Showing posts with label scatman crothers. Show all posts
Showing posts with label scatman crothers. Show all posts

Tuesday, 8 March 2022

Deadly Eyes (1982)

Poor James Herbert. Not only was he never truly given the recognition he deserved for his writing, in my view, but he also saw his material adapted into movies that ranged from the awful to the dull, to the entertainingly bad. Deadly Eyes, an adaptation of "The Rats", falls into the latter category, although I'll admit that I'm loathe to consider it actually bad.

The basic premise is simple. A load of contaminated grain leads to large, killer rats, and it's eventually up to a school teacher, Paul Harris (Sam Groom), and a health inspector, Kelly Leonard (Sara Botsford), to save the day. They might have some assistance from Dr. Louis Spenser (Cec Linder), an expert in rats who doesn't realise the full extent of the problem, but they'll struggle to keep themselves safe from the overgrown, deadly, rodents.

Adapting the hugely successful novel by Herbert seems like a no-brainer, especially in the early 1980s, when practical effects and a certain less restrained approach to getting wild antics on film would make this a more exciting prospect. But it's odd that this was given to Robert Clouse, a director best known for his work in martial arts movies (including a contender for the greatest of all time, and certainly the most iconic Bruce Lee movie, Enter The Dragon). Clouse had given us killer animals before (The Pack in 1977), and perhaps his work with dogs made him a strong contender here - as the large rats were depicted by Daschunds in rat costumes. He still feels like an odd fit though, with the material being ripe for a movie adaptation that could pile on the grisliness at every opportunity.

The script, based on an earlier treatment by Lonon F. Smith, is credited to Charles H. Eglee. It's certainly better than his first feature script (Piranha II: The Spawning), but that isn't really saying much. It's obvious, however, that this is a film that would have been massively improved by better special effects and some extra gore gags. Although the plotting is basic, and a bit laughable in places, it's really not often that far removed from the entertainingly brisk source material.

It's also a shame that the film isn't cast better. Groom gives a performance that is only slightly better than his turn in Deadly Games (at least there was a double-bill of Deadly films for him in 1982). Botsford tries her best, but she's often stuck playing second fiddle to Groom's character. Linder is the typical and reliable voice providing viewers with some extra facts, and a potential solution to the problem, and he plays his part well, and the other memorable character is Trudy White, played well by Lisa Langlois. Trudy is a student who has a crush on Mr. Harris, and Langlois is enjoyably coquettish and sweet in her role.

By most standard ways of judging such things, Deadly Eyes isn't a good film. It's not a good horror film. It's not a great adaptation of a fantastic book. And yet . . . it kind of is. It doesn't do enough to make the costume-wearing Daschunds convincing, nor does it do enough to be classed as one of the better directorial efforts from Clouse, but it does enough to entertain people who want something silly and undemanding.

6/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Tuesday, 19 February 2013

Truck Turner (1974)

"Who's the black bounty hunter
That's a sex machine to all the chicks?
Truck!
You're damn right.

Who is the man
That would risk his neck for his brother man?
Truck!
Can you dig it?"

Yes, although this is a movie all about a bounty hunter named Truck Turner (played by Isaac Hayes) it's really just a great blaxploitation flick that keeps Hayes as close to the Shaft persona (played by Richard Roundtree, but arguably made more famous thanks to that great theme sung by Hayes) as possible while throwing in everything else that will keep audiences happy: a great cast, plenty of violence, some gratuitous nudity and a script full of gems. The fact that many scenes end with a punchline or laughter akin to the end of each Police Squad episode makes it all the better.

Here's the plot. Truck Turner is an ex-football player who is now the toughest bounty hunter going. He's like Dog the bounty hunter, except for the fact that he's black, unsympathetic to anyone he catches and quick with his fists and gun. So he's not like Dog at all, I suppose, but they do at least share the same vocation. When Truck takes a big pimp out of action he ends up in a whole heap of trouble when a madam named Dorinda (Nichelle Nichols) puts a big price on his head. All guns are aimed at Truck, but perhaps the biggest threat comes from the cool and calculating Harvard Blue (Yaphet Kotto).

Oscar Williams and Michael Allin may have written the script and Jonathan Kaplan may have been sitting in the director's chair, but this movie belongs to Hayes. The man owns his central role, whether he's blasting holes in baddies or seducing women away from their fried chicken (no, I'm not being racist for the sake of a cheap gag, that ACTUALLY happens), and he's also responsible for a soundtrack so funky that it may have been playing during the conception of Prince.

Mind you, let's not dismiss everyone else so quickly. Alan Weeks is good fun as Jerry, Truck's partner and good friend, and it's always nice to see the likes of Scatman Crothers and Dick Miller, even if they don't get a lot of screentime. Annazette Chase plays Annie AKA Truck's woman and does fine with her role, but the woman turning heads is Nichelle Nichols. What would Captain Kirk say if he saw/heard Lt. Uhura looking and speaking as she does in this? It's certainly a lot better than her appearance years later in the dull horror movie, The Supernaturals. Yaphet Kotto is fantastic from the moment he appears to his very final scene, the man was at the top of his game in the '70s in my opinion.

There are one or two genuinely decent action sequences, though some moments are marred by entertainingly incongruous fashion choices, and even an impressive early use of a technique (SnorriCam) that has become quite commonplace in recent years, but those don't add enough to make it a great film. It is, however, a good one and fans of blaxploitation movies should certainly love it.

6/10

http://www.amazon.co.uk/Truck-Turner-DVD-Isaac-Hayes/dp/B00009MGKJ/ref=sr_1_1?ie=UTF8&qid=1361165112&sr=8-1