Filmstruck Friday: Klute (1971)

Donald Sutherland plays John Klute, a detective who is hired to try and trace the whereabouts of a missing man. The only clue he has are some rude letters to a New York prostitute (Bree Daniels, played by Jane Fonda). As Klute tries to make progress with the case, he becomes more closely connected to Bree, wandering further into her world and finding out more about a woman who has spent most of her time maintaining a barrier between herself and anyone around her.

Written by Andy and Dave Lewis, this is a film that is part detective story and part character study. Despite the main character, and some enjoyably frank conversations about sex and why people shouldn't feel asahmed about doing something they enjoy so much, it's not made to be any kind of erotic thriller. It's simply a detective story that looks at some very different attiitudes to sex while bringing together two main characters who seem to be polar opposites of one another. That's not to say that the content lacks any kind of sexual frisson, not at all. Every time Fonda is onscreen there's an aura emanating from her frankness and confidence that perfectly shows why her character would be so greatly desired by her clientele.

Director Alan J. Pakula, a man with one hell of an impressive directorial filmography to check out, allows viewers to get lost in the midst of this potential blossoming relationship. We spend an awful lot of time watching Fonda go about her day, either speaking to her therapist or shopping or being with clients, and then see the immediate comparison to Sutherland's much quieter character. Despite his name being used as the title of the movie, Klute is always secondary to Bree, and the main detective strand is always secondary to the exploration of the different attitudes of the leads.

In case you couldn't tell already, both Sutherland and Fonda are fantastic. The latter is the definite highlight but it's unfair to completely overlook how well Sutherland does in an atypically understated performance. Elsewhere, Charles Cioffi does okay in a small role and Roy Scheider adds another great role to his roster (I am slightly embarrassed that I only ever knew him from the masterpiece that is Jaws for a number of decades).

Falling slightly between the likes of Chinatown and Blow Up, with a dash of onscreen self-awareness and self-analysis that would suit a character in a Woody Allen movie, Klute is not a film you should be overly concerned with categorising. You should just seek it out and find out why so many others have already heaped lots of praise upon it. Disappointing finale aside, this is well worth your time.

8/10

Klute can be bought here.
And I am sure other places have it, but I don't see many opportunities. Click the link and buy whatever you like, it all works for me.

Remo Williams: The Adventure Begins (1985)

AKA Remo: Unarmed And Dangerous.

Sometimes, as a youngster, your love for a movie is set in stone from the very first time you see it. There are many obvious titles I could list here as personal favourites, and many of them would have people nodding in agreement (I hope). But sometimes you love a movie that seems out of line with others that have grabbed your attention. Movies that weren't really aimed AT you, necessarily, but still managed to hit the sweet spot, even if you first saw it at an age when you didn't take in every detail or get every joke. Remo Williams: The Adventure Begins is one of those movies.

It's a simple tale. Fred Ward is Remo, a man who used to be someone else. A covert company liked his profile, decided to recruit him, and then faked his death. They then gave him a new face (although it's not a million miles away from his old face), a new name (errrr . . . .  Remo Williams, obviously), and placed him under the tutelage of a martial arts master (Chiun, played by Joel Grey). Remo will be trained up to become a perfect assassin . . . . . . . . . . . . . IF he survives.

Basically, this is The Karate Kid for slightly older viewers, mixed with elements of James Bond. Based on The Destroyer series of books, by Richard Sapir and Warren Murphy, this was a movie that kicked off a franchise that never happened. While that's a bit of a shame, it's also great, in a way. No shoddy sequels were produced to tarnish the affection so many have for this film.

The cast all handle the material with the healthy sense of humour running all the way through it. Ward is consistently believable in the lead role, whether rolling his eyes and lacking self-belief in the first half of the movie or handling the physical aspect of the role in the later scenes. I don't know why Grey was picked to play the character of Chiun, but he's entertaining in every scene that he has. The great practical make up used on him doesn't cover the ever-present twinkle in his eye. J. A. Preston and Wilford Brimley both do their usual good work, playing the men in charge of CURE, the covert company waiting impatiently for Remo to fulfil his full potential, and Charles Cioffi is George Grove, the villain of the piece, although the best moments involve his henchman, Stone (Patrick Kilpatrick). Last, but by no means least, are two military personnel. George Coe is a General helping out Grove, while Kate Mulgrew has the role of Major Rayner Fleming, a military woman who starts to smell a rat when trying to check up on Grove and his projects.

Directed by Guy Hamilton (a Bond veteran, of course), the whole thing moves along at a cracking pace, ensuring that viewers never feel bored during the 120-minute runtime. The script (by Christopher Wood, although it was apparently heavily rewritten by Hamilton) has just the right tone throughout, gently self-mocking when viewers are directly alongside Remo but all about the thrills and action when watching him being seriously tested. Admittedly, the grand finale may be a little less effective than it could be, but the vertigo-inducing set-pieces that come along before hand more than make up for that. And the BIG sequence set on the Statue Of Liberty remains a high benchmark in action cinema, perfectly blending stuntwork, special effects and an almost unbearable amount of tension. Seriously, hold that up alongside any other action movie set-piece and it holds up to this day.

Remo Williams: The Adventure Begins, or Remo: Unarmed And Dangerous, or even just Remo. The title may have been subject to change over the years, but the movie has remained, and still remains, a real gem for action fans.

8/10

Trust me, THIS is the release that you need ASAP - http://www.amazon.co.uk/Remo-Williams-Adventure-Begins-Blu-ray/dp/B00KHQD6DU/ref=sr_1_1?s=dvd&ie=UTF8&qid=1404863814&sr=1-1&keywords=remo+williams - a typically lush Arrow package, with commentary, a cracking documentary on the cultural context of '80s action flicks, a booklet, and picture and sound quality that I'd argue is the best the movie has had since its cinema release.

Please feel free to remember me whenever you're visiting Amazon and see my book there.

The UK version can be bought here - http://www.amazon.co.uk/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_3?s=digital-text&ie=UTF8&qid=1395945647&sr=1-3&keywords=movie+guide

And American folks can buy it here - http://www.amazon.com/TJs-Ramshackle-Movie-Guide-Reviews-ebook/dp/B00J9PLT6Q/ref=sr_1_fkmr0_1?ie=UTF8&qid=1395945752&sr=8-1-fkmr0&keywords=TJs+ramshackle+mov

As much as I love the rest of the world, I can't keep up with all of the different links in different territories, but trust me when I say that it should be there on your local Amazon.