Showing posts with label william demarest. Show all posts
Showing posts with label william demarest. Show all posts

Monday, 3 September 2018

Mubi Monday: Sullivan's Travels (1941)

To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations, whose efforts have lightened our burden a little, this picture is affectionately dedicated.
 Although age may have wearied it slightly, and there's a worrying air of somone rich going on a "poverty safari" during the earlier scenes, Sullivan's Travels soon starts to live up to its reputation, mixing in some sharp barbs with plenty of gentle humour and some surprisingly affecting moments of drama.

Written and directed by Preston Sturges, this is the tale of a successful director (John L. Sullivan, played by Joel McCrea) who wants to move away from the comedy films that have made his reputation. He wants to do more relevant, serious, fare but his bosses try to dissuade him from that idea, explaining that he can't deliver those kinds of movies because he doesn't really know anything about the hardships of life. Sullivan agrees, and then decides that he will try to experience poverty and hardship

Although the cast includes the likes of Robert Warwick, William Demarest, and Franklin Pangborn, and there's a great turn from Jan Buckingham as the unaffectionate wife (in name only) of the main character, Sullivan's Travels is really based around the performances of McCrea, desperate to go as far as he needs to in order to experience "authentic" hardship, and Veronica Lake, playing a woman he meets who is initially unable to comprehend the situation that Sullivan has created for himself.

Sturges clearly has a lot of fun with the central idea, a premise that allows him to take viewers to some soaring highs and then some real lows, and the film is a perfect mix throughout of sheer entertainment and one clear message. The pacing is perfect, especially during the gradual transition from the lighter moments to the more serious scenes, and almost every single one of the supporting players gets at least one chance to shine.

Yet another classic movie that quickly reveals to you, the viewer, why so many hold it in such high regard, and a very influential (this would be the perfect time to mention the Coen brothers, who took the title "O Brother, Where Art Thou?" from this) and surprisingly resonant experience to this day, Sullivan's Travels is one to mark of your list ASAP, whether you're a casual film fan or a more obsessive cinephile. You won't be disappointed.

9/10

The blu ray can be bought here.
Americans can get it here.


Tuesday, 10 January 2012

Pardon My Sarong (1942)

Within the first half of this movie, Abbott & Costello leave town in a bus that shouldn't really be leaving town, have fun pretending to be magicians, help out on a sailing trip and end up on an uncharted island. You can't accuse the duo of not trying hard enough with this effort, one that is full of some great comedy sequences and a number of amusing lines.

It's not perfect, and certainly won't win over anyone not a fan of the boys, but there's a lot here to make you laugh out loud. When the boys try to use a baseball story to avoid paying for gas you get the first decent bit of comedy but the highlight of the whole film would have to be when Abbott & Costello try to avoid being caught by a detective by impersonating magicians (especially amusing when Lou keeps removing his cigar from his mouth, complete with the false beard and moustache attached to it). Having said that, a classic comedy staple (the old "pretending to be a statue" gag) is also a contender for the highlight of the film, mixing some standard slapstick with clever changes in the poses adopted by our two leads. And there's a cute seal. What more could you ask for?

There are also a few lively song and dance numbers here and there (though it's strange to watch a film nowadays that features a group of African American singers called "The Four Ink Spots") and a decent supporting cast. Robert Paige, Virginia Bruce and Leif Erickson are just fine but Lionel Atwill is always a pleasure to see onscreen, William Demarest takes part in that great magician sequence and Nan Wynn is a delight to watch.

Erle C. Kenton directs well enough but it's the screenplay, by True Boardman, Nat Perrin and John Grant, that really helps raise this one up a couple of points. Fans of A & C would do well to make sure they see this enjoyable outing and anyone else who just enjoys a good laugh should give it a try sometime.

8/10

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