Wednesday, 6 November 2013
The Big Steal (1949)
What The Big Steal lacks in darkness and grit, it more than makes up for with charisma (thanks to Robert Mitchum in the lead role) and a cracking script.
Mitchum is a man who has been accused of robbery. To clear his name he must capture the real thief (Patric Knowles), a man who is also being pursued by a woman named Joan Graham (Jane Greer). The two pursuers initially mistrust one another, but end up joining forces to get to their target. Meanwhile, William Bendix plays a man who is chasing Mitchum and Ramon Novarro is an Inspector General who suspects that something is going on right under his nose, but allows everyone to go about their business while he keeps tabs on them.
Directed by Don Siegel, this feels more in line with adventure movies than film noirs. It's worth noting, however, that the script (by Daniel Mainwaring and Gerald Drayson Adams) has some great twists and turns in there. The first scenes play around with the identities of the main characters while the third act mixes some tension with one or two fun reveals.
Mitchum, who began his career in the 1940s and seemed to spend the next two or three decades making up for lost time, gives a wonderful performance here. He's as tough as he needs to be, and also charming enough to keep Greer, who holds her own alongside him, on his side. Knowles and Bendiz are both just fine, but it's Novarro who steals a number of scenes as he hides his intelligence behind a fumbling exterior.
While it's unlikely to make any "best of..." lists, this is a fun time from start to finish, especially for fans of the main stars.
7/10
http://www.amazon.co.uk/Film-Noir-Collection-Kirk-Douglas/dp/B000UWXM1C/ref=sr_1_1?ie=UTF8&qid=1383568472&sr=8-1&keywords=film+noir+box+set
Tuesday, 31 January 2012
Hit The Ice (1943)
It would seem that by this point in their careers, Abbott & Costello had really hit their stride. The template had been set a long time ago but the fine tuning had taken a while. Thankfully, it was worth it to get entertaining movies like this one and many others.
This time around our loveable fools are a couple of photographers trying to get an exclusive that will secure them work with a local paper. Instead of a steady job they actually end up, inadvertently, watching the front doors of a bank while it is robbed. The boys are, obviously, accused of the crime and so have to set about hatching a plan that will clear their names and bring the real criminals to justice. That plan may end up involving pratfalls on ice, some fancy skiing and a few musical interludes.
There's nothing extraordinary about this film but it's just so much fun from start to finish that it's one fans of A & C should happily be able to watch again and again. The songs aren't too bad, the physical comedy is enjoyable and there are a few moments of very good, quickfire dialogue.
The leads are, well, as they always are while support comes from Ginny Simmons as the lovely Marcia Manning, Patric Knowles as a doctor, Elyse Knox as his observant nurse and Sheldon Leonard as the "patient" who comes up with the great bank robbery idea. Oh, and Johnny Long and His Orchestra are on hand to back up the singing.
Director Charles Lamont took over after Erle C. Kenton was fired and he does a good job, maintaining the quality and number of the gags in comparison to the past couple of fantastic films, that Kenton had directed, featuring the duo. True Boardman gets the credit for creating the story but Robert Lees, Frederic Rinaldo and John Grant craft the dialogue (with some uncredited input from Allen Boretz, apparently).
All in all, another fine slice of A & C hijinks.
7/10.
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