Showing posts with label eloise mumford. Show all posts
Showing posts with label eloise mumford. Show all posts

Thursday, 23 December 2021

One December Night (2021)

Steve Bedford (Bruce Campbell) and Mike Sullivan (Peter Gallagher) were once one of the biggest musical duos around, and "One December Night" was their biggest hit. But they eventually went their separate ways, breaking their relationship into smaller and smaller pieces with each little unresolvable issue. It's a surprise to everyone when they agree to a televised reunion show, but it turns out that Sullivan really needs the money. Does he need it enough to put up with his partner again though? Yes, but that won't stop him from potentially cancelling the whole show if he gets sick of everything, which is where his daughter (Quinn Allan, played by Eloise Mumford) and Bedford's son (Jason, played by Brett Dalton) come into the picture. They are hoping they can smooth things over enough for the show to go ahead, and that also involved getting the pair to agree to sing their biggest hit.

Written by Eric Brooks, One December Night is an enjoyable and easygoing Christmas TV movie that is elevated by the leads, but it’s a shame that the material wasn’t reworked to play to the strengths of what some might consider its most valuable asset, Bruce Campbell.

Director Clare Niederpruem keeps everything ticking along nicely, the generic music blends together to create the notion of a career with a few hits in it and the visuals are what you expect; snow, small town charm, and bland and appealing supporting characters.

Excelling in the moments that hint at his usual persona of cockiness and narcissism, Campbell is fun in his role, but is also allowed to settle into more straightforward drama in the third act. Fans may well want more from him though, and not without good reason (as letting him go even bigger could have provided an entertaining vein of comedy through something that feels more po-faced than it needs to be). Gallagher is a good choice alongside him, a decent actor who plays things with a more subtle approach. Mumford is cute and bubbly, as she has been in other movies for this season, and Dalton is fine, although the least of the four leads. The other person worth noting is Jasmine Forsberg, playing a lesser-known musical artist who may well get her big break supporting Bedford & Sullivan at their reunion show.

People after something typically full of the spirit of Christmas won’t be disappointed. This does the job. It’s just a shame that nobody decided to tap into the potential provided by the casting, which could have made this a genuinely amusing comedy drama. It almost succeeded anyway, especially when you see Campbell’s approach to fake guitar playing. 

Serviceable. I just wish this one had reached for more.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews
Or Amazon is nice at this time of year - https://www.amazon.co.uk/hz/wishlist/ls/Y1ZUCB13HLJD?ref_=wl_share 

Wednesday, 15 December 2021

Prime Time: Just In Time For Christmas (2015)

There seems to be an unwritten rule for TV movies nowadays that, if possible, anything with a plot utilising time travel should cast Christopher Lloyd in there somewhere. Main role, cameo, it doesn’t matter. Just have Doc available, letting viewers know that you know the best time travel expert in modern cinema.

Just In Time For Christmas has both an element of time travel and the presence of Christopher Lloyd (here playing a kindly grandfather). The plot revolves around Lindsay Rogers (Eloise Mumford), a psychology professor who may just get everything she ever dreamed of. She is offered a position at Yale, and is also proposed to by her boyfriend, Jason (Michael Stahl-David). But it seems that the two things may be incompatible, providing her with a potentially crucial, and life-changing, dilemma. Thankfully, an angelic type of figure, a coachman in the guise of William Shatner, offers Lindsay a chance to see what her life will look like three years down the line.

Magical and enjoyable, if unspectacular, Just In Time For Christmas works better than some thanks to the cast. Which is something I say a lot at this time of year, because it is usually just the different faces making these films distinguishable from one another. 

Director Sean McNamara has a varied selection of TV and film to his credit, including a number of *shudder* Baby Geniuses sequels (or offshoots, I have not yet been brave enough to explore any of those movies), but he seems to respond fairly well to the script, written by Helen Frost and Don MacLeod. Frost and MacLeod have been a working writing team for only a few years now, still perhaps getting used to writing films with certain expectations to fulfil, but they do a good job here. 

Mumford and Stahl-David are good leads, the former is pleasant company and the latter embodies all of those great qualities that the male leads in these movies need, but without being as bland as so many of them are. Lloyd keeps popping up just often enough to remind you that he's in the movie, which was a tactic I welcomed, and Laura Soltis plays the mother of Mumford's character, and ends up only used for a few scenes mainly bookending the main section. Tess Atkins plays Becca, someone who has grown a LOT closer to Jason over the course of the three years that have happened in the blink of an eye, and she does well for someone with arguably the most thankless role of the lot.

Interesting in the way that it's not JUST another tale of a successful business woman realising that her career and achievements mean nothing without the love of a good man to keep her warm and cosy in the evenings, Just In Time For Christmas walks a fine line throughout. It's easy to view the lead as someone being quite selfish and disruptive, considering the film is allowing her to see the consequences of her actions, but it's also enjoyable to see something like this that doesn't force a main character to deal only in absolutes. There's room for compromise, room for difficulties on the way to real happiness, and that's probably a better lesson than the messages delivered to viewers by hundreds and hundreds of other Christmas TV movies.

6/10

P.S. Here is a huge list of every Christmas movie I have ever reviewed, either here or over at Flickfeast.

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews