Showing posts with label mitch pileggi. Show all posts
Showing posts with label mitch pileggi. Show all posts

Sunday, 1 March 2020

Netflix And Chill: Polaroid (2019)

Here we go again, it's another one of those teen horrors that almost seem so deliberately bad you would almost think it's either a) a parody of mainstream teen horror, or b) something churned out by film-makers who attended an online course entitled "How To Create And Sell Teen Horror 101", for a total course fee of $150, including $25 to get your framed certificate at the end of it all (email versions available for the much lower price of $5).

There's a Polaroid camera at the heart of this one, of course.You take photos with is, a shadowy figure appears in the photos, and then the people in the phoros end up dying. This is a pattern very easily spotted by quirky high school student Bird Fitcher (Kathryn Prescott, and, yes, someone decided that could actually be someone's name . . . apologies to the multitude of people named Bird Fitcher out there). In fact, she and her friends accept this strange scenario very quickly, investigating the history of the camera, who created it, and trying not to be viewed with too much suspicion by Sheriff Pembroke (Mitch Pileggi).

Directed by Lars Klevberg (who did better work on the sorely-misjudged remake/reworking of Child's Play), it's hard to view this as anything more than an unfocused and derivative mess of a horror film that doesn't have any good intentions. There ARE very occasional moments that stand out, I can think of two highlights in the third act that prove to be too little too late, but the direction is disappointingly mediocre throughout, and the script, by Blair Butler, is one of the worst I can think of in recent memory. None of the characters are worth giving a shit about, the dialogue meanders between the eye-rollingly inane and the horribly dull, and the way the plot unfolds is all the worse because Butler clearly thinks he has some good ideas to add to the mix (someone should have told him that he really doesn't).

I want to spend a decent amount of time also complaining about Prescott, who has all of the screen presence of a piece of plasterboard, but it's unfair to criticise her for being unable to do any more with a script that has all of the strength of wet toilet roll. The only two people who manage to polish the turd for a few minutes at a time are Pileggi, unsurprisingly, and also Grace Zabriskie (again, unsurprisingly so). These two veterans are given just enough screentime to lift this whole endeavour from the very bottom of the barrel, and they both do their usual good work with material that really doesn't deserve their effort. Tyler Young, Samantha Logan, Keenan Tracey, Priscilla Quintana, et al aren't so much a decent supporting cast as more of a collection of H & M models who were hanging around when the casting director realised it was the day before principal shooting was about to begin.

In case I have not made myself absolutely clear above, this is horrible. One to avoid, even if you're an undemanding teen horror fan. I've STILL seen much worse, but that doesn't excuse just how bad this is. Or, I guess you could say, how undeveloped.

3/10

If you hate yourself then you can buy the movie here.


Saturday, 11 February 2012

Death Wish 4: The Crackdown (1987)

I must say that as the Death Wish movies evolved and moved away from the interesting and serious first movie it wasn't exactly the worst thing that could happen. While the sequels became more outlandish and implausible, the entertainment factor seemed to settle at a reasonable level and Charles Bronson always managed to hold your attention as vigilante Paul Kersey.

The rapists and muggers might have started to hide away but a new breed of criminal overshadows even their nefarious deeds. The drug dealer. After witnessing the effects that drugs are having on the kids of today, Paul Kersey decides to once again take the law into his own hands and start killing those who he feels most deserve it. The police close in, Paul finds his services being hired by someone with a vested interest and everything unfolds predictably enough for those who have enjoyed the previous movies.

J. Lee Thompson was the man who took over the directorial duties from Michael Winner and he does a perfectly reasonable job. Some of the continuity and editing feels rushed and clumsy but these movies are all about Bronson believable kicking ass and, once again, he does just that.

The script, this time by Gail Morgan Hickman, is quite basic but also utilises some plot points not all that dissimilar to Yojimbo, which at least makes this more than just a rehash of a rehash of a sequel to the original.

Bronson is excellent, as ever, in the main role and the other actors all do just fine with what they're given. Kay Lenz is the love interest this time, Dana Barron has a brief turn as the daughter of Lenz's character, Danny Trejo and Mitch Pileggi have what must amount to two minutes of screentime between them (but they're always great folk to see in films) and George Dickerson and Soon-Tek Oh play two very different police officers.

If you enjoyed the previous three movies then I can't think of any reasons that you would have to hate this one.

6/10.

http://www.amazon.co.uk/Death-Wish-DVD-2012-Release/dp/B0073DOJUE/ref=sr_1_10?s=dvd&ie=UTF8&qid=1329000829&sr=1-10