Trapped In Paradise (1994)

The second feature to be both written and directed by George Gallo (and I think we can agree that he has generally done better work on films that have hired him only for screenplay duties), Trapped In Paradise is an enjoyable and cute crime comedy that is constantly almost unbalanced every time Dana Carvey is onscreen.  Put anyone else in that role, or at least stop Carvey from doing a Mickey Rourke impression for most of the runtime, and you have a much better movie.

It’s all about three brothers. Nicolas Cage plays Bill Firpo, the only one of the three to stay on the straight and narrow, Jon Lovitz is Dave, a wily man who rarely tells the truth about anything, and Carvey is the kleptomaniac Alvin. All three brothers end up in the small town of Paradise, Pennsylvania, just in time to see the small-town bank stuffed with an enormous sum of money. It seems like a great time to rob the place, which is what they do. But, as has happened in many other movies before this one, the robbery proves to be a lot easier than getting away with the loot.

There’s a good movie here, one that is enjoyable enough to survive the antics of Carvey, but it’s also something that could have been much better. In fact, do we even need all three brothers? I would suggest that we don’t, and some minor tweaking of the script could have easily turned this into a low-key little gem. Some people do view it that way already, but it’s easy to see why most have forgotten it exists.

Gallo does a good job when it comes to setting up the well-populated cast of characters and various plot strands. There are family connections to establish, law enforcement looking to tighten a net, town residents being sweet and lovely, and other criminals, or wannabe criminals, who help to show just how good (deep down) our leads are. It helps that the screen is filled with so many people who are far less irritating than Carvey.

Donald Moffat and Angela Paton have main roles, and embody the good nature of the town, Florence Stanley is a tough and loving Ma Firpo, Mädchen Amick is a very believable potential romantic complication, and both John Ashton and Richard Jenkins portray two people approaching the situation from very different angles. Aside from some believable heavies, the hardened criminals who see the robbery and know someone has used information gained while alongside them in prison, that leaves our leads. Cage is a good mix of good behaviour and, well, Nicolas Cage, and Lovitz is amusing enough, if not best-served by a script that doesn’t make the best use of him. I think I have already mentioned Carvey enough. Maybe technology is available now that makes it much easier to replace him with someone less annoying. Like Carrot Top.

Enjoyable enough, and with the right amount of sweetness and hope that you want from any Christmas movie, Trapped In Paradise is one I would tentatively recommend to those who can overlook the one major problem it has. Although nothing really stands out, with regards to the visuals or score, it’s a generally solid piece of work that allows a few of the supporting players to shine whenever the focus turns to them. 

7/10

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HouseSitter (1992)

The movie that reunited director Frank Oz with star Steve Martin may not be as great as Dirty Rotten Scoundrels, but that's a tough act to follow. This isn't as sharp, it's not as smart and it's just not as funny. However, I've always found HouseSitter to be an easy movie to rewatch and enjoy. It's not without charm and there are a lot of decent one-liners sprinkled throughout the script. The biggest problem is the fact that more time is given over to other people when Martin is the best asset that the film has, a problem that would crop up more and more in the years after this film.

Martin plays Newton Davis, a man who we first see presenting a house that he's just built to his girlfriend (Becky, played by Dana Delany) and then proposing to her. It doesn't go as he'd hoped. Jump forward by some time and viewers get to see Newton plodding away at his day job, as an architect, before getting a bit too drunk one evening and having a one night stand with Gwen (Goldie Hawn). It turns out that Gwen has some issues with telling the truth. When she wakes up, alone, the next morning she remembers all that Newton said about the house he built that is now standing empty in the middle of a small, welcoming community. So she goes there, moves in and soon blurts out to the locals that she is Newton's wife. By the time Newton finds out about this whopper of a lie his parents (Donald Moffat and Julie Harris) have already warmed to Gwen, Becky is obviously regretting letting him go and the whole mess looks as if it could work out for the best, as long as the web of fiction holds together long enough.

The script and direction may both be relatively safe, but that doesn't mean that it's stale. I'm sure that some people will turn on this movie and be scrambling for the remote control within ten minutes, but I am won over as soon as the opening credits roll and I know that I'm about to spend just over 90 minutes in pleasant company.

Hawn isn't the best partner that Martin has starred alongside, but she does okay and her character is a fun one (though the movie often shies away from the obvious major, psychological problems that she has). Martin is in uptight, slightly frantic mode and reacts well to every new development that puts him on the back foot. Yet, as well as the obvious humour stemming from their situation, there is also a nice development of the relationship between the two leads, often showing their fake marriage as being not entirely dissimilar to any real one.
Delany is pretty good as the old flame who, of course, complicates the whole situation, and Moffat and Harris are both delightful as loving parents who take the news of the marriage surprisingly well, eventually.
Richard B. Shull and Laurel Cronin add to the fun during an almost farcical finale, Peter MacNicol steals every scene that he's in, playing Newton's friend and a man desperate to make his way up the corporate ladder, and Roy Cooper is also very good as the big boss man who may not realise what a talented architect Newton really is.

And there's also a lovely rendition of Too Ra Loo Ra Loo Ral.

7/10

http://www.amazon.co.uk/Steve-Martin-Collection-DVD/dp/B000QJMSFA/ref=sr_1_1?ie=UTF8&qid=1374099555&sr=8-1&keywords=steve+martin

The Best Of Times (1986)

Robin Williams and Kurt Russell star in this sports comedy drama from the pen of Ron Shelton (who, with Tin Cup, Bull Durham and White Men Can't Jump to his credit, will always be a gold-medal winner in this particular sub-genre). Williams plays Jack Dundee, a man played by that one mistake he made as a young man during the BIG football game. Kurt Russell was Reno Hightower, the star player, and he made a beautiful pass in the last moments of the game. A pass that Jack fumbled. His whole life, from that moment on, has consisted of him berating himself as "the guy who dropped the ball and lost the game". In a desperate move, Jack stumbles upon what he thinks is a great idea - replay the game. If he changes his perceived history, then maybe he can be content in the present and make headway towards a positive future. He just needs to convince the rest of the town, the guys who made up the opposing team and, of course, Reno.

If you hate American Football, then don't worry, this does feature the sport, but it's not really ABOUT that. Like every other sports movie by Shelton, this looks at a beloved sport and uses it to look at other aspects of human nature and life. The Best Of Times is actually about a big moment in a life that someone would want to change. Can it be done? Is it worth trying? How does it affect other people when someone allows themselves to be eaten away and defined by one mistake, one youthful "transgression".

Shelton has written a number of better scripts, but this works well because of the unlikely relationship between the characters played by Williams and Russell. There's also a good little turn from Donald Moffat, who agrees with Williams' low self-opinion. Holly Palance and Pamela Reed are very good as the other halves of, respectively, Williams and Russell and it's clear that they've been neglected at times. The nice thing, however, is that when things start coming together and everyone sees the effect of re-staging the big game, the ladies don't stay stubbornly rooted against the men. They're supportive, they just don't want such an event overshadowing every moment of their lives. There's also a small role for the great M. Emmet Walsh. He's great, as usual.

Directed by Roger Spottiswoode, this is a good film and has some very funny moments. It even has a typically rousing finale that you can't help getting caught up in (well, I couldn't). Yet, it's never quite as good as it could be. An enjoyable watch, but not one I'd end up revisiting that often, if at all.

6/10

http://www.amazon.com/The-Best-Times-Robin-Williams/dp/6305262128/ref=sr_1_1?ie=UTF8&qid=1357941265&sr=8-1&keywords=the+best+of+times

The Thing (1982)

Let me start by saying that the next Kurt Russell movie scheduled to pass before my eyes was due to be The Fox & The Hound but it's been delayed until next week so we go from Disney to classic Carpenter with The Thing.

The story is all about a bunch of men stuck out in the middle of nowhere, an Antarctic base, who find themselves in a situation full of danger and paranoia when they unwittingly let a shape-shifting alien into their midst.

Here is the review that I already posted on IMDb. I'm not sure that I can say much more about the movie so this format works. I entitle it . . . . . . . 10 Things About The Thing.

1) Despite director John Carpenter also giving us the greatness of Halloween, TheFog, Escape From New York, Assault On Precinct 13 and more, this movie is an absolute classic of the horror genre.

2) It's a remake, based on the Christian Nyby/Howard Hawks movie TheThing From Another World and the story THAT was based on, "Who Goes There?" by John W. Campbell Jr. The original movie was briefly shown on TV as part of the Halloween line-up the kids watch in . . . Halloween.

3) Thanks to the amazing work of Rob Bottin it features some of the best special effects work ever, all stuff that holds up to this day. Nasty, visceral, alien and eye-poppingly impressive.

4) The Carpenter-esque, minimal synth score was by Ennio Morricone, a fact I often forget while enjoying the movie.

5) It has an all-male cast and all of them are never less than great, with Kurt Russell, Keith David and Wilford Brimley standing out amongst an ensemble cast of sheer class.

6) Beyond the blood and guts on screen, there are some interesting ideas here about identity, a sense of self and a "trust no one" attitude that would, of course, become the watchwords of X-Files fans at the turn of the twenty-first century.

7) There has been a video game developed from the movie's premise (approximately 20 years after the movie was released) and it's surprisingly good.

8) Contains one of my favourite ever lines: "I know you gentlemen have been through a lot, but when you find the time, I'd rather not spend the rest of this winter TIED TO THIS F*-&KING COUCH!"

9) In a year dominated by Spielberg's little, friendly E.T.  it was not great news at the box office for The Thing but home video and subsequent word of mouth saw it become a much-loved film by horror fans and deservedly so, in my opinion.

10) I first saw The Thing at the tender age of twelve years old. On a small, black and white TV. With a lot of static. While eating a curry. Despite the lack of a crystal clear screen I still could not eat my curry. Needless to say, that's now a cherished memory within my twisted Thing-loving psyche.

For fans of the film, the Blu-ray release is essential. Great picture and sound gives the movie a new lease of life and this is complemented by the many extras that were also on the special edition DVD release: that great commentary track featuring both Carpenter and Russell (one of the best chat-tracks that you will ever hear), a lengthy documentary about the making of the movie, outtakes, production notes, conceptual art and much, much more. 

Movie: 10/10

Disc: 10/10 

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