Showing posts with label ryan christensen. Show all posts
Showing posts with label ryan christensen. Show all posts

Saturday, 21 March 2026

Shudder Saturday: Bodycam (2025)

I have liked a number of movies from Brandon and Ryan Christensen (Brandon being the director, Ryan being a co-writer on a number of their past few features). Bodycam is easily their worst film yet, and it's almost insultingly bad in a number of ways. I'm annoyed with myself for being mildly impressed by the trailer that I watched last month. That didn't really misrepresent anything. I just allowed myself to think that it was a good concept that might be executed well. I was wrong on both counts.

What you have here is a tale of two cops. There's Officer Bryce (Sean Rogerson) and Officer Jackson (Jaime M. Callica). Their shift quickly goes from bad to worse when they're called to a domestic disturbance that leads to the accidental killing of a baby. Bryce is the one who could end up in major hot water, and he wants to figure out a way to change the narrative. That would mean figuring out a way to get rid of their bodycam footage though. Not only does that seem unlikely, the bodycams soon start showing more and more disturbing events as the two officers are manipulated and terrorised by numerous individuals who seem to be serving some malevolent deity.

I have mentioned it many times before, and will undoubtedly do so again, but there are certain warning signs to keep an eye out for when watching any "found footage" film. Bodycam doesn't manage to stay true to the nature of the format, which is actually one of the warning signs, but that would be the main descriptor for it. Many of the early scenes use torchlight, there are hardly any moments that don't have the action being obscured by the movement and unsteadiness of the camerawork, and the third act feels based around one or two main jump scares. I won't namecheck the far superior horror movie that this made me think of, but some imagery in the last scenes may have a lot of people thinking of the same one. (and thinking "I wish I'd watched *insert the title here* instead of this rubbish") 

It's hard to really rate the performances of Rogerson and Callica, who both do well enough at hitting their marks, but are hampered by the constantly painful hyperactivity of the pacing and the camerawork. Catherine Lough Haggquist, playing the mother of Callica's character, isn't as obscured, although her performance feels so weak that I wish it had been. Some others onscreen do quite well, despite the fact that they're simply moved around hither and thither in service of the central concept.

Are there some moments to give you chills? I guess so, but nothing that wouldn't work better packed into a short. This isn't an effective feature. It's a potentially enjoyable V/H/S segment, at best. The attempts to build atmosphere don't work, a lot of the first half feels like a waste of time as our two main characters go around in circles trying to cover up something that feels impossible to cover up, and the details littered throughout, meant to create a bigger picture of a dark world pushing at the membrane of our own, feel more tiresome than interesting. 

2/10

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Saturday, 4 October 2025

Shudder Saturday: Night Of The Reaper (2025)

While I have enjoyed the previous movies from Brandon and Ryan Christensen, I tend to forget that I am fans of their work. That's why I wasn't aiming to watch Night Of The Reaper, a film that had a fairly generic title and was described as a slasher with an '80s vibe. I WILL eventually watch films described in that way, but I've been burned enough in recent years to make me wary of them. Then I started to see people mention a couple of details that piqued my interest. I won't mention them here, because this is best viewed without any spoilers, but there is a fun third act that more than makes up for some of the other flaws.

Jessica Clement plays Deena, a young woman who ends up babysitting young Max Arnold (Max Christensen), son of the local Sheriff, Rodney Arnold (Ryan Robbins). This wouldn't be a big deal under normal circumstances, but there have been some recent murders that put Deena on edge. And things get a lot worse when it becomes clear that she's being targeted by the killer.

Written by both Brandon and Ryan, and directed by Brandon, Night Of The Reaper is decent enough until it becomes a bit more than that in a fun finale. It's a shame that it feels a bit too tame and bloodless for the majority of the runtime, but a couple of decent moments near the end try to make up for that. This is more about making use of familiar slasher movie tropes (including, of course, the babysitter in peril, which is handled well in an enjoyably tense opening sequence) than it is about delivering loads of kills and carnage.

Clement is a decent young lead, and she works well in her scenes with her young onscreen charge. The two of them feel absolutely convincing in the babysitter/babysittee relationship depicted. Robbins also does well as the desperate Sheriff, Matty Finochio is a good fit for the role of Officer Butch Cassidy (yes, that is the name given to them), and Keegan Connor Tracy is a welcome addition in the role of Elizabeth Talbot. 

The emphasis is always on building things up (be it the tension, the suspect pool, or the obstacles placed en route to the expected climax), but the Christensens just about deliver enough pay-off to make it all worthwhile. I think they could still have gone a little further when finally leaning into the fun factor and bloodshed.

An enjoyable way to pass the time, and there's certainly a good dollop of spooky atmosphere throughout, Night Of The Reaper should do enough to keep horror fans happy. Those wanting something with that classic "old school" vibe, however, will probably still do best to simply (re)visit one of the many lesser slasher movie entries from the halcyon days of the sub-genre. 

6/10

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Saturday, 14 October 2023

Shudder Saturday: The Puppetman (2023)

Director Brandon Christensen makes movies that I like, and he's been doing so for a while now. I wouldn't say that he's been improving with every film he makes, but he has certainly maintained a consistency over the past few years that have marked him out as someone I should be keeping more of an eye on.

The Puppetman is a good, if slightly silly, concept. A man is on death row for murder of his wife many years ago. His daughter, Michal (Alyson Gorske), knows that something very odd happened on that day, and she soon starts to learn about a presence that can jump around and force people to act against their own will. It uses people as puppets, if you will. As people around Michal start to die in a variety of grisly "accidents", she starts trying to figure out how to convince people of what is really happening, and how to put an end to it.

With a screenplay also co-written by the director, alongside Ryan Christensen, and story input from Matt Manjourides, The Puppetman confidently moves between impressive moments of tension and slightly ridiculous plot beats that are handled with just the right level of seriousness to make them palatable. Nothing feels too overly earnest, but it's not being mocked either, and everything gets more exciting as Michal starts to find her situation more unbearable and hopeless.

The runtime is 96 minutes, a sweet spot that allows time for the plot to unfold nicely without feeling stretched too thin, and everything is polished enough to show a budget put to great use, while also having a few rough edges to remind you that this certainly isn't a slick and mainstream release. And when you get to the death scenes, oh boy, that's where you can see that they have pulled out all of the stops. There are a few moments here that are brilliantly gnarly. Yes, I would have liked to use words here that didn't make me seem like a blogging version of Bart Simpson, but "brilliantly gnarly" seems to be the most appropriiate phrase.

Gorske isn't a bad lead, and she certainly stands out more than most of the younger supporting players around her (with the exception of Angel Prater, who does very well in the first third of the film), and there are decent turns from Michael Paré (a cop who quickly finds out what is going on), Caryn Richman (a medium who may be able to help, if she can keep people, including herself, alive long enough), and Zachary Le Vey (the imprisoned killer).

Maybe helped by the fact that I had no expectations going in, I do try to avoid expectations with most movies I watch, but hadn't even heard of this before today, The Puppetman is a film I thoroughly enjoyed, and it's one that I recommend to horror fans after something new and a bit different from the usual selection of evergreen zombie movies, monster flicks, found-footage shenanigans, and attempts to replicate the work of James Wan.

7/10

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