Wow. Just . . . wow.
It's a good job that I already like most of the people involved in Lars And The Real Girl, on both sides of the camera, because seeing this first would have been enough to put me off everyone involved for a long time. I know some people like this, apparently, but it was a bewildering and painful viewing experience for me.
Ryan Gosling plays Lars, a painfully shy and lonely man who lives in the garage of the family home now co-owned by himself and his brother, Gus (Paul Schneider). Gus is living in the house with his pregnant partner, Karin (Emily Mortimer). They keep trying to welcome Lars into the home, but he resists their attempts to offer him their company. Things take a strange turn when Lars orders a sex doll off the internet, introduces her to Gus and Karin, and starts to spend his time with the doll as if the two are a couple in a serious relationship. A local doctor (played by Patricia Clarkson) doesn't see any harm in the situation, and everyone in the local area decides to go along with the delusion. Because Lars is a very nice man, apparently, and pretending his sex doll girlfriend is a real person isn't a major hardship.
Written by Nancy Oliver, who has some great TV work to her credit, this is a big swing that simply doesn't work. It's a car crash in slow motion, although every cast member does well with what's asked of them. I know how we're supposed to view the whole thing as it plays out (quirky and sad becomes heartwarming and incisive), but it doesn't work for two main reasons. One, Lars is now the kind of repressed and lonely male that we now all too often view as a ticking timebomb. Two, everyone goes along with the situation far too easily. In fact, Gus is the only one who seems fully appalled by the whole thing, initially anyway. And as everyone became more comfortable with treating the doll as an independent human being I became more exhausted with the preposterousness of the whole thing.
Director Craig Gillespie can do offbeat films, as we've seen so often throughout his career, but this early effort from him feels like a potentially good idea ruined by everyone having far too much faith in the screenplay. Having just one or two people supporting Lars could have made things interesting enough as he battled against others and was forced to work harder to create his own level of normalcy that would help him work through whatever was affecting his mental health.
Gosling is very good in the lead role, unsurprisingly. In fact, his presence is the only thing that stops you from assuming that Lars is also creating a long list of targets while stockpiling guns and ammo in the garage area that he calls home. Schneider is a lot better here than he has been in many other roles, perhaps helped to raise his game by the ever-wonderful Mortimer. Despite having to keep a straight face in some of the most ridiculous scenes, Clarkson also delivers the kind of greatness that she always delivers, and there's a sweet and fun supporting turn from Kelli Garner as an actual real human woman who seems to like Lars, despite the many layers keeping him at a distance from reality.
You can find a lot of praise for this elsewhere. And you might end up agreeing with all of that praise. I wasn't won over though. The cast do their best, but, and apologies for not coming up with a less crude analogy, a turd with shiny gems scattered over it is still a turd.
4/10
If you have enjoyed this, or any other, review on the blog then do
consider the following ways to show your appreciation. A
subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
No comments:
Post a Comment