Another Hammer horror movie that takes its cue from "Carmilla" by Sheridan Le Fanu, this contains plenty to keep fans happy, and stands up as one of the better films to be spun off from the source material.
Ingrid Pitt plays Mircalla Karnstein, a young woman who ends up staying in the house of General von Spielsdorf (Peter Cushing) and repaying his kindness by feeding off his daughter. Then, when she's had her way with the available blood, Mircalla manages to get herself placed in a household that also contains the lovely Emma (Madeline Smith) and her governess (Kate O'Mara). Twice the food supply. If she's not found out for what she really is.
Directed by Roy Ward Baker, this is a beautiful, seductive chiller that makes the most of its lead cast members to create something that consistently alternates between the erotic and repulsive. The script, ultimately credited to Tudor Gates, helped by Harry Fine and Michael Style in adapting material into movie form, isn't that good, but it doesn't have to be. This is about a beautiful woman casting a spell on those around her, and seducing other beautiful women until she can sink her teeth into them.
Pitt is just wonderful as Mircalla, beautiful and sexy and dangerous and pretending to be laughably innocent at times. She is, however, just one of many beautiful women onscreen, and Hammer really filled out this movie with gorgeousness. Smith is another beautiful actress, O'Mara has a softness to her features here that I've never seen before, and Pippa Steel, as the daughter of Cushing's character, is yet another image of loveliness in a film that is, in some ways, an embarrassment of riches. Okay, so the menfolk may not have the same allure, but Cushing is welcome in any movie, no matter how small the role (and he's only in this for about a quarter of the runtime), George Cole is decent enough as Roger, the father of Emma, and Douglas Wilmer is good fun in his role, the one man who knows the full horror of the situation, and also what is needed to resolve it.
Some may roll their eyes at the fact that this movie is aimed, first and foremost, at anyone who will be won over by the physical charms of Ingrid Pitt, but as I am one of those viewers I can only rate the film as a wonderful success.
8/10
http://www.amazon.co.uk/Vampire-Lovers-Lust-For-DVD/dp/B001AOHQ0M/ref=sr_1_1?ie=UTF8&qid=1389884125&sr=8-1&keywords=the+vampire+lovers
Showing posts with label madeline smith. Show all posts
Showing posts with label madeline smith. Show all posts
Tuesday, 21 January 2014
The Vampire Lovers (1970)
Labels:
dawn addams,
douglas wilmer,
ferdy mayne,
george cole,
horror,
ingrid pitt,
jon finch,
kate o'mara,
madeline smith,
peter cushing,
pippa steel,
roy ward baker,
sheridan le fanu,
the vampire lovers,
tudor gates
Monday, 4 March 2013
Frankenstein And The Monster From Hell (1974)
The final entry in Hammer's series of Frankenstein movies is actually a
welcome return to form for all involved, mainly thanks to the character
of Baron Frankenstein being once again portrayed as someone
well-intentioned but morally dubious as opposed to the outright evil
schemer he was depicted as in Frankenstein Must Be Destroyed.
This time around the Baron (Peter Cushing) is joined by young Simon Helder (Shane Briant), a man who has been sentenced to time in an insane asylum after being caught carrying out experiments based on the Baron's work. When Frankenstein reveals his real identity to the young man and outlines a plan it's not long before the body parts start to pile up and things get ever more problematic.
With Anthony Hinds writing and Terence Fisher directing, this particular Hammer horror rises above its relatively low budget to provide a fitting final outing for the man who is constantly trying to cheat death.
Cushing is as good as ever, Shane Briant acquits himself well and Madeline Smith, John Stratton, Bernard Lee and everyone else onscreen (including David Prowse, hidden once again behind a mask but doing a better job than he did last time he was asked to play the central creature) manage to hold their own.
It's perhaps inevitable that a lot of the material here feels overly familiar and a little bit lazy but there is also some dark, twisted stuff in here (including the reason for Madeline Smith's character not talking) and some proper nastiness that still manages to retain some impact to this day.
It's not really the best swansong that we could have for the Baron but it's a hell of a long way from the worst and, for that, I'm glad.
7/10
http://www.amazon.co.uk/Frankenstein-And-Monster-From-Hell/dp/B004NOQ9W2/ref=sr_1_1?ie=UTF8&qid=1354725685&sr=8-1
This time around the Baron (Peter Cushing) is joined by young Simon Helder (Shane Briant), a man who has been sentenced to time in an insane asylum after being caught carrying out experiments based on the Baron's work. When Frankenstein reveals his real identity to the young man and outlines a plan it's not long before the body parts start to pile up and things get ever more problematic.
With Anthony Hinds writing and Terence Fisher directing, this particular Hammer horror rises above its relatively low budget to provide a fitting final outing for the man who is constantly trying to cheat death.
Cushing is as good as ever, Shane Briant acquits himself well and Madeline Smith, John Stratton, Bernard Lee and everyone else onscreen (including David Prowse, hidden once again behind a mask but doing a better job than he did last time he was asked to play the central creature) manage to hold their own.
It's perhaps inevitable that a lot of the material here feels overly familiar and a little bit lazy but there is also some dark, twisted stuff in here (including the reason for Madeline Smith's character not talking) and some proper nastiness that still manages to retain some impact to this day.
It's not really the best swansong that we could have for the Baron but it's a hell of a long way from the worst and, for that, I'm glad.
7/10
http://www.amazon.co.uk/Frankenstein-And-Monster-From-Hell/dp/B004NOQ9W2/ref=sr_1_1?ie=UTF8&qid=1354725685&sr=8-1
Labels:
anthony hinds,
bernard lee,
dave prowse,
frankenstein and the monster from hell,
hammer horror,
john stratton,
madeline smith,
patrick troughton,
peter cushing,
shane briant,
terence fisher
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