Showing posts with label joachim rønning. Show all posts
Showing posts with label joachim rønning. Show all posts

Tuesday, 15 September 2026

TRON: Ares (2025)

The best thing about TRON: Ares is the third act. It's stylish, it's gorgeous, and it has some excellent action and spectacle. The worst thing about TRON: Ares is that the third act play out before you actually get to another third act. This film peaks at about the 80-minute mark, but then has another 40 minutes that you have to sit through.

Written by Jesse Wigutow, the big draw here is the idea that the avatars and creations we previously saw in the online world, aka The Grid, are somehow going to enter into our own world. There are a couple of competing CEOs (Eve Kim, played by Greta Lee, and Julian Dillinger, played by Evan Peters) trying to figure out how to turn the programs into physical realities that can permanently reside on our side of the monitor, and a cyber-warrior named Ares (Jared Leto) starts to dream of a life in a more human world. 

Directed by Joachim Rønning, who has previously been handed the reins of some other big Disney franchise instalments, there's plenty to enjoy here for fans of the property. It's a gorgeous film, which is obvious from the very start, but a lot of the visuals work so well because they blend with, and update, the classic designs established in the very first film in this series (which will be 45 years old next year). There's also another fantastic soundtrack, this time from Nine Inch Nails, delivering something that both complements and contrasts with the Daft Punk tracks from the previous film. The main ideas are explained clearly enough, and a couple of action set-pieces are well-choreographed and as gorgeous as anything else in the film.

Sadly, the performances aren't as strong as they could be. I accept that this isn't a film to rush to if wanting to sample some powerhouse acting performances, but I hoped that the main players would be able to rise above some of the cheesy dialogue. They can't. Leto wanders around in a state of curiosity, seemingly content enough as he's allowed to play some kind of cyber-Jesus while he weighs up the humans, and both Lee and Peters are completely wasted in their main roles. They're just in the film to be opposing forces making use of Ares and co. between them, but it's a shame that they're not given many decent moments. Peters fares a bit better (baddies tend to have a bit more fun), but neither will be surprised to find this feature quickly forgotten whenever others run through their filmography highlights. The same can be said of Gillian Anderson, arguably even more disappointingly wasted than Lee or Peters. The only one who almost bulldozes their way through to a better place is Jodie Turner-Smith, playing another cyber-warrior named Athena, aiming for cracks in every scene like a lightcycle aiming to crash through the border of the main game area.

It's a testament to everything set up in that first film that the subsequent Tron movies have had such a great template to work with, from the main characters to the basic design of the computer world, and a thread of continuity running through them that allows everything to be kept simplistic enough in the plotting while allowing for more time to be spent on the details and world-building. 

If you like time spent in this world then you'll find enough to like here. It's a film for those who have had a love of the property for decades already, a love so strong that it can help you to overlook Leto giving a very standard Leto performance. Some newcomers might have fun with the spectacle, but it's really just text-to-speech preaching to the cyber-choir.

6/10

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Tuesday, 2 June 2020

Maleficent: Mistress Of Evil (2019)

Although I really wasn't a fan of the revisionism of Maleficent, the strengths in that movie were still strong enough to ensure that I would watch a sequel (well . . . the strengths in the movie and the fact that I have to try and watch every film ever in a never-ending quest for completionism). From the very start of the film, Maleficent: Mistress Of Evil sets itself out as superior to the film it follows. The groundwork has been laid, the characters put in place, and this quickly turns into an entertaining mix of dark comedy and fairytale characters at war.

Angelina Jolie is, once again, the main character, and once again she's a villain allowed to prove that she doesn't have to remain in that box. Elle Fanning returns as Aurora, the young woman who happens to now have Maleficent as her guardian/godmother, and everything starts to move along at a rapid pace when Aurora accepts a proposal from Prince Philip (Harris Dickinson). What could lead to peace between humans and non-humans instead leads to a confrontation, and it's one that was planned by Queen Ingrith (Michelle Pfeiffer).

The main returning name behind the camera here is writer Linda Woolverton, now working with Noah Harpster and Micah Fitzerman-Blue, and she seems to enjoy being freed from the obvious constraints of the twisted familiarity required for the first film. The character of Maleficent gets to enjoy her powers while also, in a few amusing moments, wrestling with more civil interactions with people she would have previously avoided at all costs.

Director Joachim Rønning has a relatively easy life, considering the cast and crew at his disposal. That transfers to the screen, with every fun performance taking place in a fantasy land realised by top-notch, and often beautiful, CGI.

Jolie is still perfect in her lead role, whether she's fighting back against scheming humans or practicing a polite smile that hopefully won't terrify anyone she is trying to be nice to. Pfeiffer is equally perfect in her role, the Queen with the scheme, and she proves to be a worthy opponent to Maleficent, happy to make many sacrifices on her way to a greater good. Fanning is very sweet and likeable, Dickinson is as you'd expect a Prince to be (meaning he's not given all that much to do), and Sam Riley once again tries to steal a couple of scenes as Diaval, a "sidekick" to Maleficent. Chiwetel Ejiofor and Ed Skrein work quite well under a lot of make-up, Robert Lindsay is a King who is put out of action quite early on in the proceedings, and there are enjoyable little turns from Jenn Murray, Juno Temple, Lesley Manville, Imelda Staunton, David Gyasi, and Warwick Davis. (of course . . . is there a big-budget fantasy film that doesn't decide to use Davis?)

It's not up there with the best of these movies, and still has an air of predictability about it, but Maleficent: Mistress Of Evil is surprisingly enjoyable from start to finish. And it's easily much better than the first film.

7/10

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