Lady Bird (2017)

Lady Bird is a film I assumed I was going to love. Written and directed by Greta Gerwig, who I have been a big fan of for years now, starring Saoirse Ronan and Laurie Metcalf, both great actresses, and it has already been on the receiving end of a lot of love. I was ready to be impressed.

And I was.

Saoirse Ronan plays Christine, a young woman who wants to go by the name Lady Bird, who wants to get away to university and start her life properly, and she has the standard troubles of a teenage girl while her parents (Laurie Metcalf and Tracy Letts) try to deal with their own problematic situation. That's really all there is to it.

Staying in very familiar territory for her solo directorial feature (she previously co-directed, co-wrote, and co-starred in a film with Joe Swanberg), Gerwig certainly has a feel for all of the characters in this tale. There are moments that feel authentic, here and there, but a lot of the moments feel as if they're very much based in a cinematic reality.

Ronan is superb in the lead role, perfectly portraying the strange mix of curiosity, confidence, nerve-wracking insecurity, restlessness, and frustration and anger that makes up most of our teenage years. Metcalf and Letts are equally superb as the mother and father who have different approaches to their interactions with their daughter. The other young co-stars also do very well, with solid turns from Beanie Feldstein, playing the best friend, Lucas Hedges and Timothee Chalamet as two young men Lady Bird finds herself attracted to, and Odeya Rush as a "cool girl" who ends up an unlikely friend of Lady Bird.

All of those performances were enough to impress me, as were many chunks of the script. It was all good, if a bit familiar. But there was something else here, something that I haven't noticed anyone else mention, despite it seeming blindingly obvious. Without focusing on a pink dress or the opportunity of a perfect date, Gerwig has given audiences a John Hughes movie for the 21st century. Ronan is a stronger lead than Molly Ringwald, Eric Stoltz, or . . . Molly Ringwald, but she's given a character very close to those '80s souls that were also desperate to change the direction of their lives. It's even commented on more than once that she, according to some (including Lady Bird herself) lives on the wrong side of the tracks.

It's nice to see such a movie dressed up enough to gain a good bit of critical and commercial acclaim, but that's also a slight problem for the film. It tries to feel natural and realistic while also using characters that often feel indelibly like movie characters.

I was impressed by Lady Bird, I liked it a lot. But I still prefer the likes of Some Kind Of Wonderful and Pretty In Pink.

7/10

I THINK this is where the Blu ray will be available to buy.
Possibly here, in America.

Ani-MAY-tion Month: Meet The Robinsons (2007)

Based on the book "A Day With Wilbur Robinson", Meet The Robinsons is a film full of fun moments and some time-travel shenanigans, but it never feels like a completely satisfying movie. Seven people worked on the screenplay, including director Stephen J. Anderson, and it's a shame that not one of them could do enough to lift the thing from good to great.

Wilbur is a young orphan, seemingly destined to remain at the orphanage forever. None of the prospective parents who come to see him end up taking him home. He doesn't always help himself in that regard, thanks to a penchant for creating inventions that don't always work as they should, but he's a sweet kid desperate to feel wanted. Which is why he puts all of his energies into inventing a machine that will show any memories hidden away deep inside the human mind. He wants to see the face of his mother, who dropped him off at the orphanage years ago. Unfortunately, his invention gets the attention of the evil Bowler Hat Guy, which leads to a young lad named Lewis trying to help Wilbur out by taking him away for a while in his time machine. But time travel is only a good thing when people stick to the rules. It also helps if people don't crash the time machine. While Wilbur and Lewis try to put things right, the Bowler Hat Guy senses victory coming his way.

Mixing kid-friendly science fiction with some quirky humour and a nice retro style, there are lots of elements here to enjoy. The third act, that brings about a few revelations and ties everything together nicely, it very good. The sweeter moments of the opening scenes are also very good. But this is a film that spends its middle section just wandering aimlessly around between pointless scenes and too many redundant characters. Okay, they're not redundant in the grand scheme of things, but the Robinsons are a large family with only one or two individuals who really stand out.

The vocal cast isn't a big help. Although everyone does a good enough job, it's a shame to have Angela Bassett, Laurie Metcalf and Harland Williams wasted in supporting roles. The latter has the most fun, and there are also small roles for Adam West and Tom Selleck, but there's never enough good voice work to shake the feeling that the whole enterprise is quite bland and anonymous.

Danny Elfman provides a decent score, which is as Elfman-esque as his usual work, and there's one great gag spoken by a dinosaur (well, he makes noises and it's translated - but you have to turn on the DVD subtitle option to read it), but that's about all I have left to say. I've run out of praise to sprinkle throughout this review.

Ultimately a bit of a disappointment, Meet The Robinsons is still passable entertainment. But it should have been much better.

6/10

http://www.amazon.com/Meet-Robinsons-Blu-ray-Angela-Bassett/dp/B0049GYXGS/ref=sr_1_3?s=movies-tv&ie=UTF8&qid=1400367439&sr=1-3&keywords=meet+the+robinsons

Uncle Buck (1989)

Written and directed by John Hughes, this is a typical . . . . . . . John Hughes movie. But despite so many people having fond memories of it, thanks to the presence of the wonderful John Candy, it's not his best.

Candy plays the titular uncle, a man called upon to look after his nieces and nephew when his brother finds himself in a bind and with nobody else to turn to. Uncle Buck proceeds to cause a small amount of mayhem while doing his best to look after the kids, finding himself particularly messing up in his dealings with moody teenager Tia (Jean Louisa Kelly). This leads him to consider just where he is in his own life and just how he has been dealing with his own relationship (with Chanice, played by Amy Madigan).

Clocking in at just over an hour and a half, full of lively soundtrack moments and conversations that you would never really hear outside of John Hughes movies, this is an easy movie to enjoy. In fact, I've only ever met one person who couldn't stand it and that person is my wife (who is weird anyway . . . . . . . hence the fact that I was able to get her to marry me).

Candy is great in the main role, Jean Louisa Kelly does fine as the moody teenager causing him so much strife, Macaulay Culkin is very funny in one of his first major roles and so is Gaby Hoffmann. Amy Madigan does well as the woman who despairs of Buck while remaining in love with him, Laurie Metcalf steals a couple of scenes and Jay Underwood gets to be the young man, named "Bug", spending far too much time with Tia in an attempt to move the relationship along as quickly as possible (as Buck well knows).

There are many moments here that I enjoy - Candy being quizzed by Culkin, the killer line delivered to a shocked Suzanne Shepherd (playing a teacher trying to instil better behaviour in her young charges), every time Candy is unsubtly warning off Underwood - but, for some reason, the film just doesn't come together for me in a way that it does for many others. I can watch it from start to finish without being bored, but it's one I don't have to rush to ever watch again.

6/10

http://www.amazon.co.uk/Double-Brewsters-Millions-Uncle-Buck/dp/B0058OABSY/ref=sr_1_4?ie=UTF8&qid=1370954757&sr=8-4&keywords=uncle+buck