Prime Time: Nickel Boys (2024)

Based on the acclaimed novel by Colson Whitehead, Nickel Boys is one of the films that would have easily passed me by completely if it hadn't been put in competition for the Best Picture in the 2025 Oscars. I had no idea what it was about, but a quick browse to check the reactions to it saw a lot of discussion about the shooting style making it a more emotional and impactful experience. I would have to respectfully disagree with a lot of those people.

Ethan Cole Sharp plays Elwood, a young black boy with a bright future ahead of him. That all changes when he is hitch-hiking one day and ends up in a stolen car. Although Elwood didn't know the driver, nor did he know that the car was stolen, he is convicted of a crime and sent to the Nickel Academy, an infamous reform school. With clear segregation in the school, and clear preferential treatment for the white students who live there, Elwood soon finds out that he'll be stuck there for a while. The school makes money by using the black students for labour. Elwood befriends Turner (Brandon Wilson), and the two try to keep their spirits up as they plan the time when they hope to one day be free, which may be a lot sooner for Elwood if his grandmother (Hattie, played by Aunjanue Ellis-Taylor) can scrape together the money for the right lawyer.

Directed by RaMell Ross, who also co-wrote the screenplay with Joslyn Barnes, Nickel Boys is a superb tale, and one that is very much worthy of a film that should stir up strong feelings and remind people of how stacked the US system is, and remains, against black people. This film does that, it cannot really fail to affect all but the stoniest of viewers, but it is rendered slightly less effective than it could have been with the choice to shoot things mainly from the POV of the main characters. Maybe it's just my own inflexibility, but that style in modern movies has been used too often for content that usually resembles videogame action, and having it here does the opposite of drawing you close to the characters, in my experience. I felt as if there was a barrier there, something always stopping me from feeling everything I wanted to be feeling. It was a distraction, and it didn't even feel consistent enough to be worth the technical effort.

I will say that Sharp, Wilson, and Ellis-Taylor do good work, but even the performances are difficult to fully judge through that mesh created by the shooting style. Hamish Linklater is effective as the sadistic man overseeing the running of the reformatory, and Jimmie Fails makes a strong impression as Mr. Hill, the schoolteacher who first sees how bright Elwood is, and tries to help him on the way to a better future, but too many other people are only half-glimpsed or shown bumping into the leads like some runaway balloons. That keeps the focus on Elwood and Turner, so it isn't a terrible decision, but I cannot help thinking, once again, that some different choices could have given us a richer, and even more powerful, experience.

I want to read the book this was based on, and (by sheer coincidence) I am currently enjoying something similar, albeit with a supernatural twist, called "The Reformatory", written by Tananarive Due, but I don't want to revisit this film. And while I would still tentatively recommend it to others, I know that they may have to keep working hard to look beyond the distracting shooting style in order to stay focused on the most important ups and downs of the main storyline.

6/10

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Netflix And Chill: The Deliverance (2024)

I have been aware of director Lee Daniels for years now, but not actually gone out of my way to watch any of his movies. The one exception to that is The Paperboy, a wonderfully odd and trashy murder mystery. But, when I saw people sharing screenshot of Glenn Close uttering THAT line in this movie, I knew that I had to see The Deliverance as soon as possible. I'm glad that I did. It's a well-made horror movie that doesn't feel the need to be witty, snotty, or constantly winking at horror genre fans, and I'd say that it's a better exorcist movie than at least four movies in that franchise. It's certainly miles better than the dire Exorcist: Believer.

The plot is standard stuff. Ebony (Andra Day) is struggling to maintain a healthy household that includes her own mother, Alberta (Glenn Close), and her three children. There's the eldest boy, Nate (Caleb McLaughlin), a daughter named Shante (Demi Singleton), and a pre-teen boy named Andre (Anthony B. Jenkins). Ebony has a history of alcohol abuse, which has fuelled incidents of violence, and therefore has the added pressure of being visited by Cynthia (Mo'Nique), a caseworker representing Child Protective Services. When things start to get strange, and dangerous, in their home, Ebony has to try to keep her family safe while convincing others that she isn't the root cause of everything. 

Clocking in at just under two hours, The Deliverance is deliberately paced to give some time to the main characters, and to show how many difficulties they have in their lives even before something evil starts to play havoc with them. Daniels has been quoted as being slightly unhappy with having to placate Netflix in the final structuring of the film, but it seems as if the two have worked together well to achieve something impressive. This is grounded horror that also has the time to explore some non-supernatural issues that many of us have experienced, and it keeps increasing the stakes incrementally on the way to a climax that features someone battling for a soul that you actually really hope to see saved.

Writers David Coggeshall and Elijah Bynum may not be the first people you would think of when it comes to something both so effective and weighty, but they do a very good job of showing a loving family working hard to repair the cracks in their relationships as some external force tries to keep them apart as it makes use of their bodies to commit some horrible acts. There are a number of expected moments, hard to avoid with this sub-genre of horror, but also one or two moments that still manage to surprise and impress.

The cast also play a major part in making this a success though, handling the material with a straightforward and serious approach that allows it all to feel creepier and more dangerous for everyone involved. Day has one or two moments in which she has to act drunk, or almost cripplingly overwhelmed by the urge to drink, and those aren't her best scenes, but she's otherwise excellent and completely believable as the mother who has to dig in and find more reserves of strength when she is starting to suspect that she has nothing more left in her. Close enjoys playing a very unrestrained and bawdy character, and she gets to deliver the most memorable piece of dialogue, and Mo'Nique does well in portraying someone who gets to become more than just a potential villain by the time the end credits roll. Aunjanue Ellis-Taylor is also very good, playing the typical character who knows what is going on ahead of everyone else. The younger cast members may not always match their adult co-stars, but Jenkins, McLaughlin, and Singleton certainly don't let anyone down, and Jenkins is used particularly well for that youthful innocence that demonic forces are so often more eager to corrupt.

I'm sure that some (many?) will watch this and consider it a bit unsatisfying. I think the natural drama and the supernatural elements are blended together really well, but I can imagine some people being impatient with it. Stick with it though, be patient, and I hope you will feel rewarded by the time it ends. And if this does well, who knows, maybe we could get more horror movies like this, ones that don't feel as if they have to focus on teens or the latest trends and technology. I might sound like an old fart here, but it's oddly refreshing to watch something now that doesn't seem to be trying hard to hold the attention of viewers who shouldn't be the target demographic for it anyway. The parameters of the sub-genre still work against it, but Daniels and his entire cast and crew work hard to keep pushing right up against them.

7/10

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