Dead By Dawn 2016: Green Room (2015)

AKA that film that features Patrick Stewart as the leader of a bunch of neo-Nazis. AKA "Do you feel lucky, punk?"

Written and directed by Jeremy Saulnier, who previously gave us the excellent Blue Ruin (and before that gave us Murder Party - which I have yet to watch), Green Room could accurately be described as a snarling beast of a film. It feels raw and visceral throughout, and not just because the main protagonists are members of a punk rock band who prefer their vocals to be primal and full of anger.

The band is made up of Alia Shawkat, Anton Yelchin, Joe Cole, and Callum Turner. They're not having a very good time, having to siphon petrol to keep their van on the road and being interviewed by someone who no longer has a show on air . . . . . . . . and can't get them the decent gig that they thought they were travelling to. To make amends, they are offered a gig elsewhere. It's the middle of nowhere. Most of the audience seem to be of a certain political leaning, to put it nicely, but the band figure that they can insult them, play a few songs, and make out with a few hundred dollars for their troubles. Which isn't bad at all. And then someone pops into a room backstage and witnesses some people around a fresh corpse. Which is when things start to go from bad to worse to the stuff of nightmares.

Green Room is a lean, nasty, grimy thriller that feels very much like something from an earlier decade. Thankfully, it manages to feel that way without making too many obvious nods and winks to viewers. The most obvious jumping off point would be the classic Assault On Precinct 13, and one or two other John Carpenter movies, but these characters, and this level of violence and brutality, could have stepped out from any number of xploitation movies from the '70s and '80s.

But I don't want to spoil your expectations with hyperbole here. Don't go into the movie expecting a) wall to wall violence and b) nastiness unlike anything you've ever witnessed before. No. What Saulnier does so well is litter his movie with moments to make you wince and scenes that often take a left turn when you thought they were moving right (no pun intended).

All of the aforementioned cast members do a very good job, even when jumping around and trying to look like punk rockers, and Patrick Stewart certainly makes a great impression with his relatively limited amount of screentime, but there are also fantastic turns from Mark Webber and Macon Blair, to name but two of a handful of people I could have singled out. Imogen Poots is a bit out of place here, but I like her anyway and she's not exactly stinking up the entire film. She just doesn't really seem to fit into this world.

If you're hoping for another Blue Ruin then this isn't for you. But if you're hoping for a film that uses fight dogs, box cutters, guns, fire extinguishers, and plenty of fake blood then get to this as soon as possible. Personally, I think this is the better film. But that just says a lot more about my mental state than the difference in quality between the two. 

9/10

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Odd Thomas (2013)

Based on a popular book by Dean R. Koontz, Odd Thomas is written and directed by Stephen Sommers, and shows that he's still capable of churning out some fine entertainment. Hey, I'm a fan of Sommers, but even I have to admit that some of his later blockbuster works don't hold a candle to the sheer b-movie fun of Deep Rising.

Anyway, let's get on with the review. Anton Yelchin is the titular character, his name really IS Odd Thomas (due to an error made while he was being registered), and he can see dead people. More than just dead people, he can also see creatures that flock around evil individuals when they know that death and horror could be on the horizon. Those creatures are known as bodachs, and Odd doesn't ever want them to know that he can see them, because if bodachs know that someone can see them then they tend to try to engineer the death of that individual. And, guess what, a whole load of bodachs have just swarmed into town with a man who is obviously planning something big. Odd tries to protect his girlfriend, Stormy (Addison Timlin), while also ensuring that everyone else stays safe. Stormy knows what Odd can see so she's happy to help as he tries to work out just what will be going down, and where. The local police chief (Willem Dafoe) also wants to help, and also knows about Odd's gift, but has to keep it a secret.

I've not read any of the Odd Thomas novels, but I have skimmed through some excerpts while reading some of Koontz's other works and the movie seems to get the tone just right. It's a very quirky piece of work, with a central character - Odd works as a short order cook as a way to enjoy some normality on a day to day basis - as likable as he is troubled. Sommers does a great job in both the scripting and directing departments, keeping everything light and entertaining while also building a sense of real danger as things build towards a finale that looks likely to change the lives of everyone involved.

I'm a big fan of Yelchin, and will happily watch him in anything, and he's great in the lead role here. Odd has some special talents, but he's no superhero, and Yelchin embodies a perfect mix of the main characteristics, in terms of personality, physicality and, yes, quirkiness. Timlin is very sweet and easy to like, a young woman worthy of the love that Odd has for her, and Dafoe is solid, and more reserved than usual, as the man trying to help Odd while also trying to avoid offering others an explanation that will get them all sent for brain scans.

It may fall a bit short for some people - not scary enough for horror fans, too quirky for fans of straight thrillers, not funny enough for fans of horror-tinged comedies - but I thought it managed to weave everything together nicely, creating something that uses a lot of familiar elements and turns them into a final product that's pleasingly, albeit only ever-so-slightly, different from the norm.

7/10

http://www.amazon.com/Odd-Thomas-Blu-ray-Anton-Yelchin/dp/B00HHYF59S/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1402436452&sr=1-3&keywords=odd+thomas

The Smurfs (2011)

Now, to be fair, I can't remember what The Smurfs were like in their original form. I can't recall the old comics that they appeared in or even the old cartoons. But I do recall enjoying their antics. Having just seen, and been extremely irritated by, The Smurfs, I can only assume that they appealed to me because I was younger and sitting in the target demographic. I may like to stay young at heart but that doesn't always guarantee that I'll enjoy childish things as much as I used to, especially if they're presented in such a poor way.

As well as the little blue folk there is a montage or two, an adult couple all too easily roped in to the proceedings (played by Neil Patrick Harris and Jayma Mays - two people deserving of much better), far too many words replaced by the word "smurf" (e.g. "where the smurf are we?"), an incompetent villain played by Hank Azaria, a number of life lessons and one or two musical moments that are even worse than the usual hits shoehorned into these products. There's also an opening sequence that screams out "look at what we did so that you would be forced to drag the kids to see this in 3D, this is shiny 3D stuff, shiny and 3D and in no way improves the movie in any way but DOES allow everyone to make more money by charging you extra to see it in 3D!!!!!"

The story, as slight as it is, sees the smurfs ending up in New York, pursued by the dastardly Gargamel (Hank Azaria). The little blue folk, inevitably, disrupt the lives of a couple of adults (NPH and Mays) while one half of the couple is also trying to keep his boss (Sofia Vergara) happy and become a better partner for his loved one.

The vocal cast here includes Jonathan Winters as Papa Smurf, Alan Cumming, Katy Perry as the lone Smurfette, Anton Yelchin, George Lopez and some others. They do their bit, with Cumming providing a comedy Scottish brogue that sounds horribly fake even though he IS Scottish.

The script, by a number of people (J. David Stem, David N. Weiss, Jay Scherick and David Ronn), does have one or two decent lines making it clear that it knows how ridiculous the whole thing is but then everything is undone by the by-the-numbers big moments that audiences have already seen, and seen done 10 x better, in many, many other movies.

Director Raja Gosnell does what is asked of him but it's a shame that he couldn't have done something ever so slightly better with the material. A bit more sly wit wouldn't have gone amiss and the movie feels a bit too long, even at just 103 minutes.

Of course, kids will enjoy this a lot more than I did and any children reading this (why the hell would you read this? get outside and get doing kiddie things like playing football and/or vandalising empty homes) should add two or three to my final rating.

I won't be rushing to see the sequel that's already underway and I don't ever want to see this again but it'll please some people. I'd strongly advise most parents, however, to try and distract the kids with something/anything else instead.

4/10

http://www.amazon.co.uk/The-Smurfs-Blu-ray-Region-Free/dp/B003TFDUMI/ref=sr_1_2?ie=UTF8&qid=1345713274&sr=8-2