Showing posts with label aaron heffernan. Show all posts
Showing posts with label aaron heffernan. Show all posts

Thursday, 9 April 2026

Cold Storage (2026)

Director Jonny Campbell has done a lot of great TV work throughout his career. He doesn't have as much success when it comes to feature films though, with his only previous theatrical release being the strangely mishandled Alien Autopsy, a film that tried (and failed) to capitalise on the popularity of the two leads. Cold Storage has more than just one or two gimmicks to help it along, and it's helped by a screenplay from David Koepp. It still manages to show that Campbell may be best suited to TV work though.

Joe Keery and Georgina Campbell play Teacake and Naomi, two employees looking after a self-storage facility. They don't know that the building also houses a secret lab area. Nor do they know that there's a dangerous and infectious fungus stored there. It's parasitic, it's very quick at spreading itself around, and it's just broken out of the sealed containers that held it for decades. Teacake and Naomi will face threats from a number of visitors, but if they can hold on long enough then they might get some major help from a grizzled miltary veteran (Liam Neeson) who has seen how dangerous the fungus can be first-hand.

This might be a fungus, it might try to keep a lighter tone throughout, and there are one or two quirks added to the lead characters, but it's otherwise business as usual. It's a zombie film, and it's not an especially good zombie film. It's certainly not terrible, thanks to some diverting sequences and a few good special effects scattered throughout, but it's not very good. Maybe I'm projecting, but Koepp's screenplay feels as if he thinks he's too good for a sub-genre that he can't quite get a handle on.

Keery and Campbell ARE good, and they deserve a better film that would make better use of their talent. Both are appealing leads on their own, but it's a big boost for the film that they have great chemistry together when sharing the screen. Neeson coasts along in his role, but it's nice to see him in something that isn't beating the dead horse that is his Taken persona (even if he retains a better skillset than most of us), and it's good to have a couple of fun supporting roles for Lesley Manville and Vanessa Redgrave. Ellora Torchia works well as someone who provides remote support for Neeson's character, Aaron Heffernan is a problematic ex, and there's even more varied characters in the shape of Gavin Spokes (a bad boss), Richard Brake (a bad military type), and a few random critters that help to spread the fungus.

All this needed was a bit of tightening up (the runtime may only be 99 minutes, but even that feels just a bit too long), a bit more creativity in the set-pieces, and some more characters to help boost any potential bodycount. That would have been enough to make this an easy one to recommend. As it stands, it's fine. Those after something easy to watch, and something that plays within the horror genre without being too intense or scary for adult viewers, should enjoy themselves. It's the cinematic equivalent of a fast food meal. But those wanting a tasty steak dinner should look elsewhere. 

6/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Monday, 31 March 2025

Mubi Monday: Bring Them Down (2024)

I really wanted to like Bring Them Down, an Irish drama featuring a number of actors that I have liked in many other movies. Sadly, it feels like many other films I've seen over the past few years, although it's not as good as any of them. It's particularly irritating to see such a great cast being slightly wasted in something that could have been much better.

Christopher Abbott plays Michael, a young farmer who is trying his best to keep the family business afloat while being overlooked by his father, Ray (Colm Meaney). Times are tough, so tough that a nearby farming family becomes a bitter enemy when young Jack (Barry Keoghan) steals a couple of animals and claims that they died. That lie is revealed when Michael sees the animals displayed at a market, which leads to a confrontation between himself and Jack's father, Gary (Paul Ready). Things start to get worse from there.

Co-written by Christopher Andrews and Jonathan Hourigan, with Andrews also making his debut as a feature director after getting a few shorts under his belt, it's hard to really pin down how this fails. I think it's just too many moments that we've seen before without enough added to the material to make it seem really fresh or worth our time. This is a patchwork movie, and some of those patches are almost identical to other films that you could either revisit or watch for the first time.

Abbott does okay in the lead role, even if he suffers in comparison to almost everyone else onscreen. This is definitely time for people to try to make him a thing, but I'm not sure he's truly deserving of the push. Keoghan, on the other hand, deserves all of the positive attention and praise he's been getting over the past few years, and he delivers yet another effortlessly mesmerising turn here. Meaney is fantastic, Ready is very good indeed, and a couple of excellent supporting turns come from Aaron Heffernan and Nora-Jane Noone.

There's a lot being mixed in to a big melting pot here (family pressure, problems handed down through generations, the difficulties of making ends meet in a vocation where profit margins can depend on one good animal), but none of it is able to come through clear enough. To overuse the analogy, a lot of the flavours overwhelm one another, and you're just left with a load of bland mush. Even the non-chronological presentation of events, we get shown things and then taken back to see them from another perspective, doesn't really add the impact and tension that it should.

If you want some great Irish-set movies then I can give you a good half dozen or so. If you want films set against the harsh life of farming then I can probably recommend a few of those too. Great Barry Keoghan films? Easily done. Better roles for Colm Meaney? Just as easy. There may not be anything here that's awful, but it's shocking that so much of it feels so disappointingly average.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share