Shudder Saturday: Bliss (2019)

Dora Madison plays Dezzy, a young artist who isn't really in the best place. She isn't making the progress she hoped to be making on her latest piece, she seems to be saddled with a guy (Clive, played by Jeremy Gardner) who is happy to freeload his way along and coast through life, and she's dropped by her agent. But thank goodness for drugs. Dezzy heads to see Hadrian (Graham Skipper) to purchase some recreational mood-enhancer, and she ends up getting some Bliss, which is not to be taken lightly. What follows is a crazy rollercoaster of sex, unconsciousness, productivity, and blood. Quite a lot of blood.

Written and directed by Joe Begos (who impressed a lot of people with his directorial feature debut, Almost Human), Bliss is a very nice pairing of form and content. Viewers are dragged along with Dezzy as her senses are bombarded, with inventive and varied visuals often paired up with a loud and pounding soundtrack. I liked the full audio-visual experience, although it's easy to see how this could end up putting many people off.

What I liked a little less was the lack of specific points that could have been made. I appreciate that is my own thing, and it's unfair to be too critical of a film because of what it isn't when there's a lot to appreciate about what it is, but it held it back from being as great as I wanted it to be. I kept waiting for Bliss to step up to a higher level, but it always seemed poised to make a leap without ever committing. Having said that, Begos certainly pulls out all the stops in the third act, which certainly takes a step up in terms of the wilder moments, the bloodshed, and gore. There's one moment, just beyond the one hour mark, that is absolutely incredible, and major kudos should go to Begos for getting hold of enough resources/talented people to help him complete his vision.

I try not to focus on negatives when it's a film I am being generally supportive of. It's not good to mistake insults and unnecessary nastiness with constructive criticism. With that in mind, I will say that Madison is slightly uneven in the main role, disappointing in the scenes in which she has to act more "normally" opposite people (it feels very much like her attitude, both to others and to her art, is something that doesn't fit right on her), but fun to watch when getting wild and vicious and bloody. Gardner continues to be as impressive an actor as he is as a director (so I will happily watch anything he does), and he's a highlight here. Tru Collins and Rhys Wakefield are a hedonistic couple who help to start Dezzy on her main journey, Skipper is just fine as your friendly neighbourhood drug dealer, and you get some nice little supporting turns from George Wendt, Abraham Benrubi, and Jesse Merlin, as well as some other familiar faces who have become part of a loose collective of impressive artists within the horror community.

I've yet to check out some more of the offerings from Begos so far, after being one of the few people underwhelmed by Almost Human, but I'll hope to change that soon. He certainly isn't afraid to make some bold decisions, and that helps to freshen up a central concept that doesn't really shake up the subgenre it's working in as much as it could. He deserves credit for this singular vision, as does everyone, from cast to crew, who helped him get it all onscreen.

7/10

You can order the disc here.

Re-Animator: The Musical.

Well, I review movies on this here blog and I sometimes rant about things that pop into my head but I've never really considered this space a viable option for other materials to be pored over. As far as I can recall, I've not included any book reviews here (I'd be terrible at that, just ask any of my old English teachers), no album dissections and no stage shows. Oh, I may have mentioned events going on around me and things that I have visited but I don't think I've ever gone into detail.

With the Edinburgh Fringe gathering speed I began to wonder just what good it would do me to review anything that I saw this year. Surely, these shows will have been and gone by the time that people read my li'l attempt to praise or criticise them? But then I realised that I'd been fortunate enough to see a number of shows at the very start of this busy time. Not only that, a lot of these acts go elsewhere after the material has been well-received in Edinburgh. Maybe I can help in my own little way by recommending some favourites. And it also helps me to write a little bit more about Edinburgh, in general.

Don't worry, I'm not about to start reviewing absolutely everything I do in life (meals in restaurants, drinks in clubs, etc) but I DO think that shows are something I can comment on. I'm no expert (but, then again, I am no expert on movies and that's never stopped me before now) but I'll try to mix in as much information with my opinion as possible.

Which brings us to the first review of this kind that I've ever written and, indeed, it's the main reason that I finally caved in after arguing with myself about including stage fare here. Re-Animator: The Musical. When I heard that it was showing here in Edinburgh I knew that I had to see it. In case you weren't aware of the fact, I am a huge fan of Re-Animator. Director Stuart Gordon created something I will always love. And now, in a very different way, he's done it again.

Yes, Stuart Gordon is the director once more and the music and lyrics are by Mark Nutter. Between them, these men have taken the elements that fans love about Re-Animator and crafted something that just shouldn't work but really, REALLY does. It follows the movie quite closely, albeit with many more songs in the mix, and all of the best-loved lines from the movie's script are either recreated here or made into a song lyric.

The cast are exemplary. George Wendt is the most famous name among them, as far as I'm aware, but he generously makes way for the leading men to . . . . . . . . . . lead. Graham Skipper plays Herbert West and, amazingly, captures the essence of the character as we know him from the movie while also putting his own stamp on the performance. Jesse Merlin is positively channeling the spirit of David Gale in some places and is bloody superb as Dr. Hill. Chris L. McKenna and Rachel Avery, playing Dan and Megan, respectively, were both great. I even almost forgot about Barbara Crampton while watching this new incarnation of Megan. Almost.

Everything you want is here. There's zombie action with blood spraying out over the audience, that memorable sequence with the cat is here, Dr. Hill is creepy and scheming and there's more zombie action that results in more blood spraying over the audience (if you're brave enough then try to get a seat front and centre to be located in the coveted "Splash Zone"). Then there are, of course, the many songs. They're often very silly but they're also very catchy and I'd be lying if I tried to say that I hope to purchase a CD with accompanying lyric-covered liner notes.

I still like to give my movies ratings out of 10, just for my own personal preference, but I can change things slightly for stage shows and use a 5-star system (not to be confused with the 5-Star system, which is based on the lyrics of System Addict). Yep, sometimes even I can be traditional.

*****

And here is the website for all of your information/purchases.