Showing posts with label collier young. Show all posts
Showing posts with label collier young. Show all posts

Monday, 13 July 2020

Mubi Monday: The Bigamist (1953)

With the blunt title hitting at some kind of shocking melodrama, The Bigamist isn't a film that you go into with expectations of subtlety and twists. Director Ida Lupino still manages to do a bit more with the material than others might have done, working diplomatically with the screenplay by Collier Young to make something arguably better than it has any right to be.

Edmond O'Brien is Harry Graham, loving husband to Eve Graham (Joan Fontaine). The two are looking to adopt a child, which puts them under the scrutinising gaze of Mr. Jordan (Edmund Gwenn), and it's not long until that man discovers that Mr. Graham has a secret, another wife (Phyllis Martin, played by Lupino). In fact, he has a whole second life, something that he surely knew would be discovered when he began the adoption process.

Interestingly, especially considering the time this was made, The Bigamist takes time to show the various little moments that lead to the main character making some very foolish decisions, but it does so without constantly judging, and tutting at, all of those moments. It also lets a fairly silly plot unfold in a way that feels grounded and realistic, thanks to Young's script, and, again, I'd say that's a very pleasant surprise for the time it was made. The hardest part to swallow is the "framing device" which allows the morally-unshakeable Mr. Jordan to learn the full details of the story.

O'Brien is a decent enough lead, he's not a special man, he's just managed to get himself in a very unique situation. Fontaine and Lupino are both excellent, showing two different personalities with enough similar appeal to the lead, and it's impossible not to feel sympathy for both as you see things heading towards a third act that needs a revelatory moment on the way to some kind of punishment. Gwenn is fine, he does what he needs to do, which is mainly listen with interest as O'Brien unburdens himself of a secret that has been weighing on his mind for some time.

It's interesting to think of how this would be perceived if directed by a man, and how the material would have been executed. Lupino, an excellent director, and a woman with one of the most interesting careers to incorporate the glowing past of Hollywood (in terms of the path she took at a time when women had even less opportunities than they do today), allows everyone to be viewed with compassion. There's a man who battles his feelings until he thinks he can make everything work, and there are two women who both love that man, and are both unaware that their very presence would be a cause of pain to one another.

You know exactly what you're getting into with The Bigamist, and yet it also delivers the central message, the expected cautionary tale, with a surprising amount of care and understanding.

7/10

https://ko-fi.com/kevinmatthews


Tuesday, 26 November 2013

The Hitch-Hiker (1953)

Directed by Ida Lupino, who also co-wrote the screenplay with Collier Young, The Hitch-Hiker is a thriller, based on a true story, that will please fans of noir, and also fans of The Hitcher, of course.

William Talman is the dangerous man who gets himself into the cars of unsuspecting folks before eventually killing them. When he gets into the car of two men (played by Edmond O'Brien and Frank Lovejoy) he thinks he has caught a lucky break. The men have told their wives that they are off hunting in some isolated region, when they were actually headed down Mexico way for a little bit of drinking and dancing. The hitch-hiker figures that they have a lot of time until the men are thought to be missing, time that should keep them alive.

Sleek, taut and always entertaining, The Hitch-Hiker fairly rattles along for its 70-minute runtime. Widely considered to be the first American mainstream film noir to be directed by a woman, this probably shook up audiences a fair bit in the early '50s, especially anyone familiar with the true story (of a man named Billy Cook) that it was based on. Daniel Mainwaring wrote the story that turned into the script, but received no credit.

The three main actors all do a fine job, convincingly on edge and covered in a sheen of perspiration for most of the movie, with Talman especially good as the villain of the piece. There are other people appearing onscreen, but this is a three-hander, for the most part, and nothing ever takes viewers away from that tense situation for too long.

Lupino directs well, with her best work probably being the pace of the movie. Too long just in the company of the three men and it would be quite draining, too many interruptions from other scenes and the tension would evaporate. This gets things just right.

If you've seen any other "dangerous hitch-hiker" scenario onscreen then you owe it to yourself to see this one.

8/10

http://www.amazon.co.uk/Hitch-Hiker-DVD/dp/B0009I8OK6/ref=sr_1_1?ie=UTF8&qid=1385462697&sr=8-1&keywords=THE+HITCH-HIKER