Showing posts with label gregory poirier. Show all posts
Showing posts with label gregory poirier. Show all posts

Sunday, 27 June 2021

Netflix And Chill: Awake (2021)

If you have been using the internet for some time then you have undoubtedly read some spooky story that purports to be all about infamous experiments in sleep deprivation. It is an idea rife with great potential for someone wanting to make a decent horror movie. And here we have Awake.

Gina Rodriguez plays Jill, an ex-soldier who is now struggling to get her life back on track after issues with addiction that has resulted in her children (Matilda, played by Ariana Greenblatt, and Noah, played by Lucius Hoyos) no longer being in her care. Out and about with them for the day, things go crazy when something affects all of the electrics around the world, like some massive EMP, and that then leads to very few people being able to sleep. But young Matilda can sleep, which might make her very important to the kids mitre future of humanity. All of the negative effects you expect from a lack of sleep start to take hold very quickly, for no good reason, and the world starts to slide further and further into madness.

Directed by Mark Raso, who also co-wrote the script with Joseph Raso, Awake is a film undone by carelessness and impatience, arguably more so than any other film I can think of in recent years. What you want/need here is a nice, creepy build-up as things start to break down, in terms of both physical health and society. What you get is a rush from normality to madness, making the whole thing far less believable as people lose one night of sleep and immediately turn into zombiefied loonies. There’s one line of dialogue that explains this without explaining it (someone says that things are moving along quicker than they normally would, that is supposed to satisfactorily explain the timeline), which means you get a lot of standard “humans are the real threat” moments when you could have had a nice selection of unsettling set-pieces as the main characters started to piece together the big picture.

Despite the problems with the script, and the fairly lacklustre direction, I cannot really fault the performances here. Rodriguez, Hoyos, and everyone else unable to sleep at least look suitably shattered, reacting slower to things around them and slurring their speech slightly. Greenblatt is suitably bright and nervy, lucky enough to be able to sleep, but also knowing that everyone else wants her to help them find a cure. Jennifer Jason Leigh is a desperate scientist, and there are decent little supporting turns from Frances Fisher, Barry Pepper, Shamier Anderson (a highlight as an escaped convict going by the name Dodge), and Gil Bellows.

Based on a story by Gregory Poirier, Awake is treated in a way that makes it a massive disappointment. There is some good horror in the third act, and a couple of decent moments scattered here and there, but it doesn’t do enough to make it worth your time. Even if it won’t necessarily send you to sleep.

4/10

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Sunday, 14 March 2021

Netflix And Chill: The Spy Next Door (2010)

Putting Jackie Chan in more family-friendly fare that should appeal to a mass American audience has rarely been a good thing, With a few notable exceptions, the results have been quite turgid. They also often make the huge mistake of covering up any Chan antics with special effects, which obfuscates their best special effect (Jackie Chan himself).

So I didn't head into The Spy Next Door with any great expectations. It's all about a retiring special agent named Bob Ho (Chan) who is dating a lovely woman (Gillian, played by Amber Valletta) and ends up looking after her three kids for a few days. The children are, in descending age order, Farren (Madeline Carroll), Ian (Will Shadley), and Nora (Alina Foley). Unaware of what Bob actually did for a living, the kids are soon surprised when they encounter a number of villains who are out to get him.

Director Brian Levant may have quite a few family features under his belt (including BOTH of The Flintstones movies and Jingle All The Way), and the writing team of Jonathan Bernstein and James Greer, joined here by Gregory Poirier, also have experience of aiming at younger viewers (the first two having also written Lindsay Lohan vehicle, Just My Luck). Which is all well and good, yet nobody knows how best to use Chan, once again.

Having said that, nobody here wanders into the outright awful mistreatment of Chan as we saw in the likes of The Medallion and The Tuxedo. While this is a less stunt-packed movie, some of the fight scenes aren't too bad, and there are some mildly amusing set-pieces. It's just a shame that, inevitably, fans of the star will have seen him do stuff like this with much better results. 

The cast are a very mixed bag. The three kids do quite well though. Carroll is the moody teen, Shadley is the young bright spark, and Foley is the cute youngest one. And Chan is Chan, which means he's pretty wonderful in pretty much anything he does. Valletta is sidelined for a lot of the film, but she's perfectly fine. Magnûs Scheving is the main villain, and there's an amusing running joke about people bringing him back unsuitable clothing from the shops. Alongside Katherine Boecher (playing Creel, his right-hand woman), Scheving is required to play his role without any real sense of threat or menace. That's a shame, because it makes everything seem much more inconsequential. Lucas Till is enjoyable in a small role, which is more than I can say for Billy Ray Cyrus (who plays Colton James, a colleague of Bob). And you have George Lopez in the role of Glaze, with him trying his best in a role that takes the most predictable turn you expect once the plot starts to kick into gear.

Taken by itself, this is far from a terrible movie. It's not a great one either. It's just a passable bit of family fare. But Chan fans have so many other films to compare it to, and that's when it starts to look worse and worse. MAYBE a decent introduction to the superstar for younger viewers, I'd certainly ask you to consider it ahead of the other two titles mentioned just above (although I have a bit more of a soft spot for The Tuxedo nowadays, thanks to the cast).

4/10