Showing posts with label kay lenz. Show all posts
Showing posts with label kay lenz. Show all posts

Thursday, 23 February 2012

House (1986)

Not to be confused with the House AKA Hausu from 1977, any number of other movies called House or even the very popular TV drama show starring one Hugh Laurie as a grumpy but fiercely intelligent doctor, this House is a very enjoyable horror comedy that features some well-known horror genre names in the credits. Produced by Sean S. Cunningham, directed by Steve Miner and with a screenplay based on an initial story by the fantastic Fred Dekker, House is a lot of fun for horror fans. It even has a decent soundtrack from Harry Manfredini.

You'll be completely unsurprised to learn that House is all about a haunted house. After the death of his grandmother, a writer returns to the family home he knew (and the scene of his son's disappearance) and begins to suspect that something is wrong with the house. More worryingly, he starts to think that his son is trapped somewhere within the house. Or, at least, his spirit. Is the house determined to claim victims or is the traumatised author, who is also working on a new book based on his experiences in Vietnam, slowly but surely losing his marbles?

What it lacks in genuine atmosphere and tension, House more than makes up for in impressive rubber monsters, inventive craziness and a nice blending of the humour with the horror. William Katt does well in the lead role, though he never did fulfil the potential shown in his superb Carrie performance. Handling more of the comedic moments is George Wendt, good fun as a concerned neighbour. We also have the lovely Kay Lenz as Sandy, Katt's ex and the mother of the missing boy, and the intimidating Richard Moll as Ben, a dark and dangerous memory from Vietnam.

Steve Miner has never been a truly great director but I have always found his work enjoyable enough, for the most part, and he's capable of putting together fun, lightweight movies. The screenplay, by Ethan Wiley, works just fine. The dialogue could be sharper but the overall tone of the movie and the set-pieces will raise a smile on the face of anyone who can immediately think of dozens of influences on the material.

It didn't really, as hoped, launch another hugely successful franchise for Cunningham and co. but it did lead to three sequels of decreasing quality and remains a fine slice of 80s horror hokum.

7/10.

http://www.amazon.co.uk/House-Collection-the-DVD/dp/B0002IAQUO/ref=sr_1_1?s=dvd&ie=UTF8&qid=1330037036&sr=1-1


Saturday, 11 February 2012

Death Wish 4: The Crackdown (1987)

I must say that as the Death Wish movies evolved and moved away from the interesting and serious first movie it wasn't exactly the worst thing that could happen. While the sequels became more outlandish and implausible, the entertainment factor seemed to settle at a reasonable level and Charles Bronson always managed to hold your attention as vigilante Paul Kersey.

The rapists and muggers might have started to hide away but a new breed of criminal overshadows even their nefarious deeds. The drug dealer. After witnessing the effects that drugs are having on the kids of today, Paul Kersey decides to once again take the law into his own hands and start killing those who he feels most deserve it. The police close in, Paul finds his services being hired by someone with a vested interest and everything unfolds predictably enough for those who have enjoyed the previous movies.

J. Lee Thompson was the man who took over the directorial duties from Michael Winner and he does a perfectly reasonable job. Some of the continuity and editing feels rushed and clumsy but these movies are all about Bronson believable kicking ass and, once again, he does just that.

The script, this time by Gail Morgan Hickman, is quite basic but also utilises some plot points not all that dissimilar to Yojimbo, which at least makes this more than just a rehash of a rehash of a sequel to the original.

Bronson is excellent, as ever, in the main role and the other actors all do just fine with what they're given. Kay Lenz is the love interest this time, Dana Barron has a brief turn as the daughter of Lenz's character, Danny Trejo and Mitch Pileggi have what must amount to two minutes of screentime between them (but they're always great folk to see in films) and George Dickerson and Soon-Tek Oh play two very different police officers.

If you enjoyed the previous three movies then I can't think of any reasons that you would have to hate this one.

6/10.

http://www.amazon.co.uk/Death-Wish-DVD-2012-Release/dp/B0073DOJUE/ref=sr_1_10?s=dvd&ie=UTF8&qid=1329000829&sr=1-10