John Wick: Chapter 4 (2023)

Keanu Reeves is back as John Wick, with Chad Stahelski once again directing, and writer Shay Hatten (who worked on the last film) now joined by Michael Finch, and many people are saying this is the best film in the series. I would disagree, but the third act has a number of major sequences that easily jostle for a spot amongst the action highlights of all four films.

Still looking for a way out of his predicament, John Wick is coming to the inevitable conclusion that he may just have to die. He won’t go down without a fight though, and aims to at least try to take down everyone who is sent after him. The armed goons are being sent in their droves by a determined Marquis (Bill Skarsgård), but the biggest threat comes from a skilled assassin who was once a friend (Caine, played by Donnie Yen) and a tracker (Shamier Anderson) who wants to keep Wick alive until the bounty on his head reaches his desired amount. 

I have complained about some other films that start at a point not allowing for any decent sense of escalation, and you might think that John Wick Chapter 4 would have the same problem, considering the first half of the lengthy runtime, but don’t worry. While there is a risk of fatigue setting in, considering how many fight moments consist of people shooting at one another while lifting up their Kevlar jacket collars to protect their face/head, there is just enough inventiveness and style to keep you entertained until you get to the moments that truly feel as if they are taking things to another level. Every main action set-piece set in Paris, whether it involves the busy traffic going around the Arc de Triomphe or some fluid overhead camerawork showing our hero destroying numerous enemies with a gun that fires out incendiary ammo, sets the bar about as high as it can go for this kind of thing. And I cannot tell you how many times I winced during a battle on some steep steps that saw one stuntman after another take many painful tumbles.

Reeves is still perfect in the lead role, more action than words (but able to show both his determination and tiredness while leaving piles of corpses in his wake), and all of the returning players, such as Laurence Fishburne, Lance Reddick (RIP, his role here is all the more poignant), and Ian McShane, continue to have great fun in their supporting roles, with the latter once again effortlessly stealing some scenes with a raised eyebrow or delightful turn of phrase. Yen is a formidable opponent, and brings with him the legacy of his entire body of work (I hope those new to his skills will hunt down some of his greatest hits), and the same can be said for the great Hiroyuki Sanada, in a relatively small, but pivotal, role. Anderson is good fun, and he gets to give orders to the talented killer dog in this movie (which is great, but sadly not as entertaining as the dogs owned by Halle Berry in the previous instalment). Then there’s Bill Skarsgård, playing his main villain - or, arguably, just the new boss charged with re-enforcing rules and fixing what was broken by Wick’s rampage - with a smug air of superiority, a general lack of concern for what he sees as the inevitable outcome that will go his way, and an entertainingly overdone French accent. There’s also room for Clancy Brown (always welcome onscreen, here lending his talents to the role of Harbinger), Rina Sawayama (playing the daughter of one main character, and someone who may end up on a revenge mission of her own one day), Scott Adkins, Natalia Tena, and the lower half of Marie Pierra Kakoma’s face as she DJs at a radio station named WUXIA.

The soundtrack is another corker (Tyler Bates and Joel J. Richard also having been a part of the series since the first film), the production design throughout keeps things well-balanced to show us bright colours and neon lighting in between moments of stealth in more shadowy areas, and there’s an equally fine job done, as ever in this series, of blending the editing and special effects with an overview of the frenetic action.

I doubt the series will end here, but I will not be unhappy if it does. It’s hard to think of what they could do to top this. You have all of the violence and death, all enjoyably creative, you could hope for, but there are also a couple of thematic strands running through the whole thing that give it some more weight, and keep you remembering what everyone has at stake. And you shouldn’t underestimate the glee you can experience from watching our hero repeatedly smack someone in the head with nunchucks. It’s almost downright cathartic.

8/10

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xXx: Return Of Xander Cage (2017)

Taking a leaf from the later instalments of the Fast & Furious franchise, this third film in the xXx series gives the lead role back to Vin Diesel, as you may have guessed from the title, and surrounds him with a bit of an all-star cast of people who bring various specialist skills to the table.

Xander Cage (Diesel) is asked to help once again when the world is endangered, this time by a group of people who have stolen a device that can control weather satellites. The danger of the situation is made apparent when one such satellite is sent on a crash course to Earth. Reluctant to help "the man", represented this time by Jane Marke (Toni Collette), Cage eventually agrees to do what he does best, on one condition; he gets to pick his team. It's not long until they're facing off against a group of equally talented fighters, but who are the real villains at work?

Directed by D. J. Caruso, xXx: Return Of Xander Cage has three major elements working in its favour. First of all, Caruso himself does well at the helm, working from a fun script by F. Scott Frazier that perfectly blends laughs and enjoyable action set-pieces. I've liked pretty much everything I have seen directed by Caruso, and this keeps his track record consistent for me.

Second, the tone of this is just perfect. The first two xXx movies tried to show that they were working with tongue in cheek, yet it never quite worked, and I think that's because at the heart of each storyline was a hero who wasn't ever really seen to be in on the joke. Diesel, in this instance, has more fun as he gets to play up the legend of his character while bantering with others who share his sense of recklessness, and that works really well.

Third, the cast. Diesel may not be the best thespian around but he knows how to strut around onscreen like someone with such a big ego, even when he's interacting with martial arts stars like Donnie Yen and Tony Jaa (who both get some decent onscreen moments, and I was impressed by how much screentime Yen actually got). Collette is fine as the suit in charge, Nina Dobrev is a lot of fun as the tech support worker who gets flustered around our hero, and Deepika Padukone, Ruby Rose, Kris Wu, and Rory McCann are all good additions to the series, either individually or thanks to how they are teamed up with others.

It may have been a high benchmark to exceed, but it's still surprising just how much more entertaining this film is compared to the two that preceded it. It is, in a way, exactly how this series should have been working from the very beginning. If you disliked the other films then still give this one a try. If you enjoyed the other films, albeit to varying degrees, then definitely check this one out. By the time you get past the main opening sequences (one involving Neymar, one involving a daring raid, and one involving Diesel jumping and skating around at breakneck speeds) then you will know what you have let yourself in for, and you will probably already be grinning.

7/10.

The Bluray is available here.
Americans can buy it here.