Showing posts with label giorgio mariuzzo. Show all posts
Showing posts with label giorgio mariuzzo. Show all posts

Saturday, 13 April 2019

Shudder Saturday: The House By The Cemetery (1981)

I love me some Lucio Fulci horror. The man doesn't give a damn for things like logic or reality, but he can create some absolutely wonderful set-pieces, and can also layer on atmosphere so thick that you have to cut through it with a chainsaw to even just see the screen. Unfortunately, The House By The Cemetery (the last in his "Gates Of Hell" trilogy) is one of his weaker films. There are still moments that will please fans, they're just too few and far between in the middle of a plot that's hard to care about.

And I'm not going to take up this entire review with space trying to explain the plot. Let's just say that a family moves into a new home, that home having also been the site of evil happenings, and it's not long until more evil happenings start to, ummmm, happen. That will do, trust me, that's all you need to know.

You get some familiar Fulci-isms here, of course, including a random prologue that becomes relevant a bit later on, someone with psychic abilities, spooky children, an animal attack (this time it's a bat), and an undead figure shambling around and killing people. There are moments of gore, moments to bewilder anyone new to the cinematic world of Fulci, and general oddness throughout, but it all feels like someone trying to emulate Fulci without really managing to get things right.

Part of this can be attributed to the script, which was written by the director, Dardano Sacchetti, and Giorgio Mariuzzo (developing the plot thought up by Elisa Briganti), but scripts have never been the main focus of a Fulci movie. Yet, even in comparison to others that he brought to the screen, this is particularly weak. There's no building of tension because the core of the story is so weak, there are no characters to really care about, or be interested in, and the dialogue is either clunky exposition or reactions to moments of horror that would send most people running for the hills.

Catriona MacColl and Paolo Malco are the two main adults, the latter being responsible for his family moving into "the creaky and creepy house of murder and death" (my title, not a name given to the location in the film, despite it being completely appropriate), and the main child, Bob, is played by Giovanni Frezza in a performance that is up there in the annals of most annoying movie children ever. Not that I blame Frezza entirely for that. It's a mix of the dubbing and however he was directed by Fulci. Ania Pieroni isn't onscreen long enough, playing a babysitter named Ann, while Giovanni De Nava is arguably shown too much in the second half, playing Dr. Freudstein, the character causing so much death and horror.

There are still moments here that make this worth your time, just, but it's probably the weakest film from Fulci to feature a shambling corpse, and it's not a patch on so many of his other movies that you could pick from the decades during which he gave us a pretty damn impressive number of memorable genre films.

5/10

You can buy the movie here.
Americans can buy it here.


Friday, 15 March 2013

The Beyond (1981)

Lucio Fulci is a director who tends to invoke extreme reactions in people. His work is often extremely gory, more than a little bit bonkers and very atmospheric, but there are many of his films that people also just dismiss as nasty, misogynistic trash. I've not seen too many of his movies, but I've seen enough to know that I like his stuff, even if it is completely off the wall at times. City Of the Living Dead (please be kind to my brief review, it was one of my first for Flickfeast) remains a firm favourite in the zombie movie sub-genre, thanks in no small part to the atmosphere that's laid on with a shovel. The Beyond is its equal.

Catriona MacColl plays Liza Merril, a woman who finally has a shot at getting something good happening in her life when she inherits an old hotel in Louisiana. It's unfortunate that the hotel is built over one of the seven entrances to Hell and that a long-dead artist named Schweick seems intent on leading hordes of the undead into the world of the living. If Liza heeds the advice of blind Emily (Cinzia Monreale) then maybe she, with the help of Dr. John McCabe (David Warbeck), can stop all hell breaking loose. Literally.

Fans of City Of The Living Dead should love this movie as it's certainly a thematic companion piece to it, making up a nice trilogy of sorts that would be completed by The House By The Cemetery. Fulci also co-wrote the screenplay with Dardano Sacchetti and Giorgio Mariuzzo though it's hard to imagine them doing much more than imagining nasty, gory death scenes and then making the rest of the plot up while the cameras were rolling. To be fair, a lot of the footage from the last third of the movie was added at the insistence of the distributor, but the movie feels like a melting point of ideas and outrageous horrors anyway so nothing ever feels too incongruous, even as everything gets crazier and crazier.

MacColl is a lovely leading lady, David Warbeck acts capably alongside her and Cinzia Monreale plays a young woman who can sit at a piano and play her own spooky theme music. Veronica Lazar and Anthony Flees are given enough just enough screen-time to make it clear that they might not live to enjoy any retirement in their old age and Maria Pia Marsala is a young girl who sees a lot more blood and death than any young girl should see.

The acting is uneven, of course, and so are some of the special effects moments, but the good far outweighs the bad when it comes to the eyeball trauma, flesh being lashed off in chunks, faces being severely disfigured, tarantulas enjoying some meat treats and the atmosphere that starts to build up during the middle of the movie and thickens and thickens right up until those brilliant final images.

In case you didn't realise it already, this is another film that I hold dear to my horror-loving heart, flaws and all.

8/10

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