Wednesday 20 December 2023

Prime Time: Your Christmas Or Mine 2 (2022)

I enjoyed Your Christmas Or Mine? and I have to start this review by stating that I quite enjoyed Your Christmas Or Mine 2. It’s not as good as the first movie though, despite getting so many people to reprise their roles, both behind and in front of the camera. There’s a very specific reason for that, a notable flaw that becomes clear as things move into the third act, but I will get back to that momentarily.

The plot is simple enough. James (Asa Butterfield) and Hayley (Cora Kirk) are setting off on another Christmas holiday, but this time they intend to remain together. And their respective families are joining them. Unfortunately, a slight mix-up at their destination leads to Hayley and her family ending up in a super-lush and expensive hotel while James and his family end up in what amounts to little more than a large shed. This isn’t enough to sustain the whole movie though, and it’s only the first half of the movie that keeps the two families separate. The rest plays out with a number of misunderstandings, personality clashes, and talk of people living in different worlds. Can James and Hayley soldier through another holiday mishap, or will this be enough to make them call it quits?

Director Jim O’Hanlon once again does well in terms of the straightforward visuals onscreen here, and in the way that he allows every member of the large ensemble cast to capitalize on at least one moment that allows them to shine. There’s nothing spectacular or unexpected here, but it has a fluidity and polish that many other non-theatrical Christmas movies lack.

Writer Tom Parry, on the other hand, seems to stumble slightly. He’s able to come up with some fun moments for the supporting cast, but there are times when it feels as if one or two people are being written in a way that serves the plot, as opposed to feeling natural and in line with how they have previously behaved.

Kirk suffers worst at the hands of Parry, and the grand finale relies on her being a bit less reasonable and willing to listen. She still remains a character you root for, but that is more thanks to her onscreen glow than it is thanks to the script. The same can be said of Angela Griffin (returning as Hayley’s mother), who is given a moment or two when she reacts to someone irritating her with a sharpness and anger that feels at least slightly misdirected. Butterfield gets to be a bit awkward and nervy again, and his character doesn’t seem to change much, which leads to him having a much easier task. Elsewhere, Daniel Mays, Alex Jennings, David Bradley, and Natalie Gumede help to add the most humour to the film, with newcomer Jane Krakowski also a welcome addition, and a running joke about her best-selling book creating exponentially more giggles every time it is mentioned. Ram John Holder (Hayley’s granddad) has some wise words at the right time, and the two youngest characters once again amuse themselves while the adults go through their different dramas. I suppose I should also mention Rhea Norwood as Bea aka Plot Obstacle B.

Skiing mishaps, a goat to be wary of, thoughtful Christmas gifts, an evening of excessive alcohol intake, and more fun elements guarantee that most people will at least enjoy this. It just doesn’t quite add up to a wholly satisfying picture though, and I think many looking for the right balance of Christmasiness, comedy, and romance will end up revisiting the first movie again before this one. 

6/10

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2 comments:

  1. Probably more than other types of movies, comedy sequels are really hard. There aren't a lot of them that I've really liked. There's usually that tendency to do the same as the first movie--only more of it--which doesn't really work out.

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