Netflix And Chill: The Cleanse (2016)

Johnny Galecki stars as Paul, a young man who hasn't had a very good time of things lately. He lost a partner, his job, and his way of being able to feel anything close to happiness. That's why he ends up at a strange spiritual retreat, a potential solution in which he will be guided to a better future via the power of "the cleanse". As viewers are made aware very early on, this retreat might have something strange going on beneath the surface. Doesn't every movie retreat have a dark secret at the heart of it?

Written and directed by Bobby Miller, this is a slight film, the runtime is approximately 80 minutes, and a lesser cast would have made this unwatchable, by which I mean that I think the names attached to this were necessary to get the thing funded and actually made. It has one half-decent idea, but even that isn't as well utilised as it could be.

Tonally, Miller seems to be aiming mainly for comedy, but it misses the mark when that comedy is mixed with elements from other genres. The opening scenes work well, showing how sad and desperate Galecki's character feels, but things quickly start to go downhill once everyone arrives at the retreat for the start of their cleanse. Thankfully, some more familiar faces pop up here, but even their introductions aren't enough to make up for the major lull that happens between the beginning and the end of this.

Alongside Galecki, who does a good job of portraying that nervy guy who lacks confidence in his own abilities (not really a stretch for him, considering his popular TV work), you get enjoyable performances from Anna Friel, Kyle Gallner, and, although given a lesser amount of screentime, Diana Bang. These are the people who have put themselves forward for treatment, and they approach the program with varying degrees of enthusiasm. Kevin J. O'Connor is a staff member at the centre, and is as steadfastly Kevin J O'Connor as he usually is, but the real fun is watching performances from Anjelica Huston, as a zealous senior figure guiding individuals through their treatment, and the equally ever-welcome Oliver Platt, playing the head of the organisation looking to help people in what may be a very strange and unusual way.

There are a number of good comedies about people being shown unusual ways to improve their lives, and there are a number of effective thrillers and horror movies about facilities that seem to be helping people while hiding something dark and dangerous beneath their shiny exterior. The Cleanse certainly sits alongside the former selection, but it's worth bearing in mind that it may not belong to the latter category, despite the marketing. I don't want to spoil things for anyone, viewers can watch the film themselves and decide whether the treatment is being offered in good faith with characters just being a bit too paranoid, or whether there is something to be very wary of, but whatever you think The Cleanse is trying to do . . . plenty of films have done it a bit better. Even if they haven't had such a great cast.

5/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews

Vanilla Sky (2001)

A remake of a Spanish film that I have still, sadly, not yet seen (Abre Los Ojos by Alejandro Amenabar), Vanilla Sky couldn't really be any further removed from the last movie that paired director Cameron Crowe up with star Tom Cruise - Jerry Maguire. Then again, there are more similarities between the two when looked at in a bit more detail. For now, to keep things simple, I'll be keeping everything quite shallow. That's my level, and I'm comfortable there.

Tom Cruise plays David Aames, a very rich and successful young man who gets himself in a fair bit of trouble when he fools around with the gorgeous and successful Julie Gianni (Cameron Diaz) before falling instantly and absolutely in love with the spirited Sophia (Penelope Cruz, reprising her role from original version). David goes from a dizzying high to an unbelievable low as his face is disfigured and his spirit crushed. He starts to push people away with his behaviour, including his best friend, Brian Shelby (Jason Lee), and ends up forced to speak to a psychiatrist (Kurt Russell) in an attempt to make sense of events that he doesn't understand. Reality and fiction intertwine, making David fear for his sanity.

Crowe is credited with writing the screenplay as well as directing this movie. As already mentioned, I've not seen the original, but I'd imagine that his screenplay work is more in line with an adaptation than any wholly original work. Regardless, he does a good job. As well as the dialogue, there are so many fantastic little touches in every scene, both front and centre and just noticeable in the background. The detritus of these characters' lives is something that rewards repeat viewings, and the film may veer too unevenly between the highs and lows - especially after such a good opening 20 minutes - but it ultimately makes it all worthwhile for the audience by the time the credits roll.

The cast are a bit of a mixed bag. Cruise does okay in his role, and perhaps enjoyed performing half the movie with his face either covered up or disfigured, while Jason Lee and Penelope Cruz are both very good at portraying . . . . . . . very good people. Cameron Diaz doesn't do quite so well, but then she never really does (bless her). Kurt Russell is enjoyable in his role, and other roles are filled by people such as Timothy Spall, Tilda Swinton, Noah Taylor, Michael Shannon and Johnny Galecki.

It may be a bit self-indulgent in places (the excess of pop culture references, the Spielberg blink-and-you'll-miss-it cameo, the sense of smugness during the final third), but it also has so many great moments and dark, albeit glossed over, ideas in the mix that I still like it a lot. And, typically from Cameron Crowe, there's a cracking soundtrack accompanying the visuals.

7/10

If you have enjoyed this, or any other, review on the blog then do consider the following ways to show your appreciation. A subscription/follow costs nothing.
It also costs nothing to like/subscribe to the YouTube channel attached to the podcast I am part of - https://www.youtube.com/channel/UCErkxBO0xds5qd_rhjFgDmA
Or you may have a couple of quid to throw at me, in Ko-fi form - https://ko-fi.com/kevinmatthews