Captain America: Brave New World (2025)

I don't know why, but I felt as if Captain America: Brave New World was going to be the fresh start that we needed for the MCU. It didn't have to be weighed down with the baggage of a whole load of other movies. It didn't have to necessarily be setting up numerous future adventures. It could simply . . . be, allowing fans to appreciate what they got onscreen while still remaining calm and unfazed about whatever was coming along next.

It almost worked.

Anthony Mackie is Sam Wilson, now Captain America, having been bequeathed the iconic shield some time ago. He has a few extra gadgets to help him, but no super-serum. Harrison Ford is President Thaddeus Ross, a powerful man who may be ready to empathise and compromise with superheroes who are now necessary to keep countries, and even the world, safe. Things might work out well, but not if the likes of Samuel Sterns (Tim Blake Nelson) and Sidewinder (Giancarlo Esposito) have their way.

There's enough to enjoy here. Mackie is excellent as a leading man, Ford is a great addition to the MCU, and there are some very enjoyable supporting characters. Danny Ramirez is likable enough as Joaquin Torres, someone who wants to be the next Falcon, Carl Lumbly is very good as Isaiah Bradley, a previous Captain America, and Shira Haas is certainly memorable as a leading security advisor to the POTUS. Nelson is also great, and benefits enormously from receiving more time and attention than Esposito, who is sadly wasted (and this is the second of the 2025 movies I have seen that sadly wastes Esposito).

Director Julius Onah, who also worked on the screenplay with four other writers, doesn't embarrass himself. He delivers some good images, keeps the tone impressively serious without being too sombre and gloomy throughout, for the most part, and handles the action well when we get some action. That is arguably the biggest problem with this though, a disappointing lack of action. It feels caught between two places, with some of the paranoid political thriller vibes of the excellent second Captain America film and then some belated crash bang wallop moments to keep fans happy just before the credits roll (and, yes, we’re back to waiting around to see what a post-credits scene will hint at).

It may be a return to form, certainly in terms of the overall look and feel, and there may be a focus that seemed to be lacking from the MCU during the past couple of “wilderness years”, but there’s nothing that makes it feel as entertaining, bombastic, or just outright fun as the better movies under the Marvel umbrella. Much like the titular hero, however, it does give some hope for the future.

7/10

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Ani-MAY-tion Month: The Princess And The Frog (2009)

Loosely based on a story by E.D. Baker, The Princess And The Frog is, for me, one of the most unjustly dismissed Disney movies from the past few decades. I think that's all to do with the soundtrack. I enjoy the songs when they're on, but I must admit that I can't recall a single one as soon as the last note is played.

The story, set in New Orleans, concerns Prince Naveen (Bruno Campos), who has been turned into a frog by the deceptive Dr. Facilier (Keith David). He needs to be kissed, of course, in order to turn back into his human self. Unfortunately, when he convinces a young woman named Tiana (Anika Noni Rose) to kiss him the end result isn't what either envisaged. Tiana also becomes a frog, Which means that the two have to hop off together in search of a remedy. On their travels they are joined by Louis (Michael-Leon Wooley), a trumpet-playing alligator, and a firefly named Ray (Jim Cummings).

Written by Ron Clements and John Musker, with help from Rob Edwards and quite a few others, The Princess And The Frog is a very traditional Disney movie in terms of the overall style and feeling throughout. There aren't really any/too many sly gags for adults, the focus is on the characters and flavour of the setting. That's no problem, however, when New Orleans provides such a wonderful backdrop to the events, and when the characters are such enjoyable company.

Keith David stands out as Dr. Facilier, but that may be a little unfair - the villain is, after all, often the most fun part to play. Campos and Rose are both absolutely fine in the lead roles, with the former going through the usual Disney journey of self-discovery while the latter helps to point him in the right direction. Peter Bartlett is also very good as the conniving Lawrence, the valet to the prince who works with Dr. Facilier to keep his former master in froggy form. Wooley and Cummings are both a lot of fun, and the supporting cast includes fine work from John Goodman (always so good in voice roles, I find), Oprah Winfrey, Jenifer Lewis, Jennifer Cody, and Terrence Howard.

With its beautiful animation, memorable characters, and the usual selection of moral lessons this has almost everything required from a Disney movie. It's just a shame about those songs. But I hope that anyone who has seen the movie, and subsequently forgotten how good it was, revisits (and possibly reappraises) it, and I hope that anyone previously dismissing it as lesser fare ends up giving it a chance. There may well be some people who end up enjoying it as much as I do.

8/10

http://www.amazon.com/Princess-Frog-Two-Disc-Blu-ray-Combo/dp/B0049GYXDQ/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1400896131&sr=1-1&keywords=the+princess+and+the+frog