Mr. Turner (2014)

Written and directed by Mike Leigh, Mr. Turner is a film that looks at the artist known as Turner (don't you know). Although it's far from a definitive look at the life of the man, it certainly feels like it. This is a hefty investment of your time, clocking in at about two and a half hours, but those minutes fairly fly by.

Timothy Spall gets the title role, and if you can tell me a bad performance that he's given in the last two decades then I'll be interested to hear your thoughts. As far as I'm concerned, Spall is one of those actors who always seems to be on top form, and this film gives him what could be considered his best role yet. Gruff and grunting, yet also amusing, learned and polite, Turner is always shown to be equal parts man and artist. He may mingle with the upper-classes, but seems to prefer avoiding recognition in favour of anonymity during times when he is free to live his life, seek out inspiration, and not have to worry about exhibitions or sales.

I don't know exactly how much of this movie is true, or based on truth, but it certainly feels authentic. This is a world in which works of art are enhanced with a little bit of spit mixed in to the paint. It's a world in which you can smell, and even almost feel, the materials.

A great cast lends Spall their full support, with standouts being Paul Jesson (as William Turner), Dorothy Atkinson (as Hannah Danby), Marion Bailey (as Sophia Booth), and Martin Savage (as Benjamin Robert Haydon). All of these people contribute something important to Turner's life, even if it's just a healthy sense of perspective afforded by seeing the failings and misfortunes of a fellow artist.

Like all good biopics, this keeps the viewer engaged throughout and encourages further exploration of the subject once the end credits have rolled. The times may have changed, of course, but the drive remains the same in the mind of all artists. As does the turbulent times that can alternate between feast and famine.

Leigh may have produced a movie that seems to wander aimlessly from one seemingly disconnected moment to another, but the broad strokes do eventually receive some fine detailing. You can really start to appreciate how everything falls in to place in the second half. The full picture IS here. You just have to take a few steps back to fully appreciate. Which is often the way with great pieces of art.

9/10

Eager to pick up Mr. Turner? Then this UK disc is the only option for now - http://www.amazon.co.uk/Mr-Turner-Blu-ray-Timothy-Spall/dp/B00OZJ2W0I/ref=sr_1_2?s=dvd&ie=UTF8&qid=1420306412&sr=1-2&keywords=mr.+turner

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Coriolanus (2011)

Ralph Fiennes makes his directorial debut with this challenging film, an adaptation of one of Shakespeare's lesser-known plays (certainly lesser-known to those of us who only know the Bard's greatest hits, anyway). The fact that he has made such a fantastic end product just shows that he really needs to kick himself up the backside and get some more directorial credits under his belt.

Fiennes also takes on the central role of Caius Martius Coriolanus, a great soldier who doesn't care for the love or respect of the common people. He's a proud man, an honest man and someone not interested in the political game. This all becomes a bit of a problem when others try to get him to run for consul. Mainly to please his mother (Vanessa Redgrave), Caius tries to do his best, but when his disdain for the role becomes abundantly clear he becomes a hated figure, so hated, in fact, that he is banished from Rome. As the saying goes, the enemy of my enemy is my friend and so Caius ends up befriending Tullus Aufidius (Gerard Butler), his old enemy, and joining with him to march upon Rome.

There is a lot more to the story than what I've briefly outlined. The central trio may be Caius, his mother and his enemy, but there's also some meddling from Menenius (Brian Cox), serious scheming from Tribune Brutus (Paul Jesson) and Tribune Sicinius (James Nesbitt), some loving concern from the wife of Caius (Virgilia, played by Jessica Chastain) and protests from common folk such as those played by Lubna Azabal and Ashraf Barhom. John Kani plays General Cominius, yet another character more swayed by the political machine and opinion of the people than any direct action, and Jon Snow (yes, THAT Jon Snow) pops up as a TV anchorman to discuss the situation with other commentators.

Taking Shakespearean source material and giving it a bit of a modern update is nothing new, of course, but Fiennes decides here to aim for a nice middle ground that suits the text. There are guns, cars, TVs and much more signifying that this is a tale set in the modern age, but that all falls by the wayside when the camera focuses on the characters and what they have to say.

The cast are all very good, and an interesting mix. It's unsurprising to see what gravitas is brought to the table by Fiennes, Butler, Redgrave and Cox, for example, but Chastain holds her own very well indeed and Jesson and Nesbitt have fun with their roles. The dialogue that you expect to hear, adapted into screenplay form by John Logan, is a treat for the ears and the whole presentation tries to keep things fresh and dynamic, an aim in which it largely succeeds.

Sadly, I am not familiar with the source material so cannot comment on how faithful it all is to the original text, but I do think that this is a very worthy drama to be enjoyed by fans of the Bard and fans of quality acting displays. Give it a try to see how you react to it.

8/10

http://www.amazon.co.uk/Coriolanus-Blu-ray-Ralph-Fiennes/dp/B006H10H2W/ref=sr_1_2?s=dvd&ie=UTF8&qid=1359127784&sr=1-2