Not to be confused with the American comedy of the same name, Tag is a Sion Sono movie that is as typically mad as a Sion Sono movie can be. It has at least one very interesting idea at the heart of it all, and the wild set-pieces hold your interest, but this is a film that I fractured viewing experience that I can easily see people disliking, despite the fact that I really enjoyed it.
Things start with a clip that many people will already have seen, even if they're unaware of the fact that it's from this movie. Mitsuko (Reina Triendl) is just one of many schoolgirls sitting in a coach as it travels along a road. The atmosphere is calm and dreamy. Mitsuko bends down to pick up her dropped writing implement, and that is when an invisible force cuts the entire bus in half, having just done the same to the bus just ahead. There's metal and bisected bodies everywhere, and Mitsuko is understandably shocked as she tries to figure out what happened. While escaping the carnage, the force seems to follow her, taking out other people while Mitsuko does her best to avoid it. She then gets to her school, where more strangeness occurs. She is then a bride (and has the name Keiko, and is played by Mariko Shinoda). More strangeness occurs. She is then a runner in a marathon (Izumi, played by Erina Mano). Something dangerous seems to be pursuing every one of her identities, even as she tries to figure out what is going on and just who she really is.
Based on a short story by Yûsuke Yamada, Sion Sono wrote and directed this with his usual mix of slick visuals and unflinching approach to more extreme moments. The gore is infrequent, but it's a huge bloody mess when you see it (and you do get to see it), the madness stops completely when characters get together to discuss some of the ideas being proposed as explanations for the strange events, and there's a transition between each main segment that allows viewers to clearly see the lead changing identities. The whole film does a great job of mixing the perplexing, the disorentating, and the more grounded moments. It may be a head-scratching viewing experience, at times, but that's only keeping viewers close alongside Mitsuko/Keiko/Izumi as she tries to figure everything out.
Triendl does well in her role, as do both Shinoda and Mano, but it's worth singling out Yuki Sakurai for some special praise. She plays Aki, a girl who is always there as a friend to the main character. But sometimes Aki seems oblivious to what is about to unfold, and sometimes she seems to know a lot more than our lead. Whatever her sense of the situation, Sakurai plays her perfectly throughout every main sequence.
Although it feels very much like a throwaway film, any attempt to add some logic comes along too late and I'm still not sure it really makes any sense, I still had a blast with Tag. It ultimately didn't matter to me how things ended anyway, as I was enjoying thinking about the various possible explanations that might have been used. I recommend this, even though many may view it as a lesser Sono flick.
8/10
You can buy the movie here.
Showing posts with label tag. Show all posts
Showing posts with label tag. Show all posts
Wednesday, 1 January 2020
Prime Time: Tag (2015)
Labels:
aki hiraoka,
ami tomite,
erina mano,
horror,
mariko shinoda,
mystery,
reina triendl,
sion sono,
tag,
yuki sakurai,
yüsuke yamada
Friday, 15 February 2019
Tag (2018)
Based on a true story, to a degree, Tag is a comedy all about a group of friends who have tried to stay young at heart by competing in an ongoing game of, as you may have guessed, Tag. It happens every year, throughout the month of May. That last one who is tagged as "it" is the person who has to spend a whole year knowing that they were the loser. One member of the team (Jerry, played by Jeremy Renner) has never been tagged, but this is the year when that changes. It's also the year of his wedding.
Marking the feature directorial debut of Jeff Tomsic, Tag is about as middling as mainstream comedies get. I'm not going to deny that I laughed a few times, which is a few times more than I expected to, but a lot of the humour here comes from the cast, who elevate the fairly weak script by Rob McKittrick and Mark Steilen.
Renner is a lot of fun here, his ultra-serious approach to covering all of the bases to avoid being tagged a highlight of the film, and the rest of the team do well. Ed Helms is the one who seems to have things planned out best, Jon Hamm looks to be a viable threat at times, Jake Johnson is in unfocused stoner mode, and Hannibal Buress amuses with a number of timely, but unhelpful, observations. Isla Fisher is very good, playing the wife of the character played by Helms, her intensity turned all the way up to 11 for many of her scenes, Leslie Bibb isn't bad as the bride-to-be, and Annabelle Wallis follows the group to get an unexpected story for her newspaper, the Wall Street Journal. Rashida Jones is always a welcome presence, but she's shoehorned in here as a distraction for two of the main male characters, and subsequently given nothing decent to work with.
I'm surprised that we don't get a selection of upbeat pop hits but, otherwise, this ticks all of the expected boxes. You get flashbacks to the characters playing the game as kids, you get a number of tag-related set-pieces, there are some underhand tactics, and you also get a secret revealed towards the back end that is supposed to underline everything with some additional emotion and poignancy (although it doesn't). Fisher aside, the women onscreen are mostly sidelined by the men running after one another and being big kids, and it's all presented as a wonderful way in which friends stay bonded over the years and hang on to their youth.
It's a shame that this is so mediocre throughout, but then it's also hard to see how it could have been anything more than that. How, after all, do you flesh out a film that is based around such a silly, and lightweight, concept? Maybe you decide that it's not really film-worthy and move on to something better instead.
Some may, of course, like this more than I did. Many may liked it even less. Aside from the lack of major laughs, I just found myself often watching the carnage onscreen and wondering just why these people were being celebrated for being selfish men-babies who didn't care about the damage they were causing to bystanders and property as they raced to tag one another. That may just be a sign that I am now officially middle-aged. Or it MAY be that these characters aren't really worthy of a whole movie.
5/10
You can pick up the movie here.
Americans can catch the movie here.
Or just click on those links and go shopping crazy. Because that gets me rewarded and gets you a nice selection of gifts to yourself.
Marking the feature directorial debut of Jeff Tomsic, Tag is about as middling as mainstream comedies get. I'm not going to deny that I laughed a few times, which is a few times more than I expected to, but a lot of the humour here comes from the cast, who elevate the fairly weak script by Rob McKittrick and Mark Steilen.
Renner is a lot of fun here, his ultra-serious approach to covering all of the bases to avoid being tagged a highlight of the film, and the rest of the team do well. Ed Helms is the one who seems to have things planned out best, Jon Hamm looks to be a viable threat at times, Jake Johnson is in unfocused stoner mode, and Hannibal Buress amuses with a number of timely, but unhelpful, observations. Isla Fisher is very good, playing the wife of the character played by Helms, her intensity turned all the way up to 11 for many of her scenes, Leslie Bibb isn't bad as the bride-to-be, and Annabelle Wallis follows the group to get an unexpected story for her newspaper, the Wall Street Journal. Rashida Jones is always a welcome presence, but she's shoehorned in here as a distraction for two of the main male characters, and subsequently given nothing decent to work with.
I'm surprised that we don't get a selection of upbeat pop hits but, otherwise, this ticks all of the expected boxes. You get flashbacks to the characters playing the game as kids, you get a number of tag-related set-pieces, there are some underhand tactics, and you also get a secret revealed towards the back end that is supposed to underline everything with some additional emotion and poignancy (although it doesn't). Fisher aside, the women onscreen are mostly sidelined by the men running after one another and being big kids, and it's all presented as a wonderful way in which friends stay bonded over the years and hang on to their youth.
It's a shame that this is so mediocre throughout, but then it's also hard to see how it could have been anything more than that. How, after all, do you flesh out a film that is based around such a silly, and lightweight, concept? Maybe you decide that it's not really film-worthy and move on to something better instead.
Some may, of course, like this more than I did. Many may liked it even less. Aside from the lack of major laughs, I just found myself often watching the carnage onscreen and wondering just why these people were being celebrated for being selfish men-babies who didn't care about the damage they were causing to bystanders and property as they raced to tag one another. That may just be a sign that I am now officially middle-aged. Or it MAY be that these characters aren't really worthy of a whole movie.
5/10
You can pick up the movie here.
Americans can catch the movie here.
Or just click on those links and go shopping crazy. Because that gets me rewarded and gets you a nice selection of gifts to yourself.
Labels:
annabelle wallis,
comedy,
ed helms,
hannibal buress,
isla fisher,
jake johnson,
jeff tomsic,
Jeremy Renner,
jon hamm,
leslie bibb,
mark steilen,
rashida jones,
rob mckittrick,
tag
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