Showing posts with label h. jon benjamin. Show all posts
Showing posts with label h. jon benjamin. Show all posts

Tuesday, 2 July 2024

Boy Kills World (2024)

It always happens. One great success leads to numerous imitators. That can lead to other successes, as has happened in recent years with a certain kind of action cinema. It can also lead to the occasional mid-step, at best. Boy Kills World is a mis-step, although it’s one that I know plenty of people enjoyed more than I did.

Bill Skarsgård plays our main character, a mute man who narrates his own life in an inner voice (H. Jon Benjamin) that he used to enjoy hearing in one of his favourite videogames. He is living in a strange dystopian world, one in which the rulers occasionally just pick people to kill/sacrifice, and his own loss drives him on a wild and bloody quest for revenge.

What you get here, when it works, is an enjoyably creative killing spree centering on a main character who is skilled and fortunate enough to deal with waves of disposable villains. The action is certainly fun and energetic, and everything is underlined by a streak of hunour that many will enjoy (although it didn’t work for me).

Director Mortiz Mohr, making his feature debut, feels like someone making a feature debut. This has a great idea at the heart of it, it’s trying to boil down a pure and simple action movie aesthetic into something even more pure and simple, but the end result is too messy, with a muddled plot, clumsy tonal movement, and characters that you don’t ever care about, even if Skarsgård has an innate likability to him.

The script, fully fleshed out by Arend Remmers and Tyler Burton Smith, is a mess. I never once believed the world depicted onscreen, and the attempt to add some twists and turns were altogether unsuccessful. Either keep things rooted in pure action madness or try to deliver plotting that people will care about. This moves between both, and that caused it to leave me unsatisfied with both aspects.

Skarsgård makes up for many failings though. His wide-eyed turn is very enjoyable, and he looks more than capable when in full-on rage fighting mode. That’s a good thing indeed, because almost everyone else here is wasted. Michelle Dockery, Sharlto Copley, Brett Gelman, Famke Janssen, all wasted. It should be a crime to waste Janssen this badly. Jessica Rothe is also wasted, as is the fantastic Yayan Ruhian, although he gets a few good moments throughout, and it’s at least good to see him in a fairly central role.

I really wanted to enjoy this. I expected to enjoy it. While I didn’t hate it, I was surprised by how poor it was. Is it worth a watch one evening when you want some bloody entertainment to accompany snacks and drinks? Yes. Is it worth a rewatch at any point, and will it stay long in your memory once you go on to many of the other action movies from the past few years? Absolutely not.

4/10

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Tuesday, 19 July 2022

The Bob's Burgers Movie (2022)

I have heard people say that you can enjoy The Bob’s Burgers Movie without having seen any of the series it stems from and, while that is true, I would have to disagree slightly. I have only seen the first few episodes, so far, but that allowed me to know the essence of the various main characters from the very start of this feature, which in turn helped me to enjoy the movie even more than I am sure I otherwise would have.

Bob (H. Jon Benjamin) is once again in a bit of a pickle, no pun intended. The burger restaurant isn’t doing great, the bank won’t allow a time extension on a loan due to be repaid, and then, to top it all off, a large sinkhole appears right in front of their main entrance. That sinkhole even reveals a body, a murder victim. This spurs the kids - Louise (Kristen Schaal), Tina (Dan Mintz), and Gene (Eugene Mirman) - to investigate, primarily because they want to clear the name of their landlord and avoid losing their home and business. Meanwhile, Linda (John Roberts) just wants to help her husband feel like a burger king once again.

Directed by Loren Bouchard and Bernard Derriman, with a script written by Bouchard and Nora Smith (every one of them having worked on the show, Bouchard’s creation, for many years), this is a transition from TV to film that perfectly opens up the world we are shown, ever so slightly, without losing anything that made the show so popular with its fanbase.

The voice acting is as good as you would expect, the main cast members have been doing this for just over a decade now and they ARE those characters, to the ears of many people anyway. But there are a number of other treats throughout, particularly the roles for Kevin Kline (this reminded me of how much I love his movie work) and Zach Galifianakis, playing brothers entangled in the murder investigation, and Gary Cole as Sergeant Bosch. I won’t list everyone else who makes a cameo appearance, but you can check through the cast list to find a real smorgasbord of comedic treats. 

The visual style is in line with the show, albeit given a slight excuse now and then to go a bit “bigger and better”, and every character gets a main role in the story without it feeling forced or dishonest. This is an object lesson in how to do this kind of thing, with the one minor criticism being the fact that it can’t ever feel truly cinematic. 

You get some songs, you get numerous puns, you get someone attempting to craft a sexy burger outfit, and you get a dysfunctional family all . . . working their buns off to save their business, even if they have to solve a decades-old murder to do it.

Not unmissable, but absolutely recommended to fans of the show and fans of comedy served up with relish.

8/10

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