Netflix And Chill: Murder Mystery 2 (2023)

As many people will already know, I have been a Sandler apologist for much longer than most people. I understand that a lot of his comedy vehicles over the past few decades have been neither big nor clever, and he leans heavily into choices that guarantee people will love or hate him, but I still tend to find enough in them to have a few chuckles. There have been a couple of absolute stinkers, but I can generally go into a Sandler movie with the knowledge that I'll at least not hate it. Judge all you want. While he may no longer tickle the funny bone as well as he did with the likes of Happy Gilmore, Billy Madison, and The Waterboy, Sandler still aims to please his fanbase, usually while he assembles a group of people that he enjoys spending time with and gets them a paid vacation in some beautiful and sunny foreign climes.

Starting off with some narration that briefly recaps the first movie and shows viewers what Nick (Sandler) and Audrey (Jennifer Aniston) have been up to for the past few years, Murder Mystery 2 then allows our characters to head off on another, long overdue, vacation, this time as special wedding guests of their friend, the Maharajah (Adeel Akhtar), who is delighted to introduce them to his bride-to-be, Claudette (Mélanie Laurent). Unfortunately, the wedding is ruined by the Maharajah being kidnapped, and the circumstances of the kidnapping lead Nick and Audrey to suspect a small handful of other guests. There's Claudette herself, a womanising ex-footballer named Francisco (Enrique Arce), the Maharajah's sister (Saira, played by Kuhoo Verma), and Countess Sekou (Jodie Turner-Smith). There may be others involved in the scheme though, and a super-agent named Miller (Mark Strong) comes along to show everyone how an investigation and hostage negotiation should be done.

While it's now Jeremy Garelick in the director's chair, who had what I would consider a moderate success with his previous comedy, The Binge (hey, it did well enough to get a sequel), writer James Vanderbilt returns, the leads are reunited with a familiar face or two from the first film, and there's a feeling of nobody wanting to upset what they obviously consider as having worked well enough the first time around.

Sandler and Aniston once again work well together, the latter continuing to deliver the kind of genuinely great comedic performance that it's all too easy to forget she can do (despite her biggest success being in quite a well-known sitcom) and the former feeling believably, but lovingly, held in check during times when he might otherwise get carried away. It's a shame that the supporting cast isn't as much fun this time around, although everyone works with what they're given. Laurent and Verma aren't given enough to do, and Turner-Smith, her character accompanied by a toadying sidekick (played by Zurin Villanueva), is out of the picture far too soon, but both Arce and John Kani (returning to the role of Colonel Ulenga, now with one less arm than he had last time we saw him) deliver some good lines, and Strong has a lot of fun in the kind of role that is as familiar and obvious as it is entertaining. Akhtar is, of course, onscreen for a lot of the runtime, which isn't a bad thing if his character grates on you slightly, and Dany Boon returns as Inspector Delacroix in time for the third act.

It's been a while since I watched Murder Mystery (hey, I may not hate Sandler movies, but there aren't many that I rush to rewatch lately), but this sequel feels as if it is trying to deliver a bit more action and spectacle. From a lovely wedding dance sequence to an impressive high-speed drive through Paris, not to mention a surprisingly satisfying and memorable final set-piece, there's a better sense of balance between the gags and the actual central mystery being solved.

Very few people will agree with me here, and many won't even bother wasting their time with another Sandler vehicle, but I liked this a little bit more than the first film. Considering I liked the first film more than most, you may just want to discard my whole opinion on this one. It's entirely up to you, but you'll miss some wonderful scene-stealing from Aniston.

6/10

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Netflix And Chill: Murder Mystery (2019)

A comedy that throws together Adam Sandler and Jennifer Aniston for a second time (after they were paired up in the enjoyable Just Go With It), Murder Mystery is a fairly enjoyable comedy thriller that allows the leads to work together just as well as they did the first time around. A lot of people will already be dismissive of it, Sandler's name nowadays is enough to make many steer clear, but this is a perfectly fine way to spend just over an hour and a half.

Sandler is Nick Spitz, a New York police officer who keeps failing the detective exam. He's really good at the detection part, sometimes, but is a lousy shot. Aniston is his wife, Audrey, and she is delighted to hear the "good news" when her husband cannot bring himself to admit that he failed the exam once more. As their wedding anniversary is coming up, it seems like the perfect time for that trip to Europe that had been delayed for years and years. And that's where they meet Charles Cavendish (Luke Evans), who ends up inviting him to a private party on a large and lavish yacht, which is when someone is murdered. And Mr & Mrs Spitz turn out to be very prime suspects in the eyes of Inspector de la Croix (Dany Boon).

Directed by Kyle Newacheck (who I am now familiar with after enduring Game Over, Man!) and written by James Vanderbilt (who has a filmography that includes the high of Zodiac and the low of something like Independence Day: Resurgence), I have to admit that my hopes weren't high for this. As much as I have tried to maintain my positivity when it comes to Sandler movies, his work over the past 10-15 years has been far from his best, to put it mildly. The fact that everyone pulls together to make something moderately entertaining is a very pleasant surprise indeed. Newacheck may not have the best eye, or any sense of style, but he does fine when it comes to keeping the energy building from scene to scene, allowing small gags to pile up in between the attempted bigger laughs (which don't work as well), and generally giving the leads room to play around with their interplay and physical comedy.

Vanderbilt hasn't crafted any kind of comedy classic here but he plays to the strengths of the cast. Sandler and Aniston have great chemistry together, Evans gets to be completely charming with almost every line he utters, and there is fun to be had with Terence Stamp being gruff, David Walliams being a bit catty, Gemma Arterton being a gorgeous actress, and, well, you can see what I mean.

The performances are all decent too, with the not-inconsiderate plus point of Sandler not putting on a "funny" voice for his main character. Everyone I've already mentioned does a good job, and there's also room for fun with John Kaji and Adeel Akhtar, as well as one or two others.

If you're a cynic then you could look at Murder Mystery and say that the thriller aspect isn't as good as it could be, the laughs aren't as prolific, and the set-pieces aren't anywhere near as ambitious as they could be. But that doesn't mean that any of those things are actually bad. They are all enjoyable, without reaching a level of greatness. And I know the fact that many aspects of this film are enjoyable makes the end result a lot better than most of you were expecting.

6/10

You could get yourself a boxset of Sandler movies here.
Americans can get a comedy collection here.

Micmacs (2009)

Jean-Pierre Jeunet is the French king of quirkiness. Some, like myself, love that quality of his movies. Others absolutely hate it and will never be converted. Micmacs is perhaps his quirkiest movie yet so if you give it a viewing and you're not the biggest fan of Jeunet then don't say that you weren't warned.

Dany Boon stars as Bazil, a man who has suffered through his life thanks to arms dealers. When Bazil was a young boy his father was killed by a landmine. As an adult, he suffers even more directly when he's shot in the head. The bullet doesn't kill him but it does change his entire life. Because an operation might actually put him into a vegetative state, he is left with the bullet lodged in his brain. He's also left with no job and no home, both lost while he recovered in hospital. Thankfully, someone spots Bazil trying to struggle by on the streets and invites him along to meet a bunch of people who live in the depths of a junkyard. This band of eccentrics - including a female controtionist (Julie Ferrer), a woman who can calculate measurements instantly (Marie-Julie Baup) and a man who was once in the book of world records for his feat as a human cannonball (Dominique Pinon) - welcomes Bazil  with open arms. When Bazil is out walking one day and finds himself standing directly in between the buildings of both the company responsible for the landmine that killed his father and the company that made the bullet now lodged in his head he decides that he wants to get revenge. He thinks that he will somehow manage on his own but his new friends soon correct him and insist on helping out. They then set out to show that revenge isn't always a dish best served cold. It's sometimes very enjoyable when it's served with imagination, a selection of unique skills anda dollop of humour.

It's quirky, it's almost constantly upbeat and it's full of larger than life characters, which means one thing. If you hate Amelie then you'll probably hate this, too. I love Amelie and I've loved pretty much everything that I've seen from Jean-Pierre Jeunet (okay, I didn't LOVE Alien: Resurrection but I did enjoy it more than most people). Micmacs doesn't change my opinion of him one bit, it's another warm (in terms of content and visual style) and off-kilter story populated by great actors having fun playing great characters.

Dany Boon does very well in the lead role but the movie is very much an ensemble piece with everyone getting their chance to shine. Ferrer, Baup and Pinon are great fun, as are Yolande Moreau and Omar Sy, playing the junkyard-dwelling misfits. Andre Dussollier and Nicolas Marie are also both very good as the warmongers who find themselves being, unwittingly, played off against one another.

If you scrutinise the movie too closely then you will see how flimsy it all is. It's lightweight, most of the delights onscreen are completely unnecessary and the implausibility of it all starts to build up from the first few scenes but it's not a movie that you should scrutinise too closely. It sets out to entertain from start to finish and succeeds.

8/10

http://www.amazon.co.uk/Micmacs-Blu-ray-Andre-Dussollier/dp/B003FVBN48/ref=sr_1_2?ie=UTF8&qid=1348657514&sr=8-2