (Kyle Richards). This family all move into a new home, owned by Mrs Aylwood (Bette Davis), an elderly woman who lives just next door to the main residence. It just so happens that Mrs Aylwood approved the family as tenants because Jan reminded her of her own daughter, Karen (Katherine Levy), who disappeared many years ago. A number of mysterious events occur, convincing Jan that Karen is trying to communicate with them. But what is the message, and will anyone in the area appreciate the past being raked over?

Enjoyably atmospheric at times, and striking the right balance between spookiness and adventure, The Watcher In The Woods is sometimes a great mix. The tone is pitched nicely for family viewing, and some of the small scares are effective. Developed from the book by Florence Engel Randall, the script (initially by Brian Clemens, subsequently revised by Rosemary Ann Sisson and others) is good when it comes to the main premise and how events interconnect on the way to the third act. It's just a shame that everything else falters.

The brief runtime doesn't stop the film from feeling a bit dragged out, thanks to pacing issues that arise after the halfway point, the direction from John Hough (with reshoots from an uncredited Vincent McEveety) is a bit lifeless and feels like they were aiming for a TV movie feel rather than a theatrical release, and even the resolution ends up lacking the thrills it should have.

The acting covers a wide spectrum. Davis is wonderful in her role, playing Mrs Aylwood with the right mixture of concern and shadiness that arguably comes with pretty much any character she plays, and McCallum and Baker do well enough as the parents, kept to the background throughout much of the story. Other main adult actors onscreen (Richard Pasco, Ian Bannen, and Frances Cuka) do alright, as does young Benedict Taylor, but the female leads let the side down. Levy is okay most of the time, it's not so much her acting style as her being at the mercy of the script, but Johnson overacts in almost every scene. It's less noticable in the earlier scenes, but becomes more and more obvious as the plot unfolds, making it a cringeworthy experience almost every time she starts to shout and show any nervousness or tension.

Once again, I may have liked this more when it was originally released, when I was closer to the right age for it and less exposed to the multitude of movies I have subsequently experienced. As it is, it's okay. That's all. I think children will still find enough to enjoy, but you will need to let them check it out before they are bombarded with the typical array of CGI wizardry and inventiveness that inhabits most modern slices of entertainment aimed at younger viewers.

6/10

The film can be bought here.
Americans can buy it here.

The Gorgon (1964)

A Hammer horror movie starring both Peter Cushing and Christopher Lee. People who know me will know that as soon as The Gorgon started I suspected that I was on to a winner.

Cushing plays Dr. Namaroff, a man who has seen a number of strange deaths in his village. He's not, however, doing anything to draw attention to those deaths, despite the protests of his assistant, Carla (Barbara Shelley). As the villagers, and local law enforcement (led by Inspector Kanof, played by Patrick Troughton), stay on edge, more bodies start to turn up. Bodies of people who have been turned to stone. Richard Pasco plays a young man who may be next in line to get petrified, literally, but he might do okay if he heeds the advice from the visiting Professor Karl Meister (Christopher Lee).

Written by John Gilling (based on the story by J. Llewellyn Devine), The Gorgon is a pleasant surprise for a number of reasons. First of all, let's be upfront here, it should be ridiculous. A movie that's possibly about a gorgon in more modern times - well, it's set in the early 20th century - is something that viewers shouldn't be able to just watch without using all of their energy on the suspension of disbelief. But Gilling just keeps things rattling along so enjoyable, with enough ambiguity, that picking it apart is never a priority.

Terence Fisher directs with his usual style and technical competence. He makes the most out of every set (which are all up to the high standards set by the better movies in the Hammer horror filmography) and creates a nice blend of the melodramatic and the ethereal as the plot unfolds.

As for the cast, Cushing and Lee are both fantastic. The only downside is that they don't share the screen together for more than a minute or two. Shelley is a delight in what may be her best role from the many she was given by Hammer, and Pasco is a decent enough, if slightly bland, potential hero. Troughton is consistently brilliant as the Inspector obeying orders weighted by money more than the law of the land.

The Gorgon falls just short of greatness, simply because the premise is, as a Monty Python character might say, "a bit silly" but it's well worth your time and surprisingly entertaining from start to finish. If you end up hating it then I'll accuse you of being made of stone (*badump-tsshhhhh*).

7/10

http://www.amazon.co.uk/The-Gorgon-DVD-Christopher-Lee/dp/B003AWMWH4/ref=sr_1_1?ie=UTF8&qid=1381698986&sr=8-1&keywords=the+gorgon

Rasputin: The Mad Monk (1966)

Don Sharp directs this hugely entertaining movie based on the script by Anthony Hinds that certainly doesn't aim for historical accuracy, but captures the sheer overpowering charisma and presence of a legendary figure from the past.

The main man is played by Christopher Lee, in a performance positively brimming with electric energy, menace and a lust for life and all its earthly pleasures (to be admitted to in confession). Finding himself unpopular after an incident of self-defence gone awry, despite his healing hands, Rasputin moves from his abbey and looses himself on some fine Russians, manipulating and controlling those who can help him manoeuvre into a position of power. A position that could see him ultimately controlling all of mother Russia from behind the scenes.

Anyone wanting the facts about the extraordinary life of Grigori Rasputin should not be using this movie as any kind of primer. This film is not an account of a reality, by any stretch of the imagination, but it captures the essence of an infamous individual. To roughly phrase a popular saying . . . . "between the truth and the legend, print the legend".

The cast are all great, and familiar to many from Hammer movies and elsewhere. This is Lee's show all the way but we also get very good performances from the likes of Barbara Shelley, Suzan Farmer and Richard Pasco, who stands out as the put-upon Dr. Zargo.

The direction may be unspectacular but that's not really a major concern when the look of the finished movie is so pleasing and the focus remains on the towering presence of Lee, whether he's hypnotising unwitting ladies or dancing some magnificent, frenetic, Russian dancing. It's a bravado performance that picks up the entire movie and carries it over the finish line as a winner.

8/10

http://www.amazon.co.uk/Rasputin-The-Mad-Monk-Blu-ray/dp/B0085MXQ7Y/ref=sr_1_1?ie=UTF8&qid=1368516850&sr=8-1&keywords=rasputin+the+mad+monk